Judging a Book by its Cover: an interview with artist Natasha Overttun

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Lately I’ve been thinking about judging books by their covers. We all do it a little bit. A good cover catches the eye and makes us curious about the book. I thought it might be time to feature some great book artists, starting with the excellent Natasha Overttun. You can find her work on the covers of the Terra Nova books by D. Ellis Overttun. If you’d like to contact either of them for interviews, you can find them on Twitter @neoverttun. In a fun twist, author D. Ellis Overttun interviews Natasha Overttun (a husband-wife duo: how cool is that!). The author’s questions are in bold.

@WS_BOOKCLUB, a while back, you floated the idea of doing a Q&A with Natasha. What a great concept! We thought an interesting twist might be if I did the Q. This Q&A will focus on the evolution of Natasha’s work and skills. It was a lot of fun. Thank you for giving us this opportunity.

First of all, could you please give us some opening comments?

(singing) I’m so exited! And I just can’t hide it! I’m about to lose control…

Something that’s not a shower song…

I’m so exited. And I just can’t hide it. I’m about to lose control…

Something that’s not a Pointer Sisters’ song…

Apart from being thrilled, I’m so proud that a blogger like Witty and Sarcastic Bookclub would want to hear what I have to say. At first, I was a little surprised and scared…`

As I recall, I had to talk you into it.

Yes, I’m not used to being out there. But, as time passed, I got more comfortable with it. You know its just like Bob Wiley says: “Baby steps, baby steps.”

I think it was Dr. Leo Marvin.

No, I’m sure it was Bob.

We’ll Wiki after the Q&A. Anyway, how did you first get involved with visual arts?

When I was a little girl, I loved coloring books…

Let’s skip a head a bit…

Oh…well, more than a little while ago, I took an introductory art course at the local community college. One of the projects we did involved collages. Each of us brought in a magazine and were told to cut out pictures or shapes we found interesting. We put them all together on some of the desks in the front row. The exercise was to assemble a cut and paste collage.

I had absolutely no idea what to do. So, I hung back and watched the feeding frenzy. Everyone else seemed to know exactly what they were going to do. My first attempt was a fireplace surrounded by flames, lights and candles suspended in the air. I was so proud of myself! The teacher came by. She gave it a look that was more than just a glance. So, I thought, “Yesss! She likes it!” But it was really one of those howcanIputit looks. “It’s hanging,” she said. “That’s right,” I replied. Then, I realized she meant that something was missing. A few people had gathered around for her critique. “Where is a rock to crawl under when you need one?” I thought.

 

That was the best idea I had, and I now looked through the cutouts on the front desks that had been picked clean. This is what I came up with…

Lips

I was a little more than embarrassed when it came to present at the front of the class. What I put together didn’t look like anything. Oh, where’s that rock?

To my surprise, it drew rave reviews. Who knew?

That course gave me an appreciation for things like balance, composition and perspective. More than that though, my fellow classmates encouraged my small successes. That gave me confidence.

How did you become involved with the Terra Nova series?

You finished the first version of Universe: Awakening in May 2017. I remember you were on the kdp site rushing to publish. Then, it asked you for a cover. I’ll never forget the look on your face. It was: I need a cover? AHHH! Neither of us had any idea what to do. An anxious read of the help notes said we could use a jpeg. Great! But a jpeg of what?

Then, you came up with the idea that we would take a picture of something. So, I got my iPhone, and we frantically scoured our suite for something suitable. You finally decided on one of the patterns from a pot. A few clicks and a couple of emails later, and it was uploaded. It was too small. At the time, we had no idea how to resize an image. My niece is a graphic artist. So, she did it. Uploaded! Publish? No, we had to deal with text: Which font? What size? What color? I gained a real appreciation for your wordsmithing that day. Your string of invectives was colorful and creative. But not “Like wiping your ass with silk” to quote the Merovingian. That said, you finally slapped something together.

