I’ve been incredibly fortunate to be able to join Beth from Beforewegoblog in interviewing fantasy author Deck Matthews.
First off, tell us a little bit about the Riven Realm series.
The Riven Realm is an epic fantasy story told through a series of novellas. It’s a bit of a different approach to fantasy, a genre known for its massive, doorstop tomes—like the A Song of Ice and Fire books or basically anything by Tad Williams. I enjoy the big books and eventually hope to write a few myself, but the idea behind The Riven Realm books was to write in shorter, episodic installments.
My reasons for this are two-fold. First, I only write part-time. My full-time gig is working as a front-end web developer. Between that and my responsibilities as a husband and father, my time is finite. Working in smaller installments has allowed me to release at a more rapid rate (though still not as along as I’d like).
Secondly, as a reader I sometimes like a break from all the huge fantasy novels. My hope is that readers will be able to relax with a quick and entertaining read—sort of like streaming a quick episode of your favourite TV show instead of sitting down for a Lord of the Rings marathon!
I loved the way magic works in your books. How did your version come to exist, and did it change at all from its conception to the final draft?
Thanks! The magic of Varkas started in the very first scene of my very first draft, in which I referred to a “Flameborn Prince.” Even as I wrote the words, I knew that this was the seed of the world’s magic system. The next chapter of that draft featured a young man who was “joined” to a raven, which was the beginning of what became melding magic.
I tend to be pretty organic with my initial drafting, so I just kind of let the magic evolve through the initial framework of the story. It was only later that I went back and started to codify the system, parsing the magic into six distinct forms and setting out the rules for each.
There’s still a lot to discover, too, and more about the magic will be revealed over time.
Were there any books or authors that inspired you to start writing?
Absolutely. I started writing my very first fantasy novel shortly after first reading David Eddings’ series The Belgariad and The Mallorean. That novel was actually a co-authored effort with a friend, who was highly influenced by Terry Brooks’ Shannara books, so I picked those up next. In retrospect, Brooks ended up having an even greater influence on me as a writer!
What drew you to fantasy (either reading or writing it)? Do you have a favorite book? What do you love about it?
That’s a great question. For me, I think the answer comes in several parts. Even as a very young kid, I tended to be drawn more toward the fantastic. My favourite toys and cartoon were Masters of the Universe, which has its roots in Sword & Sorcery and obvious influences from stories like Conan (though reworked for children, of course). There was just something about the sword-wielding hero that always appealed to me as a kid, and it’s stuck with me.
Beyond that, there’s a sense of escapism, a sort of juxtaposition against the rigours of our postmodern, hyper-connected and technology-saturated world that can be highly appealing to me.
Outside of the reading that I did while working on my literature degrees during the early 2000’s, I’d say that 85-90% of what I’ve read for leisure has been fantasy or science fiction. Even with science fiction, I tend to prefer universes like Star Wars, which are basically just space fantasy!
All of your characters are unique and stand out. Which character of yours was your favorite to write? Was any character harder to develop or write about?
I’m pretty much obliged to say that I like writing all my characters, aren’t I? I love them all in their own way. That being said, I do tend to find myself really enjoying the scenes written from the perspective of Palawen Ty. Despite her quiet personality, she does tend to be a bit rash and impulsive, which has led to some pretty fun action sequences!
Probably the most challenging character to write is Tiberius. Due to his blindness, I’m writing his perspective based on non-visual stimuli. He spends a fair bit of time in contemplation and conversation, which is relatively straightforward, but the few action sequences in which he finds himself presented a unique challenge.
What was the best money you ever spent as a writer?
Hands down, the best money I ever spent was my purchase of Scrivener. It’s been a hugely beneficial application that has really helped refine my overall workflow.
What was an early experience where you learned that language had power?
That’s a really interesting question, and I’m not sure that my answer will be the sort of thing that anyone might expect.
I used to dream in French.
I’m Canadian, and we have two official languages here—English and French. When I started school, my parents enrolled me in the French Immersion program, which saw me fully immersed in French during my school day. All my classwork and homework was in French, so I’d often spend six to eight hours a day reading, writing and/or conversing in French. It became such a part of me that it would occasionally become the language of my dreams.
I don’t use French nearly as much anymore, and I haven’t dreamed in that language since I was a kid, but the experience has remained with me. For me, it’s a remarkable example of just how tightly language is bound up in our consciousness!
What period of your life do you find you write about most often? (child, teenager, young adult)
I’ve worked on a range of different characters. In The Riven Realm, my primary characters are a range of different ages. Caleb and Palawen are both young adults, while Carvesh, Avendor, and Shade are all in their 30’s. Tiberius’ is 62.
Later this year, I’ll be releasing a new novel I wrote for my daughters. It’s titled The Portal of Tears: Beyond the Shimmering, and tells the story of thirteen-year-old Trisha Banymor.
Do you hide any secrets in your books that only a few people will find?
For sure. My larger vision for Varkas as a whole is to build it as a broader fictional world, almost like Dragonlance or Star Wars. The events of The Riven Realm are only one of the stories I plan to tell. I plan to build connections between these stories. At the moment, astute readers find small connections between the novellas and the current short stories. More connections will develop over time, too.
Finally, if you had a dinner party and could invite three people, alive, dead or fictional, who would they be?
The grandparents I’ve lost—my paternal grandfather and both grandmothers—in full health. I lost both paternal grandparents before I published my books, and my maternal grandmother’s health was already failing. I’d love to be able to talk with them more about it.
But more than anything, I’d just want one more chance to say “I love you.”