Self-published Fantasy Authors: an Interview with D.H. Willison

Amazon.com: Harpyness is Only Skin Deep eBook: Willison, D. H.: Kindle Store

I’m excited to be interviewing author D.H. Willison today. Thank you for taking the time to answer my questions. Let’s dive right in!

First, why don’t you tell me a little bit about Harpyness is Only Skin Deep, and Finding Your Harpy Place.

In a word: fun. The novels take place on Arvia, a beautiful, dangerous, crazy world filled with colorful, larger-than-life characters and mythical monsters more colorful and larger still. The world is seen through the eyes of two very different characters. Rinloh, the harpy main character, is one of the mythical monsters, and at a mere three stories tall, one of the smaller ones at that. Yet somehow she remains cheerful, empathetic, and insatiably curious.

And on a world brimming with danger, crawling with giant mythical monsters, a world where only the strongest, boldest warriors would dare set foot, what is the main human character like? Let me introduce Darin: a weak, nerdy, introspective adventurer wannabe, who’d love to whip out the blistering broadsword of badassary and charge in, but whose equipment is more along the lines of a rusty dagger, three novelty stink-bombs, and half a flask of cheap brandy.

I could tell you about the nefarious plot behind the disappearances in the city of Xin in Harpyness is Only Skin Deep. Or the mysterious artifact casting a long shadow of tragedy in Finding your Harpy Place. But that’s not what the books are about. They are about Darin and Rinloh, two incredibly different characters who find friendship in the most unexpected places. And fun.

What? You want me to actually describe the books? OK, fine.

Harpyness is Only Skin Deep is a portal fantasy. Darin is shocked at the dangers of this strange world he finds himself stranded on. Rinloh may be native to Arvia, but she and her flock are anything but “birds of a feather.” The two meet under difficult circumstances indeed: a human hunt. Yet as they get to know each other, they learn that they can be stronger together because of their differences, not in spite of them.

Finding your Harpy Place is a quest story. Our characters face long journeys, discovering new cities, new cultures and new monsters as they struggle to complete their quests. Using novelty stink-bombs. Or not. Release date, November 14, 2020.

Harpyness is Only Skin Deep is the first story chronologically, but they are independent and can be read in either order. Both are written for the adult reader.

What first inspired you to write? What drew you to writing fantasy?

I’ve written stories since I was a child, usually of some crazy adventure I had playing through my mind. And although I’ve written in a variety of genres, I like extremes, and the fantasy genre is most accepting of extremes. You can break the laws of physics, biology, economics, and occasionally even good taste, and still make it work. The heartfelt story of a friendship between a giant harpy with talons that would shame a t-rex, and a human that should, by all rights, not have survived the first ten minutes of his trip to Arvia? Why not? It all makes perfect sense!

When working on a book, what comes first for you–the characters or the plot?

Characters are most important, but the plot is frequently hardest to write. Once a character is fully developed in my head it’s usually clear what they will do or say in certain situations. But then the fun begins: how do I actually get them into those situations? To me the plot is a frame, it has to show off the characters at their best and their worst, and that can be damn tricky.

Did you base any of your characters on yourself in any way?

I wish! Darin is way cooler than I am. And he doesn’t freeze when he’s put on the spot! Seriously though, it’s hard not to put parts of yourself into characters – subconsciously at least, though I do it consciously as well. I find it especially helpful when writing how a character feels in certain intense situations: is there something from my own life I can relate to? While I’ve regrettably only lived on contemporary earth, for many situations in my novels, there is something I can relate to from my life. I’ll remember a situation where I was genuinely afraid for my life. Or elated, or furious, or jealous. I try to remember the details of how I felt. What did I say? And was there a gap between how I felt and what I said?

So while I’ve never encountered a harpy or a mermaid, I can relate to that time I nearly stepped on that huge timber rattlesnake that was crossing the path. Or that time at work where I got thrown under the bus in the middle of a big meeting. Or the party where I felt awkward and embarrassed. Or any number of others.

And Darin’s ability to think and talk coherently even in the most dangerous situations is like a superpower for me.