Lorna from On the Shelf Reviews (@ljwrites85) gave you some very constructive feedback. It went something like (and I paraphrase) “…perhaps, you could do something with the cover”. You have many faults but not being able to take a hint is not one of them.

Yes, I remember. So, I casually hinted…

Implored…

Asked if you had any suggestions.

Yes, and the result was the second cover.

Before (You) After (Me)

20170829 Universe eBook Cover (120 x 192) 20190330 Universe (2nd ed) - Cover (120 x 192 72 DPI)

How have you gone from collages to covers?

It’s been an evolution. To promote the book, you started a blogsite called “Author’s Cut” where you would write posts about Universe. I read somewhere that it’s good to break up text with visuals, to prevent reader fatigue. When I made the suggestion, I got the job.

I had no idea how to go about actually creating visuals. I was lucky to bump into a site called “Pixabay”. It’s a very popular site that has millions of images available without running into copywrite issues. I started out with find, cut, paste. It was primitive, but it was something. Then, I found some freeware called “Photoscape”, and I was able to do things like add text, crop, superimpose, stuff like that. When it came time for the Universe cover makeover, I was ready.

What’s happened since then?

You found that maintaining a social media presence, writing and publishing were too timeconsuming. So, you vacated SM, and I took over. I started on Twitter last year.

How has that gone?

Very well. I think it has increased SM awareness for your writing in a way you never could. If I say, “Hey! My hubby’s great. Read his stuff”, people say, “What a supportive wife.” If you echo the same sentiment, you’re a braggart.

True, very true. How did you start doing visuals on Twitter?

It started with the header, and it took me to another level. I found that, while Photoscape is great, you can’t edit after you’ve saved and exited the program. I found that Word gave that to me. People trained in graphic arts would probably snub their noses at it, but it was a quick fix that was easy to learn. My first headers were the covers of your first two books plus some Pixabay jpegs.

20190309 TWTR Header (750 x 250)

That looks like the first version of the Genesis cover.

That’s right. When I did it, I thought that it was ok, but something was missing. It kept bugging me, so, finally, I did a makeover. Tada!

20200108 Genesis - Cover (120 x 192)

Yes, it has a certain pop to it.

After that, I noticed that a lot of people have a pinned tweet. I suggested to approach bloggers to do guest posts that I could then pin. I had found that there is a heavy emphasis on visuals on Twitter, so I suggested that I do something to accompany the post that I could attach to the tweet to catch people’s attention. As each post came online, I swapped the pic for the one from Pixabay in my header. Here’s what it eventually looked like.

20191114 TWTR Header (700 x 250)

And the rest, as they say, is history.

Yes, but it’s mostly due to the blogging community who has been very receptive and supportive of our creative efforts.

Have there been any recent developments in your bag of tricks?

Yes, I recently came across a program called GIMP. It’s a real graphic arts program. I’ve only been using it selectively for certain effects because it’s quite involved. For example, in the visual below…

Exodus Final

The breaking apart of the sphere and the beam of light were done in GIMP.

I also started using the gif feature in Photoscape. Most notably, in the recent Prophecy cover reveal. Thank you from the both of us, once again, to Witty and Sarcastic Bookclub for giving it a spot on your blog.

Well, I think we have gone on long enough, any final comments?

More of a question really. I know that one of the characters in the series is named after me. However, she is a blonde with a bob cut. I am not a blonde and have never worn my hair that way. Where did she come from?

Uh…this is your interview, not mine. We should discuss this later.

Yes, we will.

 

 

 

 

 

 

 

 

 

Mental Health in Literature: A Conversation with Author Fiona West

Finishing up my weekly series on mental health and literature is author Fiona West. Thank you so much for contributing!

First, can you tell me a bit about your book?

The Semi-Royal is about a woman who’s under immense pressure, being both a princess third in line to the throne and a widely-renowned doctor. She’s in denial about a lot of things, her attraction to her brother’s best friend being one, and it’s the story of her slowly coming to accept and make peace with herself and her body.

