Here’s the thing: Alix E. Harrow is a brilliant writer. She could write a book about the color taupe and I would stand in line to read it. She’s that good. So when I heard about A Spindle Splintered, I grabbed it as quickly as possible. I didn’t know too much about it, but I knew I needed to read it.
I was a little surprised at how short it was. I expected it to be longer based on Harrow’s last few books (which I highly suggest reading, by the way). I am always a littles hesitant about shorter books, wondering whether they can tell complete tales as well as a longer novel can. That’s a silly hang-up on my part since I’ve read many shorter novels that have been absolutely amazing, but we all have our failings.
The author embraces the shorter format, eschewing long character introductions in favor of quick ones with the development continuing at a rapid pace throughout the rest of the story. While there is no doubt that the characters are fully rounded (especially Charm), I do wish that there had been time to really get into the nitty gritty of what made them tick. For example, Zinnia has spent her entire life in a tug of war between trying to do the things that every kid and teen does and the awareness that she is living on borrowed time. I would have loved to see more of that struggle and view how that has shaped her every action. There is a bit of explanation about her relationship with her parents which I found very interesting but I would have loved to see more.
I loved that there wasn’t a ton of lead up to the main event. Instead, we are pretty much tossed right in, which added to the tone of unbelievability meets why the crap not? that pervaded the story. The side characters were great, especially the witch that cursed the Sleeping Beauty that Zinnia meets. That whole confrontation did not go at all the way I expected and I was completely on board with that.
There wasn’t a lot of time spent on the world building because there didn’t need to be. It was every fairy tale you’ve ever read, every fantasy trope played out in exaggerated detail. It worked very well for the plot as everyone knows the original story of Sleeping Beauty (or at the very least, the Disney version) and this was a new take on the tale. There didn’t need to be a ton of explanation. That being said, Alix E. Harrow made sure to provide extra details where it was needed, without slowing the pace of the book, again showing off her writing chops.
There are Arthur Rackham illustrations throughout, which provided an enchanting touch, if a wee bit twisted. In fact, the entire book points out the less-than-savory parts of fairy tales and fables, and finds ways to compare them to the less-than-wonderful things in real life. It was very well done.
My big quibble with A Spindle Splintered is that I really didn’t like the length. I wanted more. More detail, more expansion, more from the final confrontation. Not because the book was bad, but because Alix E. Harrow is such a good writer. I wanted to live in her story for much longer than I was able to.
At the end of the day, I really did enjoy A Spindle Splintered, but not nearly as much as I loved The Once and Future Witches and The Ten Thousand Doors of January. In this case, definitely blame the reader and not the book.