What was the hardest character or part to write?

My writing mantra: if it’s funny, go for it. And since I prefer making people laugh, tragic scenes are usually difficult for me to write. I really don’t like torturing my characters, even the ones that kinda deserve it. But even though the tone is generally light, it is a dangerous world, and bad things do happen.

You have a large amount of the fantastical in your world. How do you come up with so many unique creatures?

Most of the creatures on Arvia have roots in either mythology or real animals. Harpies in mythology are generally portrayed as ferocious and ruthless. On Arvia they are taken to the extreme: giant-sized, with an appetite for human flesh. But the real fun comes from taking their characteristics and thinking through what it would mean if you were that creature. I treat all my creatures as if they could be POV characters. They are not monsters to be conquered, but a part of the world, and they have their own day-to-day problems. Can you put yourself into the shoes of a harpy?

That was a trick question. Harpies don’t wear shoes. And they also find it totally bizarre that humans have feet so weak as to require them–and can’t even properly grasp a branch. To me, what makes a creature interesting and unique is not just how they look, but how they think.

Is it easier for you to write a villainous character or a hero? Which is more fun?

I tend not to use the classic heroic character archetype, but my version of a hero is easier and more fun. I try to put myself in the shoes of all my characters (even those that can’t wear shoes) to make them feel authentic, to give them realistic-feeling motivations. And I find it downright painful putting myself in the shoes of a truly evil character. But, we must suffer for our art, right?

What do you do to “get in the zone”?

I used to put on a suit of harpy feathers and walk around the neighborhood saying things like “tremble in terror, puny humans.” But then the neighbors started giving me strange looks, rumors started spreading, and feathers kept getting stuck in my keyboard. Honestly, I tend to work non-sequentially, so if I’m drawing a blank for the next scene, I’ll skip ahead a ways and work on a different type of scene. Or if that doesn’t work I can do research. Or work through background stories for characters, or the history of cities. It’s really just a matter of making the time, sitting down and writing. Regardless of my mood, there’s always something I can do.

Lastly, I’m always curious? What is your favorite book (and you can absolutely say your own!)

I absolutely love my own, but have a soft spot for the first fantasy humor I ever read, Another Fine Myth. I still love the dialog (especially Aahz) and outlandish situations. Puts a smile on my face every time.

About the author:

D.H. Willison is a reader, writer, game enthusiast and developer, engineer, and history enthusiast. He’s lived around the world, absorbing history, culture, and food. Actually he’s eaten the food. It has been verified that he is a complex, multicellular life form. Fascinated by nature, technology, and history, and especially anything that can put all three of these together, he has an annoying habit of dragging his wife to the most unromantic destinations imaginable, including outdoor museums, authentic castle dungeons, the holds of tall ships, and even the tunnels of the Maginot Line.

Subscribe to his newsletter for art, stories, and humorous articles (some of which are actually intended to be humorous.)

Blog: https://dhwillisoncreates.com/blog

Goodreads: https://www.goodreads.com/author/show/19933553.D_H_Willison

Twitter: https://twitter.com/dhwillison

Instagram: https://www.instagram.com/dhwillison

Facebook: https://www.facebook.com/DH-Willison-102010801194018/

Liebster Award

First and foremost, let me give a huge thank you to I’m All Booked Up for nominating me for this award!

RULES:

  1. Thank the blogger who nominated you and give a link to their blog.
  2. Answer the 11 questions asked of you.
  3. Nominate 11 other bloggers.
  4. Ask ‘your nominees’ 11 questions.
  5. Notify your nominees once you have uploaded your post.

What genre of books can you not live without?

I dabble in other genres, but I’m a fantasy girl through and through. Bonus points if the fantasy book has dragons.

You’re packing for a week’s vacation and can only pack books you already own: which three do you bring? 

I’m going to start right off by cheating. Isn’t that awesome of me? Instead of taking three books, I’m picking two books and a trilogy. If you’ve followed my blog for a while, you won’t be remotely surprised by my choices of: The Dragonlance Chronicles trilogy, The Night Circus, and The Perks of Being a Wallflower.