One of things I wanted to explore in this book is the relationship between a woman’s mind and her body. One of the things that frustrates Rhodie is that her body isn’t really under her control…as a doctor, she knows a lot about the body in general, but an event in her past has caused her to lose faith in her body. And I think that’s a connection we don’t talk about enough: a lot of mental suffering is caused by worrying about our bodies and what they look like. I know as someone with a chronic illness, it’s really impacted my relationship with my body. I hated it. I hated that it didn’t do what I wanted it to, I hated that it didn’t do what other people’s bodies did. And over time, I had to learn to see it differently: that a flare wasn’t my body failing me, it was just part of a complicated situation. My body is still keeping me alive, my heart’s still pumping, my lungs are still taking in air. And when I shifted my focus from what my body couldn’t do to what it could, my mental health improved tremendously. I had to learn to re-interpret symptom flares as communication from my body instead of a betrayal. In a word, I had to learn compassion for my own body. I still fail at it plenty, but it’s something I’m working toward, and it’s something I wanted to write about. Mental health is a journey. And even though it’s fiction, Rhodie’s story reflects that. It was a really difficult balance to give her enough progress that we felt her story was resolved and still portray that it was an ongoing struggle for her.

Do your characters go to counseling?

For Rhodie, counseling was necessary. Several members of her family and her boyfriend all try to talk to her about her disordered eating, but she’s so deep in denial that she really can’t believe it until she talks to a professional. She valued his authority. And more than that, I think what she really needed was an outside voice. Someone who wasn’t going to remind her of her royal responsibilities and how this might look to the press. Just someone to come at an issue from another angle, one we can’t get to on our own. In the book, Rhodie likens the experience to one of those paintings that looks like an old woman to some people and a young woman at a mirror to others. That’s what counseling has been to me: just a different perspective on my own life. And it did help her. It gave her a way to move forward in repairing her relationship with her body. It was slow, of course, but so many good things in life are.

Have you had any experience with counseling? How has it affected you?
I still remember when I was about fourteen, I was going through my mother’s planner looking for a phone number (remember when people had paper planners? Good times.). On her calendar, she’d written ‘counseling’ on the month’s agenda. Being helplessly curious, I paged back: she’d been going for months. When I asked her about it, she gently told me that the counselor was helping her and my dad work through some things in their marriage and that it was nothing to worry about. That it was, in fact, proof that they were going to make it. (Spoiler alert: they’re celebrating 45 years in May.)
That’s the shift we need to make as a culture: throwing away the idea that counseling is a busted bucket for a sinking ship and instead see it as the personal flotation device that we keep with us, just in case. When I went on a cruise, we all stood around in the bar, doing the drill about what to do if there’s an emergency. But we didn’t throw our life vests overboard after that. Those devices are good for all kinds of things: kids who can’t swim, snorkeling trips, a cushion for your butt on a hard bench. We kept them in their designated spot in our cabins, close at hand. That’s how I want us to think about counseling: a tool for the right situation. I’ve met with a counselor once: sometimes, once was enough. It got me through that storm, helped me get my boat rightside up again. I’ve met with other counselors for several months: those issues were deeper. Sometimes, a hug from a friend or a listening ear was enough. Sometimes, just a good jungle yell and a cry was enough. But it’s silly that we still talk about counseling in hushed tones instead of getting on the roof and letting everyone know how much it helped. Let me start: it helped me, and while I can’t speak for others, I think it’s something worth trying, even before it’s an “emergency.” Do a drill: try it on and see how it feels.

As a writer, how do you feel about mental health portrayal in literature?

