Why Odin Drinks by Bjørn Larssen

Norse Mythology retelling for fans of Terry Pratchett, Douglas Adams, Calvin & Hobbes
Ever woken up being a God, but not knowing how to God properly? Poor Odin must restrain his brothers, who create offensive weapons such as mosquitoes and celery; placate his future-telling wife, Frigg, who demands sweatpants with pockets; listen to Loki’s Helpful Questions; hang himself from Yggdrasil for nine days with a spear through his side (as you do); teach everyone about nutritional values of kale (but NOT celery); meet a Wise Dom, Sir Daddy Mímir, in order to outwit those who outwit him; and, most importantly, prove he is The All-Father, while his brothers are, at best, Those-Uncles-We-Don’t-Talk-About.

This nearly (except in Vanaheim) universally acclaimed retelling of the Gods’ first millennium answers way too many questions, including ones on Freyr’s entendre, horse designing… and why Odin drinks. (taken from Amazon)

Thank you to the author for providing me a copy of this book. Why Odin Drinks is available now.

I’m very particular about my comedy. I like witty, I like a little bit of line-blurring, and I like smart. And yes, while a person might not expect a book that features the creation (and subsequent why?) of celery to be particularly clever, Why Odin Drinks is also incredibly smart.

Author Bjørn Larssen explores Norse mythology as you’ve never seen it. From a creation story that’s a bit more haphazard than your usual fare, to the addition of a prescient wife and the difficulties that comes with it, and of course the World Tree, Larssen adds a brilliantly comedic twist to well-known mythologies.

My reaction to Why Odin Drinks ranged from giggles to flat-out obnoxious guffaws. A fast read, it was also surprisingly deep. l was fortunate to be able to interview Bjørn and he said that Why Odin Drinks has a serious undertone that you can choose to miss. I would add the word “wise” to that description. Like Calvin and Hobbes, another comedy with serious aspects to it, Why Odin Drinks muses on life and humanity in ways that are accessible and undeniably smart. There were several “whoa” moments, when I wondered if maybe it was Larssen and not Frigg, who sees the future.

Why Odin Drinks left me gasping with laughter while also thinking. I’m sure I looked ridiculous. Read the book with a tissue or two handy- whether you snort your drink out your nose while laughing, or you tear up a little at some of the observations hidden beneath the surface, that tissue will come in handy.

Let’s Talk: Self-Published Authors Appreciation Week

Banner Credit: Fantasy Book Nerd

If you’ve followed my blog for a while, you’ll know that I have been lucky enough to read many indie/self-published. I love the creativity and uniqueness often found in self-published books. Last year was the first ever Self-Published Authors Appreciation Week, during which I was joined by many amazing bloggers, podcasters, and Youtubers, all sharing their appreciation for great self-published authors. Well, guess what? We’re doing it again this year!

This year Self-Published Authors Appreciation Week will run from July 24th-30th. How can you get involved? Read self-published books, review self-published books, shout about great self-published authors. You’re welcome to use the above banner (created by the awesome Fantasy Book Nerd) and if you tag my Twitter @WS_BOOKCLUB, I will add your posts to a blog hub and share those posts on my Twitter. On Twitter, you can use the hashtags #SPAAW, #SuperSP, and #AwesomeIndies.

By the way, the Self-Published Fantasy Blog Off contest is a great place to go for self-published book suggestions. Follow along with this year’s contest here. Here are a few self-published books that I recommend. I stopped myself at twenty, but there are so many amazing sp books out there! What’s the best self-published book you’ve read this year?

Jason and Rose Bishop- The Call (Storm’s Rising #1)

Lee C. Conley- A Ritual of Bone

Susanne M. Dutton- Sherlock Holmes and the Remaining Improbable

Jami Fairleigh- Oil and Dust

Jonathan French-The Grey Bastards

Sean Gibson- The Part About the Dragon Was (Mostly) True

 Bjørn Larssen- Why Odin Drinks

Randall McNally- Shadowless

Marcus Lee- Kings and Daemons

G.M. Nair- Duckett and Dyer: Dicks for Hire

Roland O’Leary- The Hand of Fire

Thomas Howard Riley- We Break Immortals

Kirstin Espinosa Rosero- Burn Red Skies

Patrick Samphire- Shadow of a Dead God

Matthew Samuels- Small Places

Emma Shaw- Sacaran Nights

M.L. Spencer- Dragon Mage

Luke Tarzian- The World Breaker Requiem

Keith Tokash- Iliad: The Reboot

M.L. Wang- The Sword of Kaigen

Fantasy Focus: Comedic Fantasy- Featuring Claire Buss

This week I’m discussing Comedic Fantasy on my blog. I’m delighted to be able to talk with Claire Buss, author of several books, including the comedic fantasy titled The Rose Thief. Thank you so much for being willing to chat about comedic fantasy with me!

You’re so welcome – thanks for having me!

Will you introduce yourself to the readers a little and talk about your writing?

I’m an avid reader, mum to monsters and fantastic procrastinator. I used to write a lot when I was younger, but when I hit 18ish and struck out on my first attempt at adulting, I stopped and didn’t pick it up again until about 7 years ago, just after I had my little boy. I accidentally fell into a writing workshop and unknowingly entered a book I hadn’t yet written into a book competition. That was the start of my writing journey. My first book, The Gaia Effect, was a hopeful dystopian set about 200 years in the future with a strong female leading cast. I began the book with a waking up scene. Fight me. Then I wrote the first book in my humorous fantasy world, The Rose Thief. Then I released several books of short stories, poetry and 10-minute plays plus some flash fiction collections and more poetry books. I went back and finished the hopeful dystopian trilogy, then went back and wrote some more humorous fantasy. I laugh in the face of genre. But I am firmly in the humorous fantasy camp. For now.

Will you describe the premise of The Rose Thief?

The Rose Thief is the first novel in my humorous fantasy world. Ned Spinks, Chief Thief-Catcher has a problem. Someone is stealing the Emperor’s roses. But that’s not the worst of it. In his infinite wisdom and grace, the Emperor magically imbued his red rose with love so if it was ever removed from the Imperial Rose Gardens then love would be lost, to everyone, forever. It’s up to Ned and his band of motley catchers to apprehend the thief and save the day. But the thief isn’t exactly who they seem to be, neither is the Emperor. Ned and his team will have to go on a quest defeating vampire mermaids, illusionists, estranged family members and an evil sorcerer in order to win the day. What could possibly go wrong?

What inspired you to write humorous fantasy?

I have a natural humour in my writing which often comes out in my observation of people and especially through their interaction in dialogue. I am a huge Pratchett fan and also love Neil Gaiman, Douglas Adamas and Piers Anthony. I devoured these books as well as other typical fantasy books when I was an awkward teenager, so I think they’re in my bones now. It’s not a conscious ‘oh I must write funny’, it just kinda happens.

What are some obstacles to writing comedic fantasy?

Definitely overthinking ‘is this funny’ and also over-using a particular gimmick. It’s usually only funny the first two times, three at a max. Another thing to be wary of is to not give your character enough substance for more heavier themes because you’ve been too focused on making them funny. They need to have layers. Like an ogre. Sorry onion. Also writer’s imposter syndrome which I think every writer suffers from. The book first starts out as an amazing idea but soon becomes a pile of poo before you can grudgingly accept that it might have slight merit as you wait for the first reader review.

What are some triumphs?

Having strangers read my books and love them because they love the characters and they thought it was funny and because it reminds them of Pratchett. It’s such an accolade. And getting the feedback that they can’t wait for the next one is a real kick up the butt to actually get on with writing the next one. Did I mention procrastination?

Oh, I am well acquainted with procrastination. How do you get in the writing “zone”, so to speak?

Ugh. I try not to lean too heavily on the idea of a zone. I have kids. There is always a crisis waiting to happen, currently happening or having just messily happened so there’s always something that needs doing, cleaning, fixing, disinfecting etc and then they want to eat. Kids eat all the time. It’s annoying. Mostly because I can’t do that if I want to avoid looking like a bowling ball. Anyway, back to procrastination…

Usually I stick a pair of headphones on and listen to music way louder than you’re supposed to. Did I mention I have kids? They are also loud. I find mini outlines help though I am by no means a planner. It’s literally a case of hmm, what could happen here and then I type a few lines to help guide the writing flow. I always type those in caps just like I always type XXX when I can’t remember the name of a character or place OR the character or place doesn’t yet have a name. Naming is hard. Then I just go. I’m lucky that I type fast. I can rock out 1000-1500 words in 30-40 minutes provided I don’t let myself get distracted. I can’t guarantee that those words will be awesome but it’s first draft so, it’s okay.