Which of your favorite books would you like to see become a Netflix series? 

Absolutely none of them, unless I’m casting, writing the script, and directing. If I love a book, I want it to be left alone. I’m persnickety like that.

What was the last book series you binged? 

I honestly couldn’t say. Usually what happens is I get a book, I love the book, then realize the sequel isn’t out yet. I read multiple books at once, though, so my reading habits are all kinds of wonky.

If you could only have three apps on your phone for blogging, which ones would you pick?

The only blogging apps that I have on my phone are WordPress and Twitter.

 What is your dream literary-inspired Halloween costume? 

I don’t dress up for Halloween all that often, but I did dress as a rêveur from The Night Circus one year. I suppose going as Raistlin from Dragons of Spring Dawning could be fun.

If you could be anywhere in the world, where would you go?

I’d love to visit anyplace that has autumn leaves right now. The leaves don’t change color where I currently live, and I really miss the beautiful reds and golds.

Which book character do you relate to most?

I could tell you, but then I’d have to kill you. Just kidding. I think I’m more of a conglomeration of many characters that I’ve read over the years.

Coffee, tea or hot chocolate?

I drink coffee at breakfast, right before bed (it doesn’t keep me awake at night, I think I’ve built up an immunity), and sometimes in the middle of the afternoon. Hmmm…I’m not drinking too much coffee, am I?

Do you want to publish a novel one day?

There’s always been an author niggle at the back of my brain, but I really don’t have any ideas. If I get an idea that I feel needs to come out, I’ll write then. Whether it would be any good is a completely different question.

Which author would you most like to have dinner with?

I think having dinner with Alexander Dumas would be absolutely fascinating. He has a history, his dad was an interesting person in his own right, and if Dumas spoke the way he wrote, it would be an engrossing meal.

My Questions:

  1. What’s your go-to genre?
  2. What is a book or series that you’re forever singing the praises of?
  3. What do you love about blogging?
  4. Are there any books that you read specifically at a certain time of year?
  5. What’s the best book you read in 2019?
  6. What non-bookish thing do you do for fun?
  7. Which author would you like to have dinner with?
  8. What was your favorite book when you were a child?
  9. What book character do you most relate to?
  10. What is your favorite reading spot?
  11. What new or upcoming release are you most excited for?

My nominations:

The Orang-utan Librarian
Way Too Fantasy
Stephen Writes
Becky’s Book Blog
Mani’s Book Corner
Leah’s Books
One Book More
The Geekish Brunette
My Heart is Booked Blog
Novel Lives
Kerri McBookNerd

Self-published fantasy authors: an interview with Geoff Habiger and Coy Kissee

First, why don’t you tell me a little bit about Joy of the Widow’s Tears?

Geoff: “Joy of the Widow’s Tears is the second book in our fantasy detective series, the Constable Inspector Lunaria Adventures. In this book, Reva and her magic-user partner, Seeker Ansee Carya, are sent to investigate a potential double homicide, but when they get to the crime scene, both of the victim’s bodies have disappeared. The case is off to a bad start, and it gets worse when Reva is suspended for the way she handled the arrest of some adventurers. Reva figures that the time off will be good, since her boyfriend, Aavril, has just arrived back in town after spending months at sea. Unfortunately, Reva learns that Aavril has been promoted, and will be returning to sea instead of staying in Tenyl like he’d promised. Meanwhile, Seeker Carya investigates a missing persons case and soon discovers that his missing persons, and the missing murder victims, have all become seemingly invulnerable zombies with very strange powers. Reva must work outside the law to stop the mad cultist who is controlling these undead before they are unleashed upon the city.”

What first inspired you to write? What drew you to writing fantasy?

Geoff:” I would say that I just have an overactive imagination. I always made up stories when I played as a kid, and I realized I could tell these stories to other people. My interest in fantasy came from Dungeons & Dragons. Being able to play games in worlds filled with magic, monsters, and dragons, fueled my interest in reading fantasy, but also in writing it.”