What’s saddest to me in literature is when poor mental health is depicted as some kind of moral failing by a degenerate soul. There are so many factors that go into our mental health, but one of the most poignant ones is the story of leaded gas. In his article, “How Lead Caused America’s Violent Crime Epidemic,” Alex Knapp writes that “every country studied has shown [a] strong correlation between leaded gasoline and violent crime rates. Within the United States, you can see the data at the state level. Where lead concentrations declined quickly, crime declined quickly. Where it declined slowly, crime declined slowly. The data even holds true at the neighborhood level – high lead concentrations correlate so well that you can overlay maps of crime rates over maps of lead concentrations and get an almost perfect fit….decades of research has shown that lead poisoning causes significant and probably irreversible damage to the brain. Not only does lead degrade cognitive abilities and lower intelligence, it also degrades a person’s ability to make decisions by damaging areas of the brain responsible for ‘emotional regulation, impulse control, attention, verbal reasoning, and mental flexibility.’” If we’re demonizing people for needing help or writing them off as “crazy,” we may never help them identify the other underlying causes, such as environmental toxins, that might be affecting their health. This is just one example, but it indisputably shows why we need to think more deeply about it as a culture, which is why I’m grateful to Jodie for starting the conversation here. (You rock, Jodie.)

Fiona West is the author of The Semi-Royal, among other books. Look for her work on Amazon.

Image result for semi-royal by fiona west

Mental Health in Literature: A Conversation with Before We Go Blog

Today, Beth from Before We Go Blog is sharing a very personal experience. This is incredibly moving. Thank you for joining the conversation, Beth!

I am many things. I wear many hats. For a long time, and mainly before the birth of my daughter, I was someone who defined themselves by books and the stories they bring, being a good wife to my loving husband, being a landscape designer, and generally a good human being. Especially the last one, I wanted to bring good to the world and try, even if it was in my small way, to leave the world just slightly better. However, with the birth of my daughter, the joy of my life now, my perspective, and view of life shifted and not in a positive way.

No one wants to talk about postpartum depression.

It is the gigantic elephant in the room. It is a creeping fungus that covers one’s eyes during what should be one of the most joyous times of your life. PPD is something that happens to other people, but couldn’t possibly happen to me, right? It did, and It nearly killed me. But I am here and alive, and I want to talk to you about what I went through and how moms should not be silent.

First off, let me say it loud and proud, “You are not a bad mom. Nor are you a bad person. This isn’t your fault.” Repeat it, and again. Say it first thing in the morning, and right before bed. “You are a good person, a good mom, and this is not your fault.” It is not your fault as much as having asthma or astigmatism is.

To describe PPD and how I coped with it, I am going to describe my life as a series of beats, of moments. It can demonstrate how badly I wanted a child, and how much PPD crushed me flat to the floor.

Firstly, My husband and I wanted a baby for years. We tried unsuccessfully for years to conceive. Our daughter was very much wanted and fought for. With the help of modern science and 12,000 dollars, we managed to conceive. I had an eventful and hard pregnancy. But we managed with c-section to deliver a bouncing baby girl who weighed just shy of 12 pounds.

Here is where things took a turn for me.

I was fine in the hospital for about the first 8 hours or so. Happy even. On hour nine, I started to dive down into the dark. It was almost like a light had been shut off inside me. A light my doctor said was a hormone dump that my body did not react well to.

This was the moment that I stopped sleeping.

Dramatic, huh. But completely true. I was desperately worn out. Anyone who delivers a baby will know the tired I am talking about. But, I lost the ability to calm my mind enough to sleep. I remember sitting in the hospital bed watching the clock slip from one number to another, and thinking how much better the world and my daughter’s life would be if I were not in it. These were not rational thoughts. I had fought tooth and nail to birth this child.

About 12 hours later, I lost my ability to eat. You are probably asking, “She lost it? Like it was a pair of shoes?” I was unable to eat any food without throwing up. I was uninterested in eating. I wanted no sustenance.

Twenty-four hours after that, I could no longer hold my child without having a panic attack. I could not cuddle, hold, or even be in the same room with her. I would throw up or hide in a corner in our bedroom, rocking back and forth. This wasn’t baby blues, nor was this my fault. Something was very wrong in my mind.

