I thought it would be fun to talk about “classes” in Dungeons and Dragons (and other roleplaying games) and their counterparts in books. A “class” is kind of a set group of skills that is generally used by a specific profession. For example, “fighter class”-boiled down- consists of excelling at some sort of combat.
I put out a call for contributions from the writing community. Both book bloggers and authors answered in a huge way! This post is one of a series because everyone’s contributions were so detailed and genius. You can also check out the posts on fighters and barbarians; paladins, clerics, and druids; and rangers and rogues. Today, I’m digging into the subject of bards and magic users!
Bard: Bards use music and song to either help or hinder. They are often puckish. While they tend to stay more on the sidelines, they are more than capable of holding their own in battle. They do sometimes have some magic spells, but they tend to be illusory as opposed to destructive, and the main focus is on their art.
The Cyberbard shares his thoughts on bards: “Why be the best at everything when you can simply make everyone THINK you are? That seems to be the core of Kvothe, the protagonist of Patrick Rothfuss’s “Kingkiller Chronicles”. A story wrapped in legend, then bespeckled in enigma and mystery… yes, I do believe we have entered Bard country. Kvothe, as a narrator, has been established to be somewhat… unreliable. He embellishes and diminishes in equal parts, all to maximize the artistic value of his tale to the reader. Why let facts get in the way of a ripping tale? The art of story-telling is most certainly the purview of a Bard, and Kvothe is no exception: he is the architect of his own legend. What else defines a classic Bard? Music, for one thing, and Rothfuss (as expressed through Kvothe and other characters) repeatedly reminds the reader that Kvothe is considered one of the great performers/songwriters of his time. Just like a D&D Bard, Kvothe can do just about anything: he can integrate himself convincingly into politics, charm a lock, create masterful artifice, expertly forge documents, and gain mastery over the very elements by speaking their True Names. Importantly, while he can do all these things, there is often someone else who surpasses him in talent for each individual skill. He is a jack of all trades! Did I mention he is also a Monk?
Yes, Kvothe is a MULTICLASS character! At one point in his career, Kvothe The Arcane sought the teachings of the Adem and earned his place among them (albeit as an outsider). There, he became versed in the way of the Lethani, the path of correct action. While his wild nature clashed with their teachings, he learned much from their disciplined way and became a passable combatant (both open-handed and with a sword). If you are a reader looking to play as Kvothe in your first D&D game, start as a (Variant) Human Bard, and take “Alert” as the feat you have for your race. Max out your Charisma and Dexterity scores, and keep average scores for your Strength and Constitution. Keep your Wisdom on the lower side, no more than average… Kvothe is not known for his decision-making skills. Your intelligence should also be fairly high for his various Knowledge skills! Later, as you gain levels, I suggest taking no more than 2 levels of Monk; Kvothe was an initiate, at best. For those veteran D&D players out there: if you’re a fan of Bards and their shenanigans, give the “Kingkiller Chronicles” a try (starting with “The Name of the Wind”). They’re big books, but you’ll want to take your time with them anyhow to appreciate the beautiful prose.”
“Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts.”– Patrick Rothfuss, The Name of the Wind
Witty and Sarcastic Bookclub has words of her own: I was fortunate to recently read a book with an excellent bard who also so happens to be the narrator of the story. I’m talking about Heloise from The Part About the Dragon Was (Mostly) True by Sean Gibson. She is in the middle of things (which makes her the perfect one to tell the tale, right?), full of sass, and has a rather high opinion of herself. She’s also a blast to read about and is a perfect example of a bard in a more lighthearted setting.
[Referring to Heloise] “…if not the most well-known bard in Erithea (yet), arguably the most talented, and unarguably the cleverest”– Sean Gibson, The Part About the Dragon Was (Mostly) True
There are a few different types of magic users in Dungeons and Dragons (warlocks, sorcerers, and wizards). While there are distinctions, they can be a little hard to explain. So I’ve decided to refer to magic users here as “traditional” and “non-traditional”. Any annoyance that causes is my fault, and not the fault of any of the contributors. Sorry in advance.
Traditional Magic User: This would be where magic schools, patrons, and spell books lay. Time, effort, and a fair amount of patience are what set traditional magic users apart. These would generally fall in the wizard category. The study and acquisition of magic is constant and demanding, but the payoff can be huge. Think fireballs and lightning bolts.