There are days though when I just know that words won’t come so I don’t even bother. It becomes an upsetting experience that leads to more blank page and more procrastination. There are other days when I can type through Fortnite on the TV and train YouTube videos on one screen and My Little Pony on another, all blaring out and me with no headphones on because I just had this really good idea.

Who are some of your favorite authors?

Terry Pratchett, Terry Brooks, Terry Goodkind, Sara Douglass, Robin Hobb, Becky Thomas, Ben Aaronovitch, Frances Hardinge, Robert Jordon, Neil Gaiman, T.W.M Ashford, A.J. Hackwith, N.K. Jemisin, Matt Haig, Gail Carriger, Genevieve Cogman, Karen MacRae, Rachel Caine, Ursula Le Guin, Tanith Lee, Jasper Fforde, Piers Anthony, Douglas Coupland, Douglas Adams, Joe Abercrombie, Brandon Sanderson, Brent Weeks er… I’d better stop there, hadn’t I?

I have a website clairebuss.co.uk and I lurk on various social media sites:

Twitter: www.twitter.com/grasshopper2407

Instagram: www.instagram.com/grasshopper2407

TikTok: www.tiktok.com/@grasshopper2407

Facebook: www.facebook.com/busswriter

Facebook Group: www.facebook.com/groups/BussBookStop

As for my books, I am wide so you can buy them from your favourite book retailer – even real life ones that you walk into although you’ll have to order them in. Still exciting though.

The Rose Thief – www.books2read.com/u/bQaxw6 

The Silk Thief – www.books2read.com/u/49NJMM 

The Bone Thief – www.books2read.com/u/3LRkgD 

The Interspecies Poker Tournament – www.books2read.com/u/m2Vk0R 

**FREE** Ye Olde Magic Shoppe – www.books2read.com/u/4XXPw1 But if you’re Amazon loud and proud then you can find me and all my books here: www.tinyurl.com/ClaireBussBooks

About the author:

Claire Buss is an award-winning multi-genre author and poet. She wanted to be Lois Lane when she grew up but work experience at her local paper was eye-opening. Instead, Claire went on to work in a variety of marketing and administrative roles for over a decade but never felt quite at home. An avid reader, baker and expert procrastinator Claire won second place in the Barking and Dagenham Pen to Print writing competition in 2015 with her debut novel, The Gaia Effect, setting her writing career in motion. Since then, Claire has published seventeen novels and poetry collections and had her short fiction published in six anthologies. The Gaia Effect won the Uncaged Book Reviews Raven Award for Favourite Sci-Fi/Fantasy novel in 2017 and the first book in her humorous fantasy series, The Rose Thief, won in 2019. Working with Pen to Print, Claire delivers regular Book Surgeries offering marketing help and advice to new and established authors. In 2019 Claire was part of the original team involved in creating and establishing Write On! Magazine and continues to support, work and promote the magazine in her role as Deputy Editor, a different kind of Lois who champions new writers and helps them share their creativity. Claire continues to write passionately and is hopelessly addicted to cake.

Fantasy Focus: Comedic Fantasy- Featuring D.H. Willison

This week I’m focusing on comedic fantasy, that subgenre that reminds a person that not everything in life is horrible. D.H. Willison, author of several comedic fantasy novels, discusses humor in fantasy.

Hello! I’m D.H. Willison, and I love writing (and reading) humorous fantasy. Why? In contrast to real life, you never have to be funny on cue. Which I rarely am. Also you can edit. A lot.

Something many people may not realize about humorous fantasy is that there are different styles. In the before times, were you ever in a movie theater, broke out laughing, and realized you were the only one? I had a horribly embarrassing situation when I was on a long flight while sitting next to a rather elegant and proper individual. Who was very nice–we had a great conversation. Then as I was watching a film, I broke out laughing. And it was… well… not a particularly sophisticated scene I was laughing at. The individual in question was mortified. But I couldn’t stop laughing. Welcome to my life.

The point is, not everyone finds the same things funny, so as you learn about the various authors who feature comedic/humorous fantasy during this event, keep in mind that even within this admittedly very niche genre, there may be some that work for you, while others do not.

So what’s my style? Extreme and often outlandish situations, coupled with a diverse cast of characters. My world of Arvia is populated by giant mythical monsters, while my human characters are frequently marginally competent at best. Some of the mythic monsters are POV characters with vastly different perspectives and cultures than human norms. So you’ll find a lot of “throwing wildly different characters into a strange scene, and letting the sparks fly.”

Here’s an example. In this scene, Rinloh, a 35’ tall harpy, tries so very hard to make small talk with a pair of human villagers after mistaking their donkey for a light snack.


I see that I managed to surprise the two humans that were with this creature. A female human with long black hair in a single braid down her back, and an off-white cotton dress, has her back against the nearby willow tree, while the male, with light-brown hair and a maroon tunic, is on his back staring up at me. Oops. I might have accidentally knocked him over. But fortunately it looks like I didn’t hurt him.

“Please don’t kill our donkey,” the young male squeaks.

“A donkey? Is that what these things are called? Hmm… OK, but it looks far too large for you to eat. And why do you have it tied to the box? To keep it from getting away?”

“I… no… you see…”

The young male doesn’t seem very coherent, so maybe I’ll talk to the female human. Hmm. This “donkey” shouldn’t be able to get very far tied to the box, as long as I break off these pesky wheels to prevent it from rolling. I put it down, and can chase it again later if need be. I hop closer to the female, to see if she is able to talk any better than that male. Hey! This is the perfect time for me to practice speaking “human.” Darin told me all about the funny human greetings and customs and such. If I do it right, maybe she will be friendly and want to play with me! Let’s see if I can remember. He said it was considered rude to speak to someone if you are too far away. And when introducing yourself, it was best to tell them your name, and something about yourself.

I hop over to the willow tree that the female human has her back against, lean over so that my face is about at her level, and say in my friendliest voice, “Hi, I’m Rinloh, and I’m looking for something to eat.”

She just stares back at me with a strange look of terror in her eyes. Hmm. Maybe I didn’t remember the introduction correctly. Or perhaps I’m not close enough and I’m being rude. I need to think like a human. I had my face at the correct distance if we were both big, so let me lean in farther so that my face is about one of her arm’s lengths away. There, that’s the right distance for a human—she should feel more comfortable now!

She’s still just sitting there shaking and won’t respond. What am I doing wrong? Wait! She’s female. Darin said that human females like it if you compliment them. Maybe she’ll want to be friends with me if I compliment her.

“You look good!” I say, with a wide, friendly grin.

She starts crying. Now I feel bad. It’s hard to believe that Darin would be wrong about human greetings. Maybe they do it differently in this village.


That was just a misunderstanding, but one of the joys for me is if I’m able to blend a subtle social commentary, or get readers to look at things from a different perspective. The thing about fantasy humor is that it’s often not just about the humor. It’s about something else too. And it’s the incorporation of that something else that’s both rewarding and challenging. I often touch on themes of empathy, how people treat others, especially people (or creatures) they consider “lesser beings.”

A lot of things on my world are specifically designed to subvert some of the common fantasy tropes. Arvia is a dangerous world full of strange creatures, gnomes, elves, cat people, talking rodents, and all sorts of mythical creatures that are almost exclusively larger than humans. But many are not mindless beasts–they belong to whole societies of monsters, have their own issues and insecurities. So diplomacy and understanding tend to go a lot further than swords and fireballs. And there the fun begins.

Which brings me to one of the big challenges: striking the right balance between humor, and all of the other things that go into one of my stories. Have I made a scene too outlandish? Diminished the impact of a dramatic moment? But most importantly, are the characters still being themselves: conveying genuine emotions is my highest goal–I need them to feel like living, breathing people (or harpies, or mermen) with unique desires, fears, insecurities. And any humor should enhance this.

So, if I’m not able to be funny on cue, how do I go about it? Sometimes I have an idea for a scene or chapter that’s hilarious on the first draft, but a lot of my ideas trickle in after I let a work stew for a while. I tend to have a long edit cycle, and frequently come up with a new (and amusing) way to look at a particular situation. And finally, I love Easter eggs, references to characters in other media and other fun little details that perhaps not every reader would get at a first glance. Look closely, and you’ll find references to everything from classic mythology, to modern SFF, manga, and games both video and table top. Such as the LOTR quip in the map below (from Hazelhearth Hires Heroes).

Will my humorous fantasies tickle your funny bone? All of my books are heavily character-driven, with witty banter, and quite a bit of adventuring.

