After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.
Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.
Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.
And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind. (taken from Amazon)
I don’t usually give trigger warnings in my posts. However, I’m going to give one here because I really wish I’d been given one. This book contains more than one instance of sexual assault. If I had been aware of that going in, I would not have read this book. So. There’s that.
In many aspects, this is a typical gothic novel. It contains many of the things often found in creeptastic books. Isolated rundown mansion? Check. Help staff that has been there forever and is eerily silent? Check. Possible mental illness? Check. Tragic, violent past? Check. Hallucinations-or are they hauntings? Check.
However, Noemi is a fresh take on the heroine. She’s a little spoiled and quite used to getting her way. Being thwarted at every turn only serves to increase her determination to figure out what’s going on. I liked that it explained why she wouldn’t cut and run when it became clear that something wasn’t right.
The other cast of characters were original spins on the usual tropes. There’s Virgil, who personifies the word “vile”; Florence, a strict woman who really dislikes Noemi; Howard, the old and wizened patriarch; Frances, the pale tortured young man; and Constance, the cousin who might be having a nervous breakdown.
In case you haven’t realized it by now, I didn’t care for this book. I was disgusted by the sexual aspects in this book, I was not surprised by any of the “twists,” and the final reveal bordered on the ridiculous. That being said, the descriptions were well done. The author made sure to use all the sense when describing the setting, which made it feel much more real.
If you can handle harsher content, you might enjoy this book. As for me, I was underwhelmed.