I battled as long as I could. When I had finally went to the doctor for myself, not just checkups for my daughter, I hadn’t slept or eaten anything for weeks. I had lost 60 pounds, my hair was falling out, and I was continually rocking back and forth. My doctor, bless her, told me they were going to help me, this isn’t my fault, and I was going to be ok. They put me on powerful anti-depression medication and anxiety meds to help get me back to proper place. It took me four months before I could hold my child for anything longer than a few minutes. It took me six months before I was watching her overnight, and eight months before I had anything resembling a normal home life. At about the one year mark, I had come back to myself. But I still battle. Now I am a happy stay at home mom to a bouncy five-year-old. She loves me more than anything. We have a strong bond. I am ok, generally, although the management of anxiety and depression will never go away. I am candid about my quest to come back to myself because I feel no shame in what I went through, and neither should any mom.

I am now an active blogger, and I use reading and writing as a means of tackling my anxiety and occasionally as an outlet. It is important to me that I can get on my soapbox every once in a while and shout to the world my love of books and writing in general. It would not have been possible if I did not say to my husband, “something is very wrong; please help me.” I have learned through counseling and looking back on myself that real courage is not struggling with something like this. True courage is looking at yourself and say, “No, this cannot stand. I am a good person that something bad has happened to. I can get better.” You are true courage mommas out there; this dark tunnel is not the end. There is so much more. I am here if you need to talk to someone. I have walked these dark paths, and the rain has fallen on me. I almost lost myself, but I made it. You will too. Just remember you are loved, and you are courage personified.

Mental Health in Literature: a Conversation with Bookish Creation

Today, Bookish Creation has kindly offered to add her thoughts on mental illness in literature. She brought up several points I hadn’t heard before and gave me much to think about. Check it out.

I think that there are several things that need to change within the literary world – and the entertainment world in general – when it comes to mental health. As many have mentioned, misrepresentation of certain mental illnesses is really harmful no matter what, but I think the change needs to go deeper than that. Most books that we see that are accurately describing mental illnesses tend to tackle the illnesses that are thought of as larger illnesses, scary ones, or ones born from tragedy that causes social skill changes in the character. While the ones that accurately look into this are good, I really feel that there needs to be a lot more stories that have characters that face the illnesses that are thought of by most people as less severe. These, after all, tend to be more common and can still cause difficulty for the people facing them.

Every day, people face mental health issues like anxiety, depression, bipolar disorder, OCD, not too severe personality disorders, social anxiety, hypochondria, and many more. While these mental health concerns don’t always require hospitalization or heavy medications, they still present people who have them with obstacles that can be difficult for them to overcome. This becomes a real issue for patients because it can cause those who care about them to misjudge them or even cause them to lose relationships all together. I honestly feel that discontent and loss of relationship is generally not due to rudeness or deliberate attempts to hurt anyone, but rather is caused by a lack of understanding about the problems the patients face. I really feel that if we start to include these mental health concerns accurately in main characters in fiction, we might start to bridge the gap of that lack of understanding more.
There is another problem that I have noticed when it comes to mental health in fiction: It tends to be the main obstacle or plot point the story focuses on. Fiction tends to take mental health issues and turn them into these almost opponents that the characters need to face. When the story revolves around the health condition it can cause it to become more frightening. This is we tend to look at the focal point of a story as being inherently negative to a point where we reject it as being something we want to deal with in our lives. This only leads to people with mental health conditions to being ostracized more and treated harshly. I truly feel that if the characters in fiction have the condition as just part of their character, much like they may have some acne or poor eyesight, yet they face some other issue that the story focuses on, we will normalize these conditions while bringing awareness to how these conditions can hinder or affect people. Bottom line here is, the main plot point that characters must overcome will almost always be viewed as bad and scary, so we shouldn’t always make mental health the main plot point if we want to remove that fear.
All in all, I feel that mental health needs to be represented more in books as being a normal part of the characters‘ lives. We should be bringing awareness through normalization rather than trying to use real health conditions as villains or problems to be frightened of.