Coy: “Reading. Once you read enough books, on varied subjects, by different authors and in different genres, you start to think “I can do that”. What drew me to fantasy – the short answer, Gary Gygax. I have vast roots in Dungeons & Dragons and other RPGs. Plus, I’ve always liked other legends from real life, like King Arthur and Robin Hood.”

When working on a book, what comes first for you–the characters or the plot?

Geoff: “Yes. They both seem to come about at the same time. Sometimes the plot comes first and a character is developed to suit that story. Other times, it is the character that comes first. For us, more often than not, it is the character that comes first. In the Reva Lunaria series, it was Reva who came first. Our basic premise for the series was, “In a world of magic and monsters, how do the cops solve crimes?” We couldn’t figure out what the stories would be, or what the plots were, until we knew who Reva was. What kind of person is she? How does she act and react?

For our other series, a vampire gangster series that starts with Unremarkable, the basic plot came first. Once we had that, then we found a character, in Saul, who fit into the story that we wanted to tell.”


Did you base any of your characters on yourself in any way?

“Not intentionally. One of the characters (Ansee) is the same height as Geoff and seems to be as timid and cautious as Geoff is, though that wasn’t intentional. We just wanted somebody who could contrast with Reva. On the other hand, Reva very much has Coy’s personality. That does make it pretty easy to write her, since Coy just needs to know how he’d act in a similar situation. But we didn’t start out planning her that way, it just works that her forthrightness and determination, and inability to suffer fools, really matches with Coy’s personality.” 

What was the hardest character or part to write?

“For Coy, it is the exposition, writing the back story, information, and other details that give depth. For Geoff, the hardest parts to write are the dialogue, making sure that characters remain true to their own voice and don’t all start sounding the same.

Characters come and go, and if the dialogue isn’t right – if you can’t experience them and get the essence of that character – then you probably need a new character. Coy is very good at making sure that the character’s essence is there and remains consistent throughout the book. Geoff likes the exposition and background, writing the setting and description of people and places. He makes sure that the stage dressing is there for the characters to perform within. We think that our skill sets really complement each other and that really makes our writing click.”

You mesh fantasy with a detective character: what are some challenges with that? What is something you love about putting those two types of books together?

“One challenge is that, when you have a prevalence of magic, you have to prevent the solving of the crime from being too easy. It’s not good if your magic user can just cast a spell and identify the murderer. We have to make sure that there is enough mystery, enough of a challenge, like you’d find in a traditional (non-fantasy) mystery novel, so that the mystery will unfold as the story progresses. To make sure that we don’t let this happen, we have created rules for our magic system, to give us a framework for the world and to make sure that our characters still must face challenges and overcome struggles to be able to solve a crime.

Why do we put them together? They’re fun! We both love detective stories and fantasy stories, so putting them together just made sense. Plus, it’s a shift in the paradigm. It’s not just another detective novel, and not just another fantasy novel. There are so many books in each of those genres already, so in a world of fantasy and mystery, how do you stand out? For us, it was to put them together. Might we have alienated some readers of each genre by doing that? Probably. But have we gained some readers who didn’t know that this was a thing and it was missing from their lives? Heck, yes. And we love meeting them.”

Is it easier for you to write a villainous character or a hero? Which is more fun?

“The villain is easier, hands down. Their motivations are simpler, and generally they don’t have to be as complex as the heroes (though having complexity does give depth). Plus, with villains, we usually don’t have to have deep back stories, or try to interweave multiple sub-plots, character interactions, or other things that our main protagonists have to deal with from book to book.

As to fun, for us it is some of the minor characters that pop into the story, who are neither the hero nor the villain, that are the most fun to write. With them, we are not constrained by their motives or their actions, and we can play them however we want. We sometimes play these minor characters for humor, but we can also play them as over-the-top characters to help contrast with our main characters. In this series, we have several characters that are fun to write. Rhoanlan is a pawn broker, a known fence for stolen items, and a confidential informant that Reva uses. He is based on Sidney Greenstreet’s character of Signor Ferrari in Casablanca – a man who has his fingers in many places, has the pulse of the city, seems to know more information than everybody else, and will give it up for the right price. Rhoanlan has been in both books in the series so far. In Joy of the Widow’s Tears, we introduced several other minor characters that are a lot of fun to write. Pfastbinder is a cleric of Banok, the god of chaos, and this gives us immense freedom in how we play him, and in how he interacts with the other characters. Another new character is Amaryllis, who is a costume designer at Pfenestra’s Playhouse, and is another resource that Reva sometimes uses if she is in need of a disguise. Amaryllis is a blend of Nathan Lane’s character of Albert from The Birdcage and Edna Mode from The Incredibles. This makes Amaryllis very easy to write, and a lot of fun.”