Hazelhearth Hires Heroes (hardcover here) is more of a classic tale of adventure with themes of trust, loyalty and found family. What, and for whom would you risk your life? Would they do the same for you? Does it matter?

The Tales of Arvia series (hardcovers here) is more relationship driven, or as one reviewer put it, “a quirky, strange, yet beautiful friendship and the exploration of the way we can be different, and yet still understand and love one another.” There are two books in the series, with a third being drafted.

And if you’re on the fence, why not take a free test drive. The first three chapters (no cliffhangers, promise!) of Love, Death, or Mermaid? are available here. This novella is a shorter adventure, featuring the search for lost pirate treasure, a not-so-little mermaid, and a cute, sweet romance.

Wishing everybody a brighter 2022!

About the author:

D.H. Willison is a reader, writer, game enthusiast and developer, engineer, and history buff. He’s lived or worked in over a dozen countries, learning different cultures, viewpoints, and attitudes, which have influenced his writing, contributing to one of his major themes: alternate and creative conflict resolution. The same situations can be viewed by different cultures quite differently. Sometimes it leads to conflict, sometimes to hilarity. Both make for a great story.

He’s also never missed a chance to visit historic sites, from castle dungeons, to catacombs, to the holds of tall ships, to the tunnels of the Maginot Line. It might be considered research, except for the minor fact that his tales are all set on the whimsical and terrifying world of Arvia. Where giant mythic monsters are often more easily overcome with empathy than explosions.

Subscribe to his newsletter for art, stories, and humorous articles (some of which are actually intended to be humorous).

Fantasy Focus: Comedic Fantasy- Featuring Bjørn Larssen 

This week on Witty and Sarcastic Bookclub, I’m focusing on comedic fantasy! There is such a broad range, and the creativity of comedic authors is boundless. Bjørn Larssen, author of Why Odin Drinks, has kindly shared his time and expertise on comedy, Norse mythology, and feather dusters.
I would also like to thank Sue Bavey for her suggestions and help with this interview.

Thank you so much for chatting about comedic fantasy with me! Would you introduce yourself to the readers?

I’m the sort of person who immediately blanks when asked to say something about himself. (My grandma used to ask me to say “something” in Dutch and I would immediately forget the entire language. Including the word for “something.”) I’m an ex-mathematician (that’s stretching the truth, I have a degree, though); ex-graphic designer; ex-blacksmith; currently a recovering perfectionist, a Norse heathen, and a writer.

Can you talk a little bit about ‘Why Odin Drinks’? 

In the beginning there was confusion… in the shape(s) of Gods who have been tasked with everything, but received no instruction manuals. They don’t know what they can do until it’s done, and only one of them is vaguely aware of the idea of “consequences.” With great power comes great responsibility, but that’s a way too long word to think of when this floozie Freya wears a miniskirt and you don’t even have sweatpants.

The idea actually came from my dark fantasy book, Children – which is also funny, although the dark and the light are balanced differently. Gods having to figure out their powers by trial and error. That would explain a lot about the world, like for instance why celery exists.

To say that you are knowledgeable about Norse mythology would be an enormous understatement. What made you decide to bring the comedic element into ‘Why Odin Drinks’?

The Northmen never had a Holy Book – they had drunken bards. The Norse Gods made mistakes, cheated, lied, stole, or worse – lost… and those who listened to those stories gasped, cried, slammed their fists on the tables, and laughed their bellies off. Those are not “do this or else” stories – they’re “they did this and you won’t believe what happened next” ones. So I didn’t bring the comedic element into it, I just emphasised it.

(Thor would like everyone to know that he has never agreed to wear a dressing gown to recover his hammer by marrying a jötunn king. He is the most hurt by the suggestion that when the king looked under the veil Thor’s rage-filled eyes scared him, though. Thor’s beautiful eyes were in fact full of peace and compassion for the soon-to-be-massacred court of the king. Or rather would be, had this not been a filthy lie, probably made up by his Twitter haters.)

Is it difficult to write characters that are already established in a way that fleshes them out differently and shows a new aspect that does not already exist?

Yes. Certain aspects are locked in place. For instance, Týr has his hand bitten off by Fenrir wolf and I can’t really make that funny. I can make the act Týr’s idea and give him agency, nevertheless it must happen. I call this a pinch. I’ve read other authors’ books that are spun around retellings of myths and often the myths themselves are the weakest parts. It’s difficult when you have an act that must happen or a characteristic that must be there – in the middle of the very different story you’re actually trying to tell.

I try to go around as many of those as I can, and I make smaller, less consequential changes to the Norse lore. For instance, in Why Odin Drinks Frigg, Odin’s wife and Goddess who can foretell the future, finds out that she is going to remain childless. She is the Norse mother figure, though, and according to the Eddas Frigg and Odin did have children together. So now I lock things in place. I have an explanation why the Northmen called Frigg “mother” – that’s what the story is about. I pinched myself now, though. If any of Frigg’s and Odin’s children must appear in a book ten years from now, I better have a very good origin story for them.

I am not incredibly well-versed in Norse mythology, but I do know that certain comic book characters share the names of well-known Norse characters, but they don’t share much else. Do you think the current pop-culture expectations for those characters and mythologies make it more difficult to write about them? 

This is a very good way of phrasing it – they “share the names” indeed. MarvelTM introduced the idea of Father, Son, and the Naughty Ghost, where Odin basically delegates tasks and Loki is a bit of the Fallen Angel But Cute. What they did was an unconscious (apparently) attempt to translate a polytheist faith for people used to monotheism, and it worked too well. The real Thor is not Goody-Two-Shoes-With-Great-Pecs, Odin is not God Almighty, and Loki is not Handsome Devil. So I have to remember I am dealing with those expectations and do it without “…and now we interrupt for this scholarly explanation…”

The humour itself is difficult, because it evolves. Most retellings, such as Neil Gaiman’s Norse Mythology, are limited to the myths that are easiest to adapt to modern sensitivities (and therefore best known). I wrote about The Lay of Harbard for Norsevember and I was surprised at how, frankly, rape-y some of it is. “I made them all submit to my will,” Harbard (Odin) says, “I could have used your help, Thor, you could have helped me hold that gorgeous girl down.” “I would have helped you,” Thor answers, “if I had been there.” This was probably amusing in the 9th century, but there is no way to twist it so that it’s funny in the 2020s. I’m not surprised most writers, including myself, stay away from it. Can’t imagine MarvelTM touching it with a long pole, either.

You introduce the idea of bigotry among the humans, with some thinking they are better than others. Do you think it is important to have a message in your writing, even in comedy?

My biggest inspiration is Calvin & Hobbes, where the characters’ personalities are informed by the works of the theologian John Calvin and philosopher Thomas Hobbes. Those strips often work on multiple levels. They’re funny because Calvin is wearing rocket underpants and simultaneously argues with Hobbes about what constitutes happiness or what man does to nature – in one panel with two sentences on it. They shape the reader’s subconsciousness without slamming them on the head with The Message.

I have my agenda and I have my politics, and there are things I want to talk about, but I also know that people don’t like being yelled at or be told they’re dumb and need to “educate themselves.” Humour is a very powerful weapon. There are jokes in Why Odin Drinks that are just silly and nothing more, and then there are others that smuggle my thoughts about, well, bigotry or sexism or tribalism or basic human traits. It’s funny because it’s true.

In one of the stories in ‘Why Odin Drinks’, I believe one of the characters is portrayed as a dominatrix. How sexual is the humor in that book?

It’s much worse than that! First we meet the dominatrix, Madame A, then the Wise Dom from the cover, Sir Daddy Mímir. Madame A’s favourite, ah… tools, or perhaps her clients’, are an egg whisker and a feather duster. I stole those, I mean – found inspiration in the old TV series ‘Allo ‘Allo. There’s nothing you can call explicit, yet I try to examine why people engage in BDSM without using either the acronym or explaining what it means.

Odin’s visit to Sir Daddy Mímir is my look at dom/sub relationships. The All-Father has to find something special to offer Sir Daddy (and he has to squeeze the word “Sir” out in the first place) to get what he wants. At the same time, Mímir is genuinely concerned about Odin. Odin will lose an eye (that’s another pinch) but that doesn’t mean Mímir actually wants it to happen, and he is more shocked than Odin himself when it does. I can’t remember whether there is anything actually sexual in the story. The word “seductively” appears, though.

I apply the Shrek rules here. A 13-year-old reading Why Odin Drinks will understand something very different from a 30-year-old, and it’s the latter who might be shocked by my audacity. (Although now that Internet exists, I am probably very naive about 13-year-olds.) I’m actually a prude. I feel very uncomfortable writing about sex, so I write around it, sort of.