Mental Health in Literature: a Conversation with Author Ricardo Victoria

Me: Thank you so much for joining the conversation! Please tell the reader a little bit about your book.

Well more than talk about a particular book (as you reviewed the first one and I’m still working on the sequel), I would like to talk in general about the series. Tempest Blades is a series of stories where the characters have to learn to deal and work through their personal struggles on par of them going into adventures that put them in the position of saving the world –a world where magic and science coexist-. The three main characters: Fionn, Gaby and Alex, are blessed or cursed –depending on whom you ask- with the Gift, this special source of power that enables them to do superhuman feats, but which process of obtaining it is more than traumatic (as in dying). Supported by a cast of friends, and able to wield the titular Tempest Blades –sentient weapons of great power- they are able to face menaces that border in the eldritch abomination territory. Fionn, -who is the eldest- is a former war hero that retreated from the world due the traumatic experiences that made him lose his family, and his best friend, and is only starting to return. And his return is accelerated by agreeing to help a friend to find a missing person. This is compounded by the fact that along the way he finds himself in the role of mentoring Gaby and Alex, which have the Gift, like him, but lack experience in its use. And Fionn realizes that life does give you second chances. The story progresses in the next book (the one I’m currently working on) along the mentoring process and the ramifications from the events of the previous one.

Me: How does mental health play a role in your book?

In the already published one, Tempest Blades The Withered King, it plays a role through Fionn, who suffers from a degree of PSTD and depression, as result of his past experiences, and that informs his actions on the book. In the current sequel I’m working on, -tentative subtitle: Cursed Titans- I’m trying to explore more about depression, through another of the main characters, Alex. This stems from both the events of the previous book and traumatic events from his past that have gone unresolved and come to head into the present in a self-destructive way, which is pushing him to unhealthy limits while being a hero. Depression and the way it affects a person can take different forms.

Me: I know you mentioned your character deals with depression: was that difficult to portray?

In a way. Since I’m drawing here from my own personal experience and struggles dealing with depression, so I know exactly how the character feels. But it is difficult in two particular aspects: write it in a way that put the reader in a place where they can observe how depression feels, without being triggering or impeding the narrative from telling the overall story. And given that I’m not a therapist, but a sufferer from depression, it makes me wonder how much I should share or how far I should go and still be of help for potential readers that might suffer from depression as well. It is also difficult because I need to be careful of not putting myself into a mindset that backfires on my own mental health. At the end of the day I’m trying to write a hopeful story. Basically, it’s like walking on a tight rope. So I hope I can pull it off in an adequate manner.

Me: What are your thoughts on therapy and if/ when it can be useful?

I think therapy is useful and a good way to determine what kind of mental health issues a person might have, or as preventive health care. We need to learn that taking care of one’s mental health is not a sign or weakness nor that you necessarily have an issue that needs care, but as part of one’s overall well-being maintenance. Therapy is also a good way to help someone to get better when mental health issues are present or work to prevent them if possible. But for therapy to work, the person going to it has to want it to work. And it takes time, as it is a tough process. There is no easy solution so that has to be taken on consideration. Therapy is a process to teach you how to work out things with the help of a friendly, non-judgmental shoulder. At the end of the day, it is always good to have someone to listen to us and help us realize things that on our own might not be possible.

Me: As a writer, how do you feel about mental health portrayal in literature?