I know you also work in publishing. Does that affect your writing process at all?

“Only in the sense that it means that Geoff has less time to write. It doesn’t really affect the actual writing process itself. We still plot our stories (we are both plotters) and then Geoff usually writes the first draft while Coy then fixes all of Geoff’s mistakes, corrects the dialogue, and makes sure that it is a coherent story.

Where being a publisher really helps is in what happens after the story is written. The publishing company (Shadow Dragon Press, which is an imprint of the main company, Artemesia Publishing, LLC) handles the expenses for editing, cover design, etc., as well as distribution and marketing. Geoff treats himself and Coy the same as he does all of the other writers he publishes, giving just as much focus to their stories so that there is no playing of favorites.”

Lastly, I’m always curious? What is your favorite book (and you can absolutely say your own!)

Coy: “Currently, John Dies at the End by David Wong.”

Geoff: “Without Remorse by Tom Clancy because it is a great character study.”

Author Bios:

The writing duo of Geoff Habiger and Coy Kissee have been life-long friends since high school in Manhattan, Kansas. (Affectionately known as the Little Apple, which was a much better place to grow up than the Big Apple, in our humble opinion.) We love reading, baseball, cats, role-playing games, comics, and board games (not necessarily in that order and sometimes the cats can be very trying). We’ve spent many hours together over the years (and it’s been many years) basically geeking out and talking about our favorite books, authors, and movies, often discussing what we would do differently to fix a story or make a better script. We eventually turned this passion into something more than just talk and now write the stories that we want to read. 

Coy lives with his wife in Lenexa, Kansas. Geoff lives with his wife and son in Tijeras, New Mexico.

Self-published fantasy authors: an interview with Ryan Howse

First, why don’t you tell me a little bit about your books. 

“I’d love to. I have three books out. The first two are both in my A Concerto For the End of Days series, which takes place several centuries after a magical apocalypse so powerful it broke the world. Reality has been made much stranger, but human ingenuity has taken those setbacks, harnessed the magical currents of the world, and learned how to use it for their own gain. 

The Steel Discord is a magitech train heist that follows a young Arcanist who attempts to rescue his mentor from a military train.

The Alchemy Dirge is a noir that follows an alchemist and a black market arcana merchant. The alchemist is desperately trying to fund his newest invention, a printing press, and sells a batch of alchemy that turns volatile—and valuable. 

The third book is Red in Tooth and Claw, which was a palette cleanser for me. Instead of the intricate world-building and plotting of the others, it’s just two people from opposite sides of a war caught in the wilderness. They hate each other, and they can’t survive without the other.”

You’ve written several different series. Is there one in particular, that you’re extra fond of? 

“I think The Alchemy Dirge has all the urban intricacies down pat. Aeon feels like a living city, infused with a sense of weird that I love. It also has protagonists who are pretty far from traditional fantasy heroes. Salai, the alchemist, profoundly hates how much everyone he knows has been held back by their lower-class stature. Ilher, the merchant, wants to gain power in the city to shift the laws, not just because they’re holding him back but because he sincerely believes they’re unjust. Neither is a wizard or a warrior or an assassin. 

But no book has ever come out faster than Red in Tooth and Claw. It had been sitting in the back of my mind for nearly a decade, so once I started it, it flowed out fast.”

What first inspired you to write? What drew you to writing fantasy?

“I’ve been writing for as long as I remember. I have vivid memories of a ‘dinosaurs eat each other’ story I wrote quite young—possibly in kindergarten. As for genre, I love the potential of fantasy. Anything can happen. 

