In Gilded Age New York, a centuries-long clash between two magical families ignites when a young witch must choose between love and loyalty, power and ambition, in this magical novel by Louisa Morgan.
In 1692, Bridget Bishop was hanged as a witch. Two hundred years later, her legacy lives on in the scions of two very different lines: one dedicated to using their powers to heal and help women in need; the other, determined to grasp power for themselves by whatever means necessary.
This clash will play out in the fate of Annis, a young woman in Gilded Age New York who finds herself a pawn in the family struggle for supremacy. She’ll need to claim her own power to save herself-and resist succumbing to the darkness that threatens to overcome them all. (taken from Amazon)
Thank you to Orbit Books and Angela Man for providing me with this book in exchange for my honest opinion. This book will be available on April seventh, 2020.
Reading this book, I found myself in a “it’s not you, it’s me” situation. It was well written, but I just really didn’t care for it. Possibly, it was because the book didn’t seem to match its blurb. When I read the description, I expected a lot more action than there is in the book. I guess I failed to take into account the time in which this book takes place.
Annis comes from a long line of witches, but she is unaware of it. Her stepmother, Frances, is also imbued with powers. She decides to use them selfishly, in an attempt to gain herself notoriety. Here’s the first thing in the book that I wasn’t a huge fan of: the whole “evil plot” consists of making Annis marry someone with station so that Frances can be a part of the upper class. That’s a reason that just isn’t all that interesting to me, personally.
I also didn’t really connect with the characters at all. Annis only cared about her horses and, when she thought about marrying rich, it was with an eye toward the horses she’d own and be able to breed. James, the other part of the duo, was a prude who didn’t think women capable of anything. It made it difficult for me to care about either of them. The slow-building possible-romance just didn’t work for me.
The world was well-realized, however, and the writing was top-notch. Louisa Morgan wrote with an eye to detail that made it incredibly easy to visualize the settings. She told the story using four different points of view, but the switch-off was smooth and easy to follow.
Despite the author’s obvious skill, this book just didn’t butter my biscuit.