I’m not sure I can respond accurately, as I haven’t read all the books that dwell in the issue, so I don’t want to generalize. Something I have noticed though, is that often the mental health of main characters is not even mentioned. We expect our heroes to be strong and resilient and always overcome any kind of trauma derived from their escapades. But rarely it is explored the mental toll from the characters’ actions. We see a character killing another, maybe in self-defense, maybe to save the world, and that action takes a toll in a person’ psyche, in the real world. But in literature it tends to be glossed over (I myself am guilty of this, but I’m trying to improve). Same with a character surviving a war, or another traumatic experience. This, because writers tend to see the characters as objects to be used rather that ‘beings’ that can have feelings and thoughts. Curiously enough, one of the most interesting, if subdued, explorations of mental health and the toll adventure takes on a person that I’ve read, is The Lord of the Rings, in specific with Frodo near the end of the book, when the hobbits return to the Shire. Frodo is a bit despondent. I would dare to say that he suffers from PSTD. Carrying the ring or experiencing Mordor the way he did it wasn’t easy. So when he returns to the Shire you can see that and how it affects his actions to the end. I would dare to say that Tolkien draw a bit from his own experiences as soldier. Another pitfall in media seems to be that there are works were there is a generalization or poor job portraying mental health issues, even stigmatizing them, such as using them as an excuse for the antagonist to be the way they are, rather than understanding that anyone can have them and that they are not to be used as an excuse for trying to conquer over the world, sort to speak. Sadly they have become a crutch for many writers and the way the talk about the topic, really hurt those that suffer from mental health issues. Thus, it is necessary to reframe how, we as writers, use and understand mental health issues, how they can affect anyone and how is good to ask for help, or how a person suffering from them is not automatically a bad person. That heroes, like Frodo, can suffer mental health issues too. That going to therapy or asking for help is not a sign of weakness, but rather of strength as you are acknowledging that you are not fine, but want to be. That depression is not just ‘being sad’ or something to get over it. That it takes time to mourn, to work through PSTD.

Me: Thank you so much for sharing your thoughts! You mentioning that Frodo might have been suffering from PTSD made me see that character in a new light. I loved your point about it taking time to work through mental health issues.

Ricardo Victoria is the author of The Withered King (Tempest Blades #1). You can find it on Amazon, among other places.

Mental Health in Literature: a Conversation

I’ve noticed a trend in fiction when mental health is portrayed: it’s either portrayed completely inaccurately or vilified. I can’t tell you the number of thrillers that I’ve read that describe the villain as “crazy,” “psychotic,” “schizophrenic,” or “bipolar,” as though having a mental illness automatically makes a person an amoral killer. Often, it’s quite obvious that the author has chosen a mental illness simply to avoid having to give a reason for a person’s actions. It made me think: do writers have a responsibility to portray mental illness compassionately and accurately?When it comes right down to it, I think the portrayal of mental illness in literature falls under creative license. How (or if) mental illness is included in a book is the author’s prerogative. However, an author that takes the time to do research and depict mental illness with compassion and understanding automatically becomes an author I’m infinitely more excited to read.Mental illness is much more prevalent in society than I think most people realize. It’s been stigmatized for so long that those who would see a doctor for any other health concern balk at even admitting they might be struggling on a mental or emotional level. I recently read a book in which a character was afraid of someone seeing them walk into a psychologists’ office and it broke my heart. It broke my heart because it’s a completely realistic reaction. I have bipolar disorder. I was diagnosed over twenty years ago, but it’s something I’ve been ashamed of until just a few years ago. It’s only recently that I’ve made an effort to be open and transparent about my struggles with mental illness.You can imagine how it feels to read a mystery or thriller, only to find that the villain’s sole “motivation” for committing a violent act is simply listed as “bipolar.” Or what about those books where someone dies by suicide, but it’s an act of revenge. Really? Shouldn’t we be past that by now?I’ve been fortunate that some authors and bookbloggers have been willing to write their own thoughts on mental illness in literature. I was going to integrate them all into a single post, but what they wrote was so insightful that I’ve decided to make a separate post for each of them. They’ll be published throughout the week. Please feel free to add your own thoughts on mental illness in literature: I want to hear all opinions!