Yes, there are tropes that appear often—medieval European analogs, stabbing as an effective method of problem-solving—but none are required. You can bend the rules of reality. You can get the historical detail of a Miles Cameron if you want, or the wild abandon of China Mieville. I love the feeling one gets when the real and the unreal meet.”

When working on a book, what comes first for you–the characters or the plot?

“They feed off each other. The only reasonable answer is, ‘they come at the same time.’ If Salai didn’t create the volatile alchemy, The Alchemy Dirge wouldn’t have been a book. If I put Zarachius and Kyran into Red in Tooth and Claw, there’d be a lot less tension because they trust each other and would just banter. 

I work hard to make my protagonists make a choice early on which causes the plot. Zarachius could have realized his mentor was arrested and ran away instead of attempting a rescue. Salai could have refused to sell the alchemy that didn’t work right.”

Did you base any of your characters on yourself in any way?

“Most characters have some relation to me or I’d not write them. They need to make sense, even if I disagree with them. Zarachius and Kyran have a fun ‘give each other shit’ camaraderie reminiscent of my friends. I disagree with Ilher’s politics but I understand where he’s coming from.”

 What was the hardest character or part to write?

“Zarachius, definitely. Zarachius is obsessed with symbolism and believes fervently that reading these signs will lead to the best solution or at least give him warning of problems to come. Making that an integral part of the story, while not making him insufferable, was sometimes a tough act. His relationships with his brother, his friend, and his mentor were all key in making him human.”

I hear that you enjoy role playing games. As a fellow rpg player, I’m curious: how does storytelling differ from DM’ing?

“I love role-playing games! I’ve even created my own system, a sort of Star Trek meets Mass Effect space opera.

Challenging your players is always a wildly different beast than challenging your characters. For one, if you get the players into a difficult situation, it’s up to them to get out of it. Not so if you’re writing a book. If I get a character into a bind I need to figure out how to rescue them.

I also find running RPGs to be a lot more episodic than writing novels. It’s a bit more compartmentalized. A novel needs a sense of unity of theme and atmosphere throughout, while a good RPG campaign can have sessions feel wildly different. It’s closer to a TV show, if anything. One session about a character‘s backstory coming back to haunt them. One session as a tense horror on a derelict but not-quite-abandoned ship. One session that reminds everyone of the overarching plot.”

 Is it easier for you to write a villainous character or a hero? Which is more fun?

“Honestly, because I try to limit my POVs the books I have out currently only have protagonist POVs. Some of those protagonists are not great people—Agash from Red in Tooth and Claw is a timebomb of a man. But they are protagonists.

My villains all have reasons for what they do. I can only think of one who’s vile for the sake of it, and they’re fairly tertiary. But my antagonists have, so far, been given less page time to develop than the heroes.

The real key is to make the villains reflective of the protagonist in some way.

Unless the villain is a bear.”

What do you do to “get in the zone”?

“Lately, I’ve been using tabletopaudio.com It’s ambience for rpgs, but some of the pieces help get a sense of place. I used a lot of ‘Sea of Moving Ice’ for Red in Tooth and Claw, for instance. I can’t do silence or more bombastic music anymore.”

 Lastly, I’m always curious? What is your favorite book (and you can absolutely say your own!)

“The Name of the Rose by Umberto Eco. The perfect historical mystery novel. Aw yeah.

Doestoevsky’s The Brothers Karamazov has the best characters in all of literature. Frankenstein is just an absolute perfect book; watching those two characters destroy each other is fascinating.

For somewhat more modern books, I have a lot of love for Matthew Stover’s Acts of Caine, China Mieville’s Bas-Lag novels, KJ Bishop’s The Etched City, Catherynne Valente’s Deathless, and Scott Lynch’s Gentleman Bastard Sequence.”






Self-published fantasy authors: an interview with M.D. Presley

image credit: Amazon

Today I get to learn a little bit more about author M.D. Presely, and his fantasy series, Sol Harvest. Thanks for taking the time to answer my questions!

