Thank you to Netgalley for providing me with this book in exchange for my honest opinion. The Dictionary of Lost Words is available now.
I agonized over what to write about The Dictionary of Lost Words. I love books about the love of words (The Grammarians and The Professor and the Madman: A Tale of Murder, Insanity, and the Making of the Oxford English Dictionary come to mind) and I had high hopes for this one. Ultimately, I think I may have expected too much. I liked the book, but that indefinable thing that elevates a book from “good’ to “great” in my mind wasn’t there.
That being said, The Dictionary of Lost Words was very good. The story starts with Esme, the main character, as a girl. She grows up surrounded by words. Her dad works to gather words and their definitions for the Oxford English Dictionary, along with a team of other men. Esme gets the leftovers, so to speak; the words not deemed appropriate or good enough for the dictionary. I loved that idea. I loved the focus on the importance of words and the way they can affect change. The premise was fabulous.
I did feel that the book meandered a bit, and I found my attention wandering a little here and there. I had a particularly hard time during the second half of it. It just didn’t hold my focus. I think it might have been the switch in focus to include a little more about Esme’s personal life as an adult. It just wasn’t my thing.
What the book might have lacked in pacing, it more than made up for in detail. It is clear that the author put a ton of time and effort into making the book as close as possible to how things were at that time. The Dictionary of Lost Words might be a great read for readers who really enjoy historical fiction. However, readers who are looking specifically for a book about words and their power might be a teeny bit disappointed.
One thought on “The Dictionary of Lost Words by Pip Williams”
Instead of bondmaids we have right now Bond Girls such as Pussy Galore, Plenty O’Toole, Xenia Onatopp, or Holly Goodhead.