Behind the Pages has excellent examples of a traditional magic user: “Weak and bullied as a child, Raistlin Majere [from the Dragonlance series] risked his life to claim magic as his own. He spends countless hours memorizing spells from his books, and thirsts for power. Magic is everything to him. Even his own brother’s life does not compare to the need to discover new spells. His body is frail, but his mind is sharp. With a few simple gestures and a handful of components, he can obliterate his foes.”
“I can kill with a single word. I can hurl a ball of fire into the midst of my enemies. I rule a squadron of skeletal warriors, who can destroy by touch alone. I can raise a wall of ice to protect those I serve. The invisible is discernible to my eyes. Ordinary magic spells crumble in my presence.” – Margaret Weis and Tracy Hickman, Time of the Twins
“Camellia Beauregard from The Belles series by Dhonielle Clayton. As a Belle Camellia can use her magic to manipulate and form a person into the most beautiful being. The limits of power stem from what her clients can endure, and if she pushes too far she will break them. Trained from birth Camellia knows her limits. But then she begins to dig into the past of the Belles. Where the knowledge of dark deeds lays hidden. And with that knowledge comes power and sacrifice.”
“Don’t be fools. You can’t have both. Who wants love when one can be powerful?”-Dhonielle Clayton, The Belles
Ricardo Victoria weighs in: ” I think that for a modern take on Wizards, Harry Dresden would be the best option. He is smart, resourceful, not a squishy wizard but neither a physical fighter (that’s what Murphy or the Knights of the Cross are for). He would have a wide array of spells, ranging from fireballs to necromancy (remember the T-Rex). He also possesses a large collection of items to store or channel magic, from his staff to his ring, passing by his duster and his blasting rod. As A White Knight of the Sidhe, his Con [constitution] stats get a boost. Due to his high Int [intelligence] and Char [charisma] stats, he has managed to accrued a series of allies, and deal with supernatural beings to help deal with those difficult high-level quests. He also has pickpocketing and lock picking skills, proper of an illusionist as part of his cover.
“The building was on fire, and it wasn’t my fault.”-Jim Butcher, Blood Rites (Dresden Files #6)
Witty and Sarcastic Bookclub’s thoughts on the matter: I had two examples, but thanks to Behind the Pages’ excellent paragraph on Raistlin, I am left without one (grr!). However, my second example is also a marvelous wizard. I’m talking about Aravia from The Ventifact Colossus by Dorian Hart. Technically, she is a wizard’s apprentice, not a full-blown wizard, but one wouldn’t know it from her skill level. She’s intelligent, dedicated to her magic, and a talented magic user. She gets Horn’s Company out of many a scrape (and into a few of them too).
“Knowledge and its accumulation were the most important things in her life. Knowing that she shared a house with seventy-nine spellbooks that she was forbidden to read was like working in a bakery and being denied the bread.”– Dorian Hart, The Ventifact Colossus
Non-traditional Magic Users: These would be the magic users that literally have magic in the blood. Dragonborn, half-demons, etc. fall smack into this category. So, too, do characters who have made a bargain of some sort to receive their powers. Think: magic users who take shortcuts.
Witty and Sarcastic Bookclub weighs in: “Magnus Bane, the delightful self-styled High Warlock of Brooklyn from Cassandra Clare’s Shadowhunter series, is the perfect example of a warlock. He comes by his power through his blood-he’s a half demon. He also has a snarky attitude, and has somehow found himself surrounded by a gaggle of demon-hunting teenagers. Awkward.
“’There’s no need to clarify my finger snap,” said Magnus. “The implication was clear in the snap itself.’”– Cassandra Clare, City of Ashes
Meet the Contributors:
The Cyberbard is a talented blogger who reviews beer and books with equal skill and authority. Check out his blog for the latest on good reads, particularly science fiction, fantasy, and horror.
Behind the Pages is an excellent blog and beta reading site, run by the talented Tabitha. Her reviews are very insightful and incredibly well-written. She has excellent taste and never fails to review books that would have snuck under my radar, adding to my already way-too-long list of books to read.
Ricardo Victoria is the author of The Tempest Blades fantasy series. Book one, The Withered King, (which I highly recommend reading), is available now. Book two, The Cursed Titans will be released this summer and is available for pre-order on Amazon.