What would you say are some of the obstacles to writing comedic fantasy?

It’s actually really hard to be funny without overdoing it, or making it too on-the-nose, even though the latter is something satire is supposed to do. Some people will laugh at “peeing dispensers” in Creation, the first story in Why Odin Drinks – some will be disgusted. The former might not appreciate the Douglas Adams inspirations, though, while the latter will sigh in relief. My sense of humour is also seriously weird. My editor sometimes marks something that I think is hilarious and comments simply “?”

I have once watched a Joan Rivers documentary showing her enormous collection of index cards with one-off jokes she came up with. I also write those things down. I use memes and build around them, but the story still needs to be funny for people who don’t even know what a meme is.

There is this episode of Monty Python where the British come up with a joke so funny it makes the German soldiers die from laughing so hard. The joke finally makes its way to one of the highest rank officers, whose face goes puce as he snarls “das is nicht funny!” I have to remember that when someone scoffs at how super nicht funny my writing is.

What is the best thing about writing comedic fantasy?

Laughing at things that are not supposed to be laughed at. 

I have lived through the final years of communism in Poland. No matter what the church-pleasing politicians would want you to believe, communism has fallen because there was no food. You can live without freedom, you can’t live without food. There was a movie director, Stanisław Bareja, who managed to make that funny. His humour was so subtle that it got past the censors, because they knew he was doing something they should demand he changes, but they couldn’t figure out what. It was the humour that carried the people though those years.

2020/2021 have been… not hilarious. I can either sit here and cry my eyes out (I do sometimes) or laugh. It’s not going to change a thing, but I will feel better. When in October 2020 I published Children, which is dark, psychological fantasy, I peppered it with humour that some found inappropriate – most readers thanked me for it, though. It gave them that breath of fresh air. Why Odin Drinks is the opposite, all of the inappropriate humour with serious undertone you can choose to miss.

In a way writing comedic fantasy is my refusal to let the *gestures at everything* get to me.  I’m going to create my world, my hapless Gods, then laugh at all that even though *gestures at everything* is literally trying to kill me. My naked emperor will uncontrollably salivate at the words “feather duster” and “egg whisker.”

How would you say you “get in the zone” regarding your creative process, and comedic writing in particular? 

Randomly. I try to have a routine, sit in my little indoors cabin (longer story) and get In The Zone. There are times, though, when I’m just too tired or depressed to be creative at all, much less funny. This is why I reject the “write every day” advice – if I tried to force it, 1) I would just feel even worse about myself, and 2) you’d notice. Sometimes, though – this mostly happens either at 2am or in the shower, which is why I have a waterproof phone – I’ll have the electric jolt of an idea. (This is dangerous when you’re in the shower.) The zone pulls me in.

Do you have anything on the horizon that you’d like to talk about?

The follow-up, What Odin Drinks, will explain the origin of wine – and how Thor ended up with both a wife and a lover, neither of whom is too chuffed about the other’s existence. Unfortunately, I also came up with a new oooh, shiny. Typo! A new project. Some people know that I’ve actually always wanted to write rom-coms and always failed. Romance is a very difficult genre to write. I got much better at writing, though (I think) so I’m trying again and it looks promising. Being me, I’m tackling difficult themes again, but being me, I’ll also find a way to make it funny. There will be Iceland, there might be a fantasy element here or there, and someone will be hapless enough to search for a waterfall and find an admittedly impressive puddle. Which might or might not be based on personal experience.

Thank you so much for having me!

About the author:

Bjørn Larssen is a Norse heathen made in Poland, but mostly located in a Dutch suburb, except for his heart which he lost in Iceland. Born in 1977, he self-published his first graphic novel at the age of seven in a limited edition of one, following this achievement several decades later with his first book containing multiple sentences and winning awards he didn’t design himself. His writing is described as ‘dark’ and ‘literary’, but he remains incapable of taking anything seriously for more than 60 seconds.

Bjørn has a degree in mathematics and has worked as a graphic designer, a model, a bartender, and a blacksmith (not all at the same time). His hobbies include sitting by open fires, dressing like an extra from Vikings, installing operating systems, and dreaming about living in a log cabin in the north of Iceland. He owns one (1) husband and is owned by one (1) neighbourhood cat.

Readers’ Favorite Gold Medal winner (‘Storytellers’)

2020 Stabby Award Nominee (‘Children’)

Find out more about Bjørn at http://www.bjornlarssen.com

Social media

www.twitter.com/bjornlarssen
www.instagram.com/bjorn_larssen
www.facebook.com/bjornlarssenwriter

To Purchase:

Separate books:
https://books2read.com/storytellers
https://books2read.com/larssen-children
https://books2read.com/whyodindrinks

Collected:
https://bjornlarssen.com/author

Fantasy Focus: Comedic Fantasy- Featuring Kyle Lockhaven

This week I’m focusing on comedic fantasy. Today, I’m privileged to be able to feature Kyle Lockhaven, author of The Conjuring of Zoth-Avarex: The Self-Proclaimed Greatest Dragon in the Multiverse.

Comedic fantasy is kind of niche, and we kind of like it that way. Of course we comedic fantasy authors wouldn’t exactly scoff at the idea of writing best-sellers or buying luxurious beach houses with the money from our book sales, but I think most of us are resigned to the idea that such things are not to be seen in the crystal balls of this world. And now I’ve invoked the idea of the world having balls, and it’s only the first paragraph. Oops.

My path to writing humorous fantasy is a strange one. Not many people know this, but I started out my writing “career” many years ago. My first book was a serious story that fell somewhere in between Middle Grade and Young Adult. My second was an historical fiction, and my third was a crime drama type thing. I kept trying to find “my thing,” and although I loved each of my books, they all lacked…something.

My editor, and the few beta readers I had (my mom, brother, and one friend) all told me the same things. The best parts of my books were the moments of levity and humor. Also, I wrote a fantasy element into the crime story, and they said that part was really good. I had loved fantasy growing up, but, for some stupid reason, I was reluctant to write in the genre.

When not writing, I work as a firefighter at a nuclear site, and I always wanted to satirize the ridiculous governmental bureaucracy there, but I could never find the right angle. Then one day, I thought, “What if this site was here to conjure a dragon from another world?” The silliness of it really took me, and the ideas began to flow. I dropped the idiotic pretense and embraced the silliness of it all, and all of the fun fantasy elements, too.

I had been trying way too hard to be cool, when the best thing I could do was to just be the goofball that I was.

The thing is, I always loved comedic fantasy. Monty Python and the Holy Grail was and is the funniest thing ever, in my opinion. I love the silly social commentary, as well as the complete nonsense. And when I discovered Terry Pratchett, I realized that sort of thing could be consumed in book form, too. But the Discworld books were imbued with deeper meaning, and even more biting social commentary.

All (or at least the vast majority) of us comedic fantasy authors look up to Sir Terry Pratchett, the godfather of the genre. But we have branched off from him in so many different ways. I was heavily inspired by The Bartimaeus Trilogy by Jonathan Stroud, which manifested its humor through the snark of the titular (huh, huh) character. Most of the humor in my books comes from the interaction between characters who are being a bit snarky to each other. Other authors, like Sean Gibson, are kings of puns and clever wordplay, while others, like Bjørn Larssen, are able to somehow bind deep, philosophical topics together with the silliness, and others, like Quenby Olson, use subtle snark, societal observations, and fourth wall breaking to hilarious effect.

I am in the middle of posting a series of interviews about humor in books on my little blog. One of the questions I have asked everyone is, “On a scale from 1 to 10, what level of humor do you usually like to read?” The answers have varied, but I would say the average is right around a 4. That has made me wonder, what level does a book have to be at to be considered Comedic Fantasy?

Many people site Joe Abercrombie when talking about humor in fantasy. His books are the definition of Grimdark, but they’re infused with a lot of humor. I’ve heard people say the humor level is a 3 or 4.

If I had to be honest, I would rank my last book (The Conjuring of Zoth-Avarex) at a 7 or 8. And I fully realize that it is WAY too much for a lot of people. That’s one thing I’ve come to learn about writing humorous fantasy; it’s not for everyone. And that’s okay, because it makes me feel a strong bond with the readers who do like my humor.

It’s tough to “break out” as an author of comedic fantasy. One of the biggest success stories was Orconomics by J. Zachary Pike, which won SPFBO in 2018. Another was Kings of the Wyld, by Nicholas Eames, which currently has 3,697 reviews on Amazon. But those kinds of books are few and far between.

