Witty and Sacrastic Bookclub has been a constant supporter of my work. More recently, that expanded to include my wife, Natasha, in a Q&A we did, featuring the evolution of her expression as a graphic artist.
This post features Natasha once again in a cover reveal of my fourth book, a standalone time travel story, Mirror in Time. So, to quote a line she sang in that Q&A, “I’m so excited, and I just can’t hide it.”
As always, many thanks, Witty and Sarcastic Bookclub, for allowing us to share our thoughts!
Our story so far…
As night falls, a lone atmospheric vehicle has come under attack on its final approach to a high-altitude research facility known as the “Jomo Langma Mountain Observatory”. Stars that should fill the sky have been obscured by a random patchwork of contrails that have come to be known as “ribbons in the sky”.
Ribbons in the Sky | Natasha Evelyn Overttun
However, Prefect Godvina, AV Sundog’s lone passenger, is now recovering in the Observatory’s medical facilities, a result of stress caused by the evasive maneuvers of the episode. Director Jo’el, head of the Observatory, has been keeping vigil at her bedside. His concern for her is personal. Was this the reason for her visit?
We learn the attack was the anticipated result of a plan to draw out dissident elements. Prefect Tarsus, architect of the plan, is pleased on two fronts. About the mission was to be expected. However, as to Godvina’s condition has come as somewhat of a surprise to Agent Thalia, Sundog’s pilot, and Agents Mica’el and Gabri’el, two of her escorts. It spoke to rumors of a prior relationship between the head of Security and the head of the Cosmological Data Collection and Compilation Center. These rumors are seemingly confirmed when an angry Godvina bursts into a secure room to confront Tarsus, and Thalia is later tasked with covert surveillance of the fiery Prefect to determine the exact nature of her visit to the Observatory.
Jo’el’s tenure as Director of the Observatory had been a direct result of the ribbons in the sky and their seeming adverse causal affect on seismic activity and climate of the planet. His research had led him to conclude the ribbons were an extinction event. He has found a solution, a portal to another universe. However, there was no way to access it. If only there was more time…
His plan: Go back in time before access to the portal becomes compromised.
He will not be going alone. His two lifelong friends, Chief Psychology Officer Auberon and Chief Physician Kyros, will accompany him on this one-way journey. However, temporal mechanics was not his main area of study. That is why he has asked Godvina to come to Jomo. He needed a sounding board, someone to check his logic and his calculations. There was no one better than the prefect of CD3C.
He had originally intended a purely academic discussion.
However, Thalia’s scrutiny has thrown a spanner in the works. She had been unable to
eavesdrop on their meeting, a result of one of Auberon’s very unique abilities. It would only be a matter of time until it would draw unwanted attention to Jo’el’s plan. Now, he had no choice but to flee Jomo with his two friends and a recently recruited CD3C Prefect. Their objective: Exit a facility under military jurisdiction, make their way through some of the most inhospitable terrain on the planet and head to the very people who attacked AV Sundog.
Do they get off the mountain and travel back through time? Of course! Without it, there is no story, but how do they get there, what do they find, and do they make good on Jo’el’s plan?
Mirror in Time will take you on a journey beyond the galaxy then to the ancient world of Ziem as a band of intrepid time travelers struggle to save existence.
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Now, about the cover…
My wife, Natasha (@neoverttun), does all my covers and visuals for my guest posts. I am so lucky to have her support. At this point, I would also like to clarify she sources all the artwork she uses from Pixabay and similar sites. She then combines and manipulates them in Photoscape, GIMP and word. Is the result original? I think so because it’s all about proportion and balance. Take sulfur, carbon and potassium nitrate. They are distinctive and unique in and of themselves. But mix them in the proper proportions, and you get gunpowder. So, to quote one of my favorite chef’s, “BAM!” Let’s take it to the next level.
Shades of gray dominate the cover. That palette combined with a hooded woman gives it a gloomy, gothic feel. It could imply our MCs are going back to a period in time like that. On the other hand, it might be a reference to time itself. The past is shrouded in mystery. Tomorrow is dark. Tomorrow unknown.
The woman stares back at us, a cryptic Mona Lisa smile on her lips. I have seen that look before. She knows something, something we don’t know. What could it be? One interpretation is the story itself. She knows what’s in the pages that follow, and the reader doesn’t. So, this is an invitation to journey past the cover and delve into the story.
Her smile could also be a bright spot in an otherwise dreary color scheme. Again, it is a hint of what is to follow. Our MCs will be faced with impossible odds, but there is always hope.
On another level, it could be like looking in a mirror, and this is our own reflection. This asks the reader a question: What are you thinking?
The bottom half of the cover is also a reflection. Natasha blurred it slightly to make a distinction to the top half. For me, the fact it’s upside down makes it clear enough, but I think it’s a nice touch. We have two more. One is the inverted “r” in the title and the title itself. Natasha wanted to do something similar to my name, but I said, “Enough with the reflections already. I think they get the point.” We had a little “discussion” after that. To summarize, she “said”, “This is an artist’s prerogative.” I “said”, “Less is more.” She finally agreed. I include the episode here, not to gloat but as a record I am right on occasion.
The accent color is green. It appears in the globe of light and around the lettering. No interpretation is required to know the tendrils represent plasma. Because it’s there, it has to have something to do with the story. It does. Although, in the story, it’s a mist. Natasha could have feathered and blurred it to make it consistent, but she felt it would lose it’s immediate and unmistakable connection to power. (This is an artist’s prerogative.) It’s in front of the woman, implying you have to go through it to get to the end of the story, which you do.
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Other books by D. Ellis Overttun: