Thank you to Orbit Books and Angela Man for providing me with this book in exchange for my honest opinion. Notes From the Burning Age is available now.
Notes from the Burning Age tells a tale perfectly balanced. Humanity has been brought low by the nature it destroyed: no longer does technology rule supreme at the cost of the land. Instead, humans have found a different way to live. They have a newfound reverence for the kakuy- sky, water, and fire spirits. The kakuy are credited with cleansing the earth of humanity’s hubris through fire, drought, or flood. While I found this idea to be an interesting one, the kakuy are not ever really the main focus.
The extremely thinly veiled parallels between what happened in the book’s world and what is being done to ours were written well. The almost-philosophical musings found throughout were thought provoking and utterly fascinating. Somehow, author Claire North merged two very different tales- one of scholarly interest and debate, the other of espionage and danger- into one engrossing story.
The book opens with Ven as a child. His own childhood experience with the kakuy, which cost him his best friend, change his outlook and help shape the person he grows up to become. There are “before and after” parts in everyone’s life: the very moment something shifts and one life is swallowed up by another. The reader has the pleasure to experience this with Ven as he finds himself embroiled in a revolution he didn’t ask to be involved in, one that he is quite literally beaten into joining.
Ven is a disillusioned temple scholar, one who left the Temple after losing faith in both the Temple’s mission and its methods. He is working in a bar when he is contacted by the Brotherhood, an organization that could be seen as extremist. They pressure him into using his Temple skills to translate and verify the origins of “heretical texts”, things from before the worlds destruction that the church considers to be too dangerous for the common man. These texts range from harmless emails to instructions on bomb making. This the impetus for what becomes a fast-moving, edge-of-your-seat thriller. Ultimately, though, everything is a veneer over the true focus of the book, which is the exploration of themes such as spirituality, knowledge (and who should have it), and respect for both one’s surroundings and for other people.
The writing itself is impeccable. A book such as this could easily become too heavy, and either bore or confuse the reader. Claire North kept it moving at a good pace, while also making sure that nothing was ever rushed. The prose was beautiful in an unconventional way. In fact, I would describe the entirety of the book like that: beautiful and unconventional. Combining an interesting and relatable protagonist with a writing like this made for a book that was difficult to put down.
Notes from the Burning Age is unlike anything I have ever read and I had to mull over my thoughts before deciding what I thought of it. At the end of the day, I don’t think a book like this can fall into a “like” or “dislike” category. It is too nuanced for that. There are too many pieces that fit together to make something complex and new. Instead, I can say that it made me think. Ven was the window through which truths and wonderings are explored, in a world that-in some ways- is not too dissimilar from our own.
Thank you to the author for providing me with this book in exchange for my honest opinion. Sherlock Holmes and the Remaining Improbable is available for purchase now.
I am very picky when it comes to Sherlock Holmes and how he’s represented. I am not an expert or anything like that, but I’m a big fan of Conan Doyle’s famous detective and have read the original mysteries more than once (or twice). I’ve noticed that often a newer Holmes iteration will either match Doyle’s original consulting detective in writing style or spirit of character, rarely in both . I was both delighted and surprised to see that Sherlock Holmes and the Remaining Improbable managed to do both!
I fairly flew through this book, slowing down only to savor the story for a little longer. It’s extremely well written and the main players match my memories of the originals while at the same time growing and developing as only the best characters can. The additional characters (there must be suspects, after all) are all fantastic, quirky without being over the top.
The mystery itself was fantastic. It wasn’t forced, the final solution made perfect sense in response to the clues, and it was very clever. What I really enjoyed, though, was the ability to explore how Holmes himself ticked. He toyed around with hypnosis, and I’m sure you can imagine the tangled web that presents. Not only is his psyche bared, but his friendship with Watson is put to the test. I was so on board for that!
Surprisingly, the ending left me both incredibly satisfied and a little sad. It felt like the perfect epilogue to a brilliant character’s lifelong accomplishments, and I honestly wasn’t ready for the book to end. Sherlock Holmes and the Remaining Improbable is a fantastic love letter to Conan Doyle’s original works, and a wonderful representation of literature’s most inimitable detective.
What happens when you renege on a deal with a monster? Miren O’Malley is the last daughter of true O’Malley lineage. The family used to be mighty and successful, but that luck (is it just luck?) has dwindled as surely as their bloodline has. There have always been rumors about how the O’Malleys managed to be so rich and successful for so long, but the truth has been kept strictly secret. This is where All the Murmuring Bones starts.
Miren’s grandmother is the matriarch of the O’Malleys and is desperate to regain some of their lost glory. She plans to marry Miren off to a rich, abusive jerk. Needless to say, this doesn’t sit well with Miren. She flees, but is followed-not just by her intended, but by the mer.
These aren’t your Disney merfolk. The mer are dangerous and mysterious. I loved everything about them. In fact, they are not the only wild and savage creatures of legend that make an appearance. Rusalka, kelpies, and more give All the Murmuring Bones a dark mythical feel that drew me in.
Miren is smart, capable, and no stranger to bloodshed. There is no boundary she is unwilling to cross to keep her life and her freedom. Her flight to safety turns into a quest for answers and the switch is fascinating and brilliant. I’m used to gothic novels sticking to a single setting. However, Miren’s travels allow the world and plot to open up magnificently.
I did feel there was a misstep here and there. For example, the ending wraps everything up in a neat little bow that feels a little out of place considering the path the rest of the book takes. I would have liked seeing parts of the story left, if not unexplained, at least a little enigmatic. Also, the climactic event was over sooner than I was hoping. It felt a teensy bit rushed. However, these are small complaints in the grand scheme of things and the rest of the book is really stinking good.
All the Murmuring Bones is a gothic novel that hits all the right points. I highly recommend it.
This review was originally published in Grimdark Magazine. You can find the link here.
The book is an adult dark fantasy featuring female protagonists (anti-heroines), demons, and plenty of bleak moments. It begins with two women enacting a scheme to overthrow a tyrant chief by first kidnapping his wife. Annilasia whisks Jalice off into a forest infested with beasts and demonic entities, while Delilee remains behind to spy on the chief. Yet a dangerous event from Jalice’s past threatens to undo their schemes.
It’s a book that caters to readers who want that spooky, creepy vibe in their fantasy stories, almost horror at times, but still maintains a tale that explores what it means to be human and all the emotions that come with that.
What first inspired you to write? What drew you to writing fantasy?
I’ve always loved fantasy and science fiction. If there’s aliens, ghosts, or dragons involved, count me in. Some of my favorite childhood series were The Magic Treehouse series, any Star Wars EU books, and The Bailey School Kids series. My obsession with fantastical tales only grew from there, and from a young age I knew I wanted to be a fantasy author.
Fantasy uses other-worldly settings and characters to draw in the reader, and provides a form of escape for a lot of people. Yet, I also found that, with a lot of fantasy, it speaks on real-life issues and emotions. I was a shy kid, and books helped me digest the real world around me while still hooking me with those fantastical elements. Books also taught me the power that words held, and how stories could be incredibly influential.
When working on a book, what comes first for you–the characters or the plot?
Both. Honestly, it’s usually a scene. I listen to instrumental movie scores to get inspired, and often times inspiration strikes when I envision a character in a specific setting or involved in some pivotal act. Almost like a movie trailer. I get bits and pieces that seem intriguing to me, and they slowly come together as I get to outlining the story further.
Did you base any of your characters on yourself in any way?
Most certainly, yes. Well-written characters evolve from a writer being able to tap into the character’s mindset and emotions. Doing so requires the writer to dig deep, and in my personal experience, it’s meant I’ve had to sit and mull over my own emotions and memories. Even villains are written this way. I think we view villains as ‘other’ or ‘inhuman’, but its usually their actions that fit those terms—their emotions, on the other hand, probably are more relatable than people would initially admit. Jealousy, anger, selfishness: we all experience these. It’s just our story-villains take those emotions and take extraordinary action on them that the average person wouldn’t. Or, at the very least, they take exaggerated actions.
Basically, yes, I think each of my main characters reflects different parts of me. Jalice is naïve and perpetuates a false innocence when really she is in denial of her past sins. Annilasia starts with a righteous anger over the state of her world, but this righteous anger quickly devolves into self-righteous pride and an uncontrollable temper. The villain, Hydrim, is stuck in a mindset of control and power with an unwillingness to examine his motivations and vulnerabilities that fuel that mindset.
I’ve been there—each of those mindsets. I think we all have in different moments of our lives.
What was the hardest character or part to write?
This is going to sound kind of silly, but honestly, for me its how a character looks. Finding unique and interesting ways to flesh out how a character looks and what they wear is difficult. My mindset if usually ‘get to the story, get to the magic, who cares what they look like?’ That, of course, isn’t going to fly with my readers, so I had to spend time learning how and when to describe a character’s looks.
I’ve heard this book being described as darker in tone? Would you agree?
Absolutely. That was my intention. This is certainly fantasy: there’s magic, there’s monsters, there’s swords and arrows. But this isn’t The Chronicles of Narnia by any means. My characters are incredibly flawed (i.e. not exactly noble for the most part), and the world they live in is harsh. Deformed monsters lurk in the bleak forest, and demon-like entities stalk the astral realms. Blood and screams infest the pages of this book.
Yet this wasn’t for the sake of shock value. I felt the darker setting was appropriate given the underlying themes I sought to explore. The personal betrayals and delusional mindsets are reflected in the world my characters inhabit.
What were some obstacles and joys of writing a bleaker world?
I worried that readers seeking fantasy would be put off by the horror elements. It felt like a risk. Fantasy typically features a noble and hopeful vibe, and although that still exists within this story, the bleaker world definitely swallows that up at times. From initial reactions though, readers seem to be enjoying this surprising genre-blend.
I enjoyed writing the horror elements. Horror evokes deep-rooted emotions that every human experiences: fear and dread. I think embedding those in with the fantasy setting helps accentuate the themes I was exploring. My characters get to interact with magic and swords while confronting their worst fears and the horrific effects of some of their decisions.
Is it easier for you to write a villainous character or a hero? Which is more fun?
Easier? Probably the hero, though I use the term ‘hero’ very loosely whenever TJOJ is involved in the discussion. My protagonists aren’t heroes in the traditional definition. They’re just not evil enough to be considered villains. Villainous characters can be tough to write because they can easily become a caricature or cliché.
More fun? I think they both offer fun elements. Heroes get to save the day, but I honestly get the most enjoyment forcing my heroes to confront their flaws. Heroes are only as strong as their greatest vulnerabilities and their courage to face those alongside the monsters. Villains, on the other hand, are fun to write because (at least for me) it’s a sort of cathartic examination of the darker experiences of humanity. Perhaps that sounds troubling, but we all must at some point examine the seeds of darkness within ourselves. Writing villains allows an almost therapeutic outlet for that.
How do you “get in the writing zone”?
Music is a quick way to jump-start inspiration. So I listen to an instrumental song that fits the scene I’m attempting to dive into. Usually, sugar and caffeine are involved as well. I’m an author—the job description demands I be addicted to either coffee or tea. I’ve chosen coffee (easier to excuse the copious amounts of sugar I combine with it. Can’t get away with that as much with tea).
Lastly, I’m always curious? What is your favorite book (and you can absolutely say your own!)
That’s a tough question. I think the book that has stuck with me the most is The Eye of the World by Robert Jordan. I haven’t even finished the series it belongs to (got half way through the series twice, but never have the momentum to get past that midway point). Yet, I really enjoy Jordan’s style of writing and the characters he created. Alongside Patrick Rothfuss, Jordan is who I hope to emulate someday with my writing style.