Personally, I’m happy to have any kind of following, and I hope to thoroughly entertain the readers I have found and have yet to find. I want to make them laugh, and think, and even feel while turning the pages of my books. I might not ever grab the world by the crystal balls, but I’ll have a lot of fun reaching for them. Er, let me try that again. I may never reach Mr. Eames’ level of success, but I will have a lot of fun reaching for it!

About the author:

KRR (Kyle Robert Redundant) Lockhaven writes fun, humorous fantasy with ever-increasing infusions of heart. His first book, The Conjuring of Zoth-Avarex: The Self-Proclaimed Greatest Dragon in the Multiverse, can be found here https://www.amazon.com/Conjuring-Zoth-Avarex-Self-Proclaimed-Greatest-Multiverse/dp/1098351509/  He recently signed a three-book deal with Shadow Spark Publishing, and his page can be found here: https://shadowsparkpub.com/krr-lockhaven

Fantasy Focus: Comedic Fantasy- Featuring Sean Gibson

This week my blog is focusing on comedic fantasy, that fantasy subgenre that is responsible for many cups of snorted coffee. I am privileged to have coerced Sean Gibson, author of several novels, including The Part About the Dragon was (Mostly) True, into joining me to talk about comedy, bard-offs, and porkchops.

Hi, Sean! Thank you for being willing to talk about comedic fantasy.

Thanks for having me, Jodie! Well, metaphorically speaking. Literally speaking, I would make a terrible supper, though I wouldn’t be half bad if consumed for elevensies. It’s the armpit of meals.

Will you introduce yourself to the readers a little and talk about your writing?

I am the byproduct of two drunk orcs making the beast with three backs following an epic rock concert. I should note that one of the orcs had two backs—despite their impulsive carnality, they were most definitely not orgy people. They later abandoned me on the doorstep of a dance studio, where I subsequently learned to shimmy for my bread on suburban street corners. I do not earn a lot of bread, for which I blame my hard-working but unimpressively concave chest.

Like David Spade, my writing attempts to be funny yet isn’t even a little funny, but it gets really annoyed and defensively sarcastic when you don’t find it funny. That said, I write both comic fantasy (mostly stories featuring Heloise the Bard) and Victorian fantasy. My most recent book starring Heloise, The Part About the Dragon Was (Mostly) True, inexplicably garnered a starred review from Publishers Weekly, which summarized the book thusly: “Evoking the dry humor of Terry Pratchett and absurdist trope subversions of Monty Python…Gibson’s story is clever, twisty, and bursting with sidesplittingly funny one-liners. Fantasy fans are guaranteed a laugh.


Your books show a lighthearted ribbing of fantasy, and it’s very obvious that you have read (and hopefully enjoyed) a lot of fantasy yourself. What made you decide to take a comedic route in your fantasy?

Well, the dramatic stuff is really hard to write. Puns only require about 17% as much effort. Work smart, not hard, Jodie.

Really, it’s just such a fun playground to run around in. I absolutely love fantasy. It’s played a considerable role in shaping who I am as a human being, as weird as that may sound. But, it can also be utterly absurd—to quote Monty Python, “Strange women lyin’ in ponds distributin’ swords is no basis for a system of government,” right?

And let’s face it: there are a lot of tropes and stereotypes conceived, developed and propagated by a porkchop of straight white guys that are in dire need of being rethought for the audience that’s reading fantasy, especially epic fantasy, today. There’s a lot to play with there, and a lot of opportunities to pay homage while lovingly tweaking and toppling conventions to try to shape something new. (A “porkchop,” incidentally, is the scientific term for a group of white men.)

You know, I do think I’ve seen “porkchop” defined that way in the dictionary. How do you manage to be funny on command? (I’m rarely funny, and never on purpose.)

I’m actually a ventriloquist’s dummy, so all credit goes to the puppeteer with her hand up my ass. It’s murder on the prostate, though.

Come on, now—you are often funny. And I know that at least some of those times are on purpose! You’re also exceedingly cool, as evidenced by the virtual company you keep.

I love that Heloise is a bard! I’m still hoping for a bard-off between her and Kvothe, but in the meantime: what made you decide to choose a bard as an integral part of The Part About the Dragon Was (Mostly) True?

You’re a D&D aficionado like I am, so you know how fun bards are. A bard’s superpower is to make even the most mundane encounter something truly epic. I love the idea that anything can be a story with the right perspective, or at least a little creative license. Have you ever played a bard? If so, you need to share some stories!

My husband is currently playing a bard to my paladin (which I keep unintentionally playing as a rogue) and he somehow managed to convince my character to climb onto a door, which was then pushed into a swampy, noxious lake…which also happened to be the home of an incredibly cranky dragon. I kept wanting to quote the door scene in the movie Titanic. I suspect his bard is already composing songs to immortalize my character’s memory posthumously.

As for that coward Kvothe…he doesn’t have the stones. Heloise would bamboozle him faster than you can say “Skendrickian mungerswallows.” He has thus far refused to take the bait when I’ve challenged him on Twitter, though it’s possible they don’t have Twitter in Temerant, or maybe the Waystone Inn has a bad wifi connection. 

So, let’s raise the stakes: Heloise (and I) hereby officially challenge Kvothe (and Patrick Rothfuss) to a Bard-Off. Each of us has to write an epic poem in our respective bard’s inimitable style (1,000 words or less). We’ll ask the reading public to vote for which one they like best.

I’ll put up $1,000. If Kvothe’s poem wins, I’ll donate the money to Worldbuilders or a charity of Mr. Rothfuss’s choice. If Heloise’s poem wins, I’ll donate the money to the Cancer Research Institute. Everyone wins! Well, except for everyone who has to read Heloise’s poem.

I’m completely and totally serious, by the way, though I suspect Mr. Rothfuss is a bit too busy to take up this absurd gauntlet. Still, I think everyone needs to go forth and spread word of this challenge far and wide. Let’s make it happen.

Yes! This needs to be settled once and for all, and in this wager, everyone wins.

What are some obstacles to writing comedic fantasy?

Comedy is so subjective, right? I mean, “A skeleton walks into a bar and orders a beer and a mop” is objectively hilarious. But, beyond that, when you start trying to be funny in a genre context while still hoping to appeal to a wide audience, it gets tricky. Unless you’re, say, William Goldman and you can call upon the awesome powers of Andre the Giant to drop mad rhymes, it’s really, really hard.

For example, there’s a scene in THE PART ABOUT THE DRAGON where the characters encounter a terrible stench and they all try to describe what it smells like, with each description getting grosser and more ridiculous. And that’s the whole point of the bit—how much grosser and weirder can each description get? It’s like a bunch of comedians doing improv trying to one-up each other, and it just keeps going until they all reach an unspoken agreement that no one can top the last one-liner. And then they move onto the next thing.

I love that kind of comedy, and I love it when it comes in rapid, non-stop waves. But, that is most definitely not everyone’s jam, and a lot of people are going to find it annoying and sophomoric at best.

So, you have to make peace with the fact that what you’re writing is really only going to land with a small subset of fantasy fans—in my case, those would be the ones who share my love of wordplay, dad jokes, scatological humor, and beating a terrible joke to death and then reanimating so you can beat it some more. 

Which, of course, is like three people, one of whom happens to be you, thankfully.

What are some triumphs?

I considered it a huge win when a reviewer wrote about THE PART ABOUT THE DRAGON, “I do not feel there was anything redeeming about this book. I can usually appreciate a good story even when poorly written but this isn’t a good story either.” (Yes, that’s an actual review.) The people have spoken—this is clearly Pulitzer Prize-caliber material.

That highwater mark notwithstanding, getting the pre-pub starred review from Publishers Weekly was huge (and hugely unexpected), as it opened some doors for the book that even a rock giant probably wouldn’t have been able to bash its way through. One of those doors was a BookBub feature in December 2021, which somehow led to the book climbing bestseller charts on multiple platforms, including hitting #1 not just for humorous fantasy on Amazon, but #1 for general humor as well. I’m sure that somewhere, P.G. Wodehouse is rolling in his grave and incredibly grateful he’s not alive to see how egregiously we’ve debased the word “humor.” We even managed to get up to #3 on the overall SFF chart. 

No one writes for chart rankings, but you do write to connect with an audience, and those things have helped people discover the book, and some of those folks have really enjoyed it. I know it’s not everyone’s jam, but I’m so incredibly grateful for those who have taken the time to read it and share a kind word or two about it. That’s really the absolute pinnacle for a writer—or for me, anyway: having someone devote a few hours of their time to hanging out in a world I created and feeling like it was time well spent.

Congratulations on such huge milestones! Of course, now I’m wondering what P.G. Wodehouse’s reaction to your book would be (I kind of think he’d like it). Do you have go-to authors when you need a book that makes you chuckle?

I don’t think writers get funnier than P.G. Wodehouse. There is no better literary cure for the blues. His writing is profound comic gold, even when I have no idea what Bertie Wooster is saying. 

That’s not to say he’s my only go-to for laughs, however—David Sedaris, Terry Pratchett, Tina Fey, Douglas Adams…even Charles Dickens…all can provide a much needed pick-me-up.

And, of course, Bill Watterson and Calvin & Hobbes never fail to make me laugh and think at the same time.

Will you talk a little bit about the recently released Dragons of a Different Tail? (I’m dying to read it.)

No.

I’m totally kidding! Fooled you though, didn’t I? 

I didn’t? Okay, fine. I digress.

DRAGONS OF A DIFFERENT TAIL is a delightful collection of 17 different dragon-focused stories that break, twist, and defy the conventions of western fantasy. I was really struggling to get any writing done during the pandemic. I used to write during my commute, but with working from home and juggling kiddos doing school from home for a year, that time disappeared and I got completely out of rhythm. I needed something to get me back in the groove, and right around the time I was really stressing about it, the publisher of THE PART ABOUT THE DRAGON, Shayne Leighton, just happened to recommend me to a lovely guy named Marx Pyle, who was working on putting together this anthology. 

I loved what Marx had in mind and pitched him a couple of ideas, one of which he liked. That gave me exactly the finite, bite-sized writing focal point that I needed to get writing again. The result was a short story called “Chasing the Dragon,” which is a Victorian-set, Holmesian-flavored story about a pair of detectives investigating a string of deaths at an opium den and finding out that “chasing the dragon” is a far more literal expression than they imagined. 

The stories in the collection are wildly imaginative and come from a great group of writers. I highly encourage you, and everyone else, to check it out! https://books2read.com/dragonstail

I am so incredibly grateful that you invited me to do this, Jodie! You make the reading community a better place with your kindness, creativity, enthusiasm, and, yes, YOUR SENSE OF HUMOR! Thank you for being such an awesome human being!

About the Author:

Sean Gibson, “author” and slackonteur, is not a professional mini biography writer (if he were, this would be much more compelling). Instead, he’s a communications professional by day, hangs out with his amazing wife, son, and daughter by night, and writes somewhere in between. He holds a BA in English Literature from Ohio Wesleyan University and an MBA from the Kelley School of Business at Indiana University, though rumors persist that he also attended mime school (he is silent on the subject). Sean is a fan of sports teams from Detroit, a distressingly large number of bands that rose to prominence in the 1980s, and writing in the third person. He currently resides in Northern Virginia, and, given how much he hates moving, and given that his house has an awesome library, is likely to remain there for some time.

Sean is the author of several stories starring Heloise the Bard, including the #1 bestseller The Part About the Dragon Was (Mostly), the holiday novella “You Just Can’t Hide from Chriskahzaa,” and The Chronicle of Heloise & Grimple. He also wrote the Victorian-set fantasy thriller The Camelot Shadow and its prequel short, “The Strange Task Before Me.” Most recently, he contributed the short story “Chasing the Dragon” to the anthology “Dragons of a Different Tail” published by Cabbit Crossing Publishing. He has written extensively for Kirkus Reviews, and his book reviews have also appeared in Esquire.




Fantasy Focus: Comedic Fantasy

This year, I want to talk about some of the many types of fantasy you can find (I have a post about fantasy subgenres which can be found here). I think when people hear “fantasy”, their mind immediately goes to serious epics with swords, magic, and dragons. While I happen to love all of those things, there are many ways to tell a story. For the first of my Fantasy Focus series, I want to take a look at comedic fantasy.

 Irreverent and witty, fantasy comedy often takes a humorous look at the fantasy genre, either creating new and entertaining fantasy worlds that focus on humor, parodying common fantasy tropes, or even poking lighthearted fun at specific works of fantasy.

Here is a list of some of side-splitting authors and some of the books they’ve written, in case you’re looking for suggestions on where to start! This is by no means anywhere close to a complete list of fantastic comedic fantasy authors that can be found, so please chip in with suggestions!

In case you missed them, I’ve posted links to this week’s interviews and guest articles as well. Enjoy!

Guest Authors:

Fantasy Focus: Comedic Fantasy- Featuring Andi Ewington

Fantasy Focus: Comedic Fantasy- Featuring Sean Gibson

Fantasy Focus: Comedic Fantasy- Featuring Kyle Lockhaven

Fantasy Focus: Comedic Fantasy- Featuring Bjørn Larssen 

Fantasy Focus: Comedic Fantasy- Featuring D.H. Willison

Fantasy Focus: Comedic Fantasy- Featuring Claire Buss

Book Suggestions:

Douglas Adams– Dirk Gently’s Holistic Detective Agency

D.B. Bray & Wahida Clark- Loners: A Humorous Dwarven Adventure Fantasy

Adam Jacob Burgess- The Actum Tempus Saga

Claire Buss– The Roshaven series

Andi Ewington– Campaigns and Companions: the Complete Role-Playing Guide for Pets (with Rhianna Pratchett); The Hero Interviews

Neil Gaiman & Terry Pratchett– Good Omens

Sean Gibson– The Part About the Dragon Was (Mostly) True; Dragons of a Different Tale (one of a collection of short stories)

William Goldman– The Princess Bride

Kevin Hearne & Delilah S. Dawson– The Tales of Pell series

Diane Wynne Jones– Chrestomanci series

Bjørn Larssen– Why Odin Drinks; Creation

K.R.R. Lockhaven- The Conjuring of Zoth-Avarex: The Self-Proclaimed Greatest Dragon in the Multiverse; Zoth-Avarex’s Escape Plan: A Pick-Your-Own-Path Experience

Christopher Moore– Fool; Shakespeare for Squirrels

M.J. Northwood– Game of Gnomes: The Necrognomicon

Terry Pratchett– the Discworld series

Robert Rankin– The Brentford series

Echo Shea– A Tinfoil Hat of My Own: A Tale of Friendship, Bikers, and Werewolves

Keith Tokash– Iliad: the Reboot; Odyssey: the Reboot: A Hooligan’s Tale

D.H. Willison– Tales of Aravia series; Hazelhearth Hires Heroes

Operation 2021: Success! (or Favorite Books from this Year)

This year has been an amazing one for reading! I was planning on doing a top 10 books that I loved in 2021, but I could only narrow it down to 20. Even that was a difficult thing to do. Eventually I managed to get down to 20 books, but it was hard! So, in no particular order, and after a ton of internal wrestling, here’s my top 20 books of 2021.

*These are books that I enjoyed this year, not necessarily books that were published in 2021.

If We Were Villains by M.L. Rio



On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it.

A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras.

But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent.

If We Were Villains was named one of Bustle’s Best Thriller Novels of the Year, and Mystery Scene says, “A well-written and gripping ode to the stage…A fascinating, unorthodox take on rivalry, friendship, and truth.” (taken from Amazon)

“If you’re looking for a book to suck you in and leave you floored, this one is for you.”

Review

Lexcalibur by Jerry Holkins and Mike Krahulik

A collection of nerdy poems for adventurers of all ages, written by Jerry Holkins and featuring illustrations by Mike Krahulik. 

“The poems are engaging enough for children with enough wit and little nods that adults will be just as entertained.”

Review

The Resurrectionist of Caligo by Wendy Trimboli and Alicia Zaloga

With a murderer on the loose, it’s up to an enlightened bodysnatcher and a rebellious princess to save the city, in this wonderfully inventive Victorian-tinged fantasy noir.

“Man of Science” Roger Weathersby scrapes out a risky living digging up corpses for medical schools. When he’s framed for the murder of one of his cadavers, he’s forced to trust in the superstitions he’s always rejected: his former friend, princess Sibylla, offers to commute Roger’s execution in a blood magic ritual which will bind him to her forever. With little choice, he finds himself indentured to Sibylla and propelled into an investigation. There’s a murderer loose in the city of Caligo, and the duo must navigate science and sorcery, palace intrigue and dank boneyards to catch the butcher before the killings tear their whole country apart. (taken from Amazon)

“A brilliant must-read for fans of books the include grimy, smog-filled streets, shady doings, and ridiculously fun characters.”

Review

Paladin Unbound by Jeffrey Speight

The last of a dying breed, a holy warrior must rise up against a growing darkness in Evelium.The most unlikely of heroes, a lowly itinerant mercenary, Umhra the Peacebreaker is shunned by society for his mongrel half-Orc blood. Desperate to find work for himself and his band of fighters, Umhra agrees to help solve a rash of mysterious disappearances, but uncovers a larger, more insidious plot to overthrow the natural order of Evelium in the process. As Umhra journeys into the depths of Telsidor’s Keep to search for the missing people, he confronts an ancient evil and, after suffering a great loss, turns to the god he disavowed for help. Compelled to save the kingdom he loves, can he defeat the enemy while protecting his true identity, or must he risk everything? (taken from Amazon)

 “This book would make anyone fall in love with fantasy.

Review

Dragon Mage by M.L. Spencer

Aram Raythe has the power to challenge the gods. He just doesn’t know it yet.
 
Aram thinks he’s nothing but a misfit from a small fishing village in a dark corner of the world. As far as Aram knows, he has nothing, with hardly a possession to his name other than a desire to make friends and be accepted by those around him, which is something he’s never known.
 
But Aram is more. Much, much more.
 
Unknown to him, Aram bears within him a gift so old and rare that many people would kill him for it, and there are others who would twist him to use for their own sinister purposes. These magics are so potent that Aram earns a place at an academy for warrior mages training to earn for themselves the greatest place of honor among the armies of men: dragon riders.
 
Aram will have to fight for respect by becoming not just a dragon rider, but a Champion, the caliber of mage that hasn’t existed in the world for hundreds of years. And the land needs a Champion. Because when a dark god out of ancient myth arises to threaten the world of magic, it is Aram the world will turn to in its hour of need.

” It isn’t too often that I call a book perfect, but that’s what Dragon Mage is. It is absolutely perfect.”

Review

The Jasmine Throne by Tasha Suri

Exiled by her despotic brother, Malini spends her days dreaming of vengeance while trapped in the Hirana: an ancient cliffside temple that was once the revered source of the magical deathless waters but is now little more than a decaying ruin.
 
The secrets of the Hirana call to Priya. But in order to keep the truth of her past safely hidden, she works as a servant in the loathed regent’s household, biting her tongue and cleaning Malini’s chambers.
 
But when Malini witnesses Priya’s true nature, their destines become irrevocably tangled. One is a ruthless princess seeking to steal a throne. The other a powerful priestess seeking to save her family. Together, they will set an empire ablaze. (taken from Amazon)

“Savagely beautiful, The Jasmine Throne kept me riveted from the first page all the way through until the last heart-stopping moment.”

Review

Nectar for the God by Patrick Samphire

In the city of Agatos, nothing stays buried forever.

Only an idiot would ignore his debt to a high mage, and Mennik Thorn is no idiot, despite what anyone might say. He’s just been … distracted. But now he’s left it too late, and if he doesn’t obey the high mage’s commands within the day, his best friends’ lives will be forfeit. So it’s hardly the time to take on an impossible case: proving a woman who murdered a stranger in full view is innocent.

Unfortunately, Mennik can’t resist doing the right thing – and now he’s caught in a deadly rivalry between warring high mages, his witnesses are dying, and something ancient has turned its eyes upon him.

The fate of the city is once again in the hands of a second-rate mage. Mennik Thorn should have stayed in hiding. (taken from Amazon)

Review to Come

We Break Immortals by Thomas Howard Riley

The Render Tracers always say magick users deserve to burn. Aren couldn’t agree more, Keluwen would beg to differ, and Corrin couldn’t care less either way.

In a world where most people use swords for protection, Aren uses tools that let him see what no one else can see, and he takes advantage of loopholes that can undo magick in order to stop the deadliest people in the world. He is a Render Tracer, relentlessly pursuing rogue sorcerers who bend the laws of physics to steal, assault, and kill. But his next hunt will lead him to question his entire life, plunging him into a world where he can’t trust anyone, not even his own eyes.

When Keluwen finally escaped her fourthparents’ home and set out on her own to become a thief, she never thought she would one day be killing her own kind. She honed her magick on the streets, haunted by her past, hunted by Render Tracers, and feared by a society that hates what she is. Now she joins a crew of outcast magicians on a path of vengeance as they race to stop an insane sorcerer who has unlocked the source of all magick and is trying to use it to make himself a god.

Corrin is a sword fighter first, a drinker second, and a…well, there must be something else he is good at. He’ll think of it if you give him enough time. He is a rogue for hire, and he has no special powers of any kind. The most magick he has ever done is piss into the wind without getting any on himself. He is terrible at staying out of trouble, and someone always seems to be chasing him. When he gets caught up in a multi-kingdom manhunt, he finds himself having to care about other people for a change, and he’s not happy about it.

They are about to collide on the trail of a man who is impossible to catch, who is on the verge of plunging the world into ruin, and who can turn loyal people into traitors in a single conversation. They must struggle against their own obsessions, their fears, ancient prophecies, and each other. They will each have to balance the people they love against their missions, and struggle to avoid becoming the very thing they are trying to stop.

All they have to do is stop the unstoppable. Simple. (taken from Amazon)

We Break Immortals has heart, humor, excellent characters, and violence aplenty. It’s the sort of book that plunges in and never stops to let you catch your breath. It is, in a word, badass.”

Review

The House in the Cerulean Sea by T.J. Klune

Linus Baker is a by-the-book case worker in the Department in Charge of Magical Youth. He’s tasked with determining whether six dangerous magical children are likely to bring about the end of the world.

Arthur Parnassus is the master of the orphanage. He would do anything to keep the children safe, even if it means the world will burn. And his secrets will come to light.

The House in the Cerulean Sea is an enchanting love story, masterfully told, about the profound experience of discovering an unlikely family in an unexpected place―and realizing that family is yours. (taken from Amazon)

“This book is wonderful. It’s comfort in written form. It’s a reminder that happy endings (or maybe happy beginnings) exist, often found in the most unexpected of places, if only we’re brave enough to look.”

Review

Under the Whispering Door by T.J. Klune

Welcome to Charon’s Crossing.
The tea is hot, the scones are fresh, and the dead are just passing through.

When a reaper comes to collect Wallace from his own funeral, Wallace begins to suspect he might be dead.

And when Hugo, the owner of a peculiar tea shop, promises to help him cross over, Wallace decides he’s definitely dead.

But even in death he’s not ready to abandon the life he barely lived, so when Wallace is given one week to cross over, he sets about living a lifetime in seven days.

Hilarious, haunting, and kind, Under the Whispering Door is an uplifting story about a life spent at the office and a death spent building a home. (taken from Amazon)

“…insightful, sad, hopeful, and exhibits a faith in humanity that is rarely seen in books now.

Review

Campaigns and Companions by Andi Ewington and Rhianna Pratchett, illustrated by Alexander Watt

Grab your dice and pencil, sit your pets down, teach them to play… and immediately regret your choices.

Hilarious collection of Dungeons & Dragons-themed pet jokes by acclaimed comics creators Andi Ewington, Rhianna Pratchett, Calum Alexander Watt and Alex de Campi

What if your pets could play D&D? And what if they were… kind of jerks about it?

If there are two things all geeks love, it’s roleplaying games, and their pets. So why not fuse the two? It’s time to grab your dice, dust off that character sheet, and let your cat or dog (or guinea pig, or iguana, or budgie) accompany you on an epic adventure! It’ll be great!

…unless your pets are jerks. (taken from Amazon)

“I got a Nat 20 with Campaigns and Companions (those who know me know that I never roll 20s, so this is a momentous event).”

Review

Small Places by Matthew Samuels

Jamie is a lonely, anxious kid when he has a run-in with a witch in a remote Somerset village. He’s almost forgotten about it thirteen years later when unpredictable storms and earthquakes hit England – and that’s the least of his worries. Suffering from anxiety, terrible flatmates and returning to his family home after his mother is diagnosed with cancer, he’s got a lot on his mind. But Melusine, the witch of flesh and blood, lures him back with the offer of cold, hard cash in exchange for his help investigating the source of the freak weather; something’s messing with the earth spirit, Gaia, and Mel means to find out who – or what – it is. As they work together, travelling to the bigoted Seelie Court and the paranoid Unseelie Court, meeting stoned fauns and beer-brewing trolls, Jamie must reconcile his feelings about the witch’s intentions and methods all while handling grief, life admin and one singularly uptight estate agent. (taken from Amazon)

“I loved the combination of ordinary and flat-out bizarre, the day-to-day grind and the unexpected.”

Review

Goblin by Eric Grissom, illustrated by Will Perkins

A young, headstrong goblin embarks on a wild journey of danger, loss, self-discovery, and sacrifice in this new graphic novel adventure.

One fateful night a sinister human warrior raids the home of the young goblin Rikt and leaves him orphaned. Angry and alone, Rikt vows to avenge the death of his parents and seeks a way to destroy the man who did this. He finds aid from unlikely allies throughout his journey and learns of a secret power hidden in the heart of the First Tree. Will Rikt survive the trials that await him on his perilous journey to the First Tree? And is Rikt truly prepared for what he may find there? (taken from Amazon)

“Masterfully told and beautifully illustrated, Goblin is an unforgettable journey, full of both action and heart. “

Review

The Spirit Engineer by A.J. West

Belfast, 1914. Two years after the sinking of the Titanic, high society has become obsessed with spiritualism, attending séances in the hope they might reach their departed loved ones.

William Jackson Crawford is a man of science and a sceptic, but one night with everyone sitting around the circle, voices come to him – seemingly from beyond the veil – placing doubt in his heart and a seed of obsession in his mind. Could the spirits truly be communicating with him or is this one of Kathleen’s parlour tricks gone too far?

Based on the true story of Professor William Jackson Crawford and famed medium Kathleen Goligher, and with a cast of characters including Sir Arthur Conan Doyle and Harry Houdini, The Spirit Engineer conjures a haunted, twisted tale of power, paranoia and one ultimate, inescapable truth… (taken from Amazon)

” The Spirit Engineer is an engrossing book that delves deep into the subjects of loss, paranoia, belief, and what can happen when a person’s beliefs are questioned.”

Review

The Bone Shard Emperor by Andrea Stewart

The Emperor is Dead. Long live the Emperor.  
 
Lin Sukai finally sits on the throne she won at so much cost, but her struggles are only just beginning. Her people don’t trust her. Her political alliances are weak. And in the north-east of the Empire, a rebel army of constructs is gathering, its leader determined to take the throne by force.  
 
Yet an even greater threat is on the horizon, for the Alanga–the powerful magicians of legend–have returned to the Empire. They claim they come in peace, and Lin will need their help in order to defeat the rebels and restore peace.  
 
But can she trust them?  (taken from Amazon)

“… a wild ride full of action, betrayal, and heart-in-your-throat plot twists. Nothing happens as expected, and it’s fantastic.”

Review

Book of Night by Holly Black

Charlie Hall has never found a lock she couldn’t pick, a book she couldn’t steal, or a bad decision she wouldn’t make. She’s spent half her life working for gloamists, magicians who manipulate shadows to peer into locked rooms, strangle people in their beds, or worse. Gloamists guard their secrets greedily, creating an underground economy of grimoires. And to rob their fellow magicians, they need Charlie.

Now, she’s trying to distance herself from past mistakes, but going straight isn’t easy. Bartending at a dive, she’s still entirely too close to the corrupt underbelly of the Berkshires. Not to mention that her sister Posey is desperate for magic, and that her shadowless and possibly soulless boyfriend has been keeping secrets from her. When a terrible figure from her past returns, Charlie descends back into a maelstrom of murder and lies. Determined to survive, she’s up against a cast of doppelgängers, mercurial billionaires, gloamists, and the people she loves best in the world ― all trying to steal a secret that will allow them control of the shadow world and more.

Review to Come

The Infinite Tower by Dorian Hart

Horn’s Company saved the world of Spira.

The Black Circle erased it.

Now Dranko, Morningstar, Kibi, and the rest of the team have a lot of work to do.

In order to mend their broken reality, the company must venture to distant Het Branoi — The Infinite Tower — in search of a third Eye of Moirel. Only then will they be able to travel into the past and stop the Sharshun from changing the course of history.But Het Branoi is a bizarre and deadly place, a baffling construction full of mystery and danger, of magic and chaos, with unexpected allies and terrifying monsters. Horn’s Company will need courage, perseverance, and more than a little luck if they are to find the Eye and discover the terrible secret at the heart of the Infinite Tower.

“Read this series for an escape into a fantastic new world, peopled with some of the best characters you’ll ever read.”

Review

The Coward by Stephen Aryan

Kell Kressia is a legend, a celebrity, a hero. Aged just seventeen he set out on an epic quest with a band of wizened fighters to slay the Ice Lich and save the world, but only he returned victorious. The Lich was dead, the ice receded and the Five Kingdoms were safe.

Ten years have passed Kell lives a quiet farmer’s life, while stories about his heroism are told in every tavern across the length and breadth of the land. But now a new terror has arisen in the north. Beyond the frozen circle, north of the Frostrunner clans, something has taken up residence in the Lich’s abandoned castle. And the ice is beginning to creep south once more.

For the second time, Kell is called upon to take up his famous sword, Slayer, and battle the forces of darkness. But he has a terrible secret that nobody knows. He’s not a hero – he was just lucky. Everyone puts their faith in Kell the Legend, but he’s a coward who has no intention of risking his life for anyone…(taken from Amazon)

“Author Stephen Aryan crafted an incredible book in The Coward, one that provides an excellent view both of what the fantasy genre can be, and the complicated yet beautiful morass of life.”

Review

In the Garden of Spite by Camilla Bruce

An audacious novel of feminine rage about one of the most prolific female serial killers in American history–and the men who drove her to it.

They whisper about her in Chicago. Men come to her with their hopes, their dreams–their fortunes. But no one sees them leave. No one sees them at all after they come to call on the Widow of La Porte.

The good people of Indiana may have their suspicions, but if those fools knew what she’d given up, what was taken from her, how she’d suffered, surely they’d understand. Belle Gunness learned a long time ago that a woman has to make her own way in this world. That’s all it is. A bloody means to an end. A glorious enterprise meant to raise her from the bleak, colorless drudgery of her childhood to the life she deserves. After all, vermin always survive.

“This book combines fact, rumor, and creative license to weave a tale both unsettling and engrossing.”

Review

White Trash Warlock by David R. Slayton

Not all magicians go to schools of magic.

Adam Binder has the Sight. It’s a power that runs in his bloodline: the ability to see beyond this world and into another, a realm of magic populated by elves, gnomes, and spirits of every kind. But for much of Adam’s life, that power has been a curse, hindering friendships, worrying his backwoods family, and fueling his abusive father’s rage.

Years after his brother, Bobby, had him committed to a psych ward, Adam is ready to come to grips with who he is, to live his life on his terms, to find love, and maybe even use his magic to do some good. Hoping to track down his missing father, Adam follows a trail of cursed artifacts to Denver, only to discover that an ancient and horrifying spirit has taken possession of Bobby’s wife.

It isn’t long before Adam becomes the spirit’s next target. To survive the confrontation, save his sister-in-law, and learn the truth about his father, Adam will have to risk bargaining with very dangerous beings … including his first love. (taken from Amazon)

” White Trash Warlock was a supernatural show-down combined with complicated real-life problems.”

Review

Odyssey: The Reboot: A Hooligan’s Tale by Keith Tokash

Homer’s back, and this time, it’s personal.

Odysseus, cleverest of Greeks, is missing. Having survived war, betrayal, and his own fat mouth, Gelios discovers himself oathsworn to find his friend, and save the kingdom of Ithaca.

With his squabbling entourage, Gelios careens through the Mediterranean in a desperate bid to save Odysseus and reunite antiquity’s most annoying family. Fleeing a trail of mercenaries, bad decisions, and angry women, the group struggles to answer one of humanity’s most enduring questions:

Why the hell is this my problem? (taken from Amazon)

Thank you to the author for providing me with this book in exchange for my honest opinion. Odyssey: The Reboot is available for purchase now.

Odyssey: The Reboot: A Hooligan’s Tale is that wonderful mix of completely irreverent and smart that is so hard to find. I loved author Keith Tokash’s take on the Iliad (review here), and he continues in fine form here. The thing about “classics” such as the Odyssey is that they’re ripe for parody. There’s nothing like lovingly poking fun at a timeless tale that is pretty much required reading for every junior high school student. Tokash uses the classic to craft a fast-moving “true story” about the events of the Odyssey and it is hilarious.

Once again, Gelios (the cousin of Homer) crashed through an epic, causing mayhem. Gelios was pretty much born with his foot in his mouth, yet he is also somehow endearing. He’s a fantastic main character and reading the shenanigans he finds himself in was so much fun!

The writing is snappy, the humor is dry and witty, and the story is a blast. The author has taken everything that worked well in his first book (which was pretty much everything) and somehow made it even better. You don’t need to read Iliad: The Reboot to enjoy this book, although I highly recommend it. In a year (decade?) where humor is as good as gold, Odyssey: The Reboot: A Hooligan’s Tale delivers. Go ahead and grab both books; you’ll thank me.