First, why don’t you tell everyone a little bit about the Sol’s Harvest series?

Well, Sol’s Harvest is the unholy amalgamation of Airbender mixed with True Detective and a heaping helping of an American Civil War documentary. It’s a flintlock fantasy that takes place in a secondary world that very much mirrors the Reconstruction Era in US history. So pretty far off the beaten path in terms of fantasy. In it a spy who was captured and forced to fight against her homeland is tasked with escorting a catatonic child into enemy territory to assassinate the girl’s father. Plus, you know, psychic exoskeletons, airships, and monsters made up of the breath of their dead god.

What first inspired you to write? What drew you to writing fantasy?
I’ve always been attached to fantasy and always wanted to be a screenwriter, which were diametrically opposed for many years since fantasy is so expensive to shoot. So Sol’s Harvest is the story I always wanted to tell and knew damn well that no producer would ever invest in. So I invested my own time and money to write the story exactly as I wanted for a change.


When working on a book, what comes first for you–the characters or the plot?
Characters, plot, and world are all pretty simultaneous for me in that one always feeds into the other, which ends up influencing the first, which then works its way back around. In this case I cannibalized a lot of existing ideas of mine: I made the world as a thought experiment a few years before, the protagonist was an idea I had in college but couldn’t ever get to work in a story, while the non-linear plot was inspired by True Detective. And once I thought about those three together, they sort of clicked and began creating a feedback loop that tied them all together.


Did you base any of your characters on yourself in any way?
Parts of me are reflected in all the characters, but I will say that Marta’s core component of clarity that descends upon her when she gets angry is one of my own traits. I swear I could rule the world if I were angry enough, which is unfortunate since I’m pretty laid back.


What was the hardest character or part to write?
Inhuman entities with lifespans that don’t match our own. So much of our own understanding is based upon how long we expect to live, so when you suddenly change that it reshapes the character’s entire worldview. It makes them alien to a certain extent, which you then have to explain to the audience in human terms.


Is it easier for you to write a villainous character or a hero? Which is more fun?
Villains are almost always more fun, although they aren’t really as satisfying since they aren’t as constrained as heroes are. Heroes (usually) have to abide by a moral code, which makes everything more difficult for them. This in turn (if done right) means the hero is more dramatically satisfying


Are you a “pantser” or a “plotter”?
I am 100% grade-A plotter in that I write out reams of paper ahead of time detailing the characters, plot, and world. It’s a carryover from being a screenwriter where page space is limited and every detail counts. You can’t waste space figuring your story out on the page that way, so you have to get it all down before you start writing. At least I do.


You have also written books about fantasy worldbuilding. I love rpg’s and creating fantasy worlds and I think that is SO COOL! How did your knowledge of world building affect your novels?
I’ve not written a novel since I did that deep delve into worldbuilding, so it’s a little difficult to answer. But I did just get off a call with some producers where they signed off on all the character and plot points, but got completely stymied when it came to the rules of the worldbuilding. For fantasy and science fiction in particular, worldbuilding is part of what sells audience on the genre in the first place, and now that I have that in mind, I really want to make my worlds more vibrant, consistent, and inviting. Because, I realized, unlike plot and characters, great worldbuilding does not suffer from diminishing returns. In fact, it gets better the more times you consume it, which means great worldbuilding should ensure multiple consumptions. Which hopefully means more money…

What do you do to get “in the zone”?

This may sound trite, but I find it’s best not to ever get out of the zone. I always compare writing to cycling in that, once you get up to cruising speed, it’s not much effort to maintain that speed. But if you have to stop, you then have to expend a ton of energy to get back up to that speed you were so effortlessly maintaining just a few minutes ago. I’m in no way saying don’t take breaks, but it’s a lot easier to be consistently tuned in to writing if you never tune out.

Lastly, I’m always curious? What is your favorite book (and you can absolutely say your own!)

Favorites are hard to decide on because you can judge them by a lot of criteria like most influential (Sandman), or the one that caused the most emotional reaction (The Brothers Karamazov), or the one that you could just devour the prose with a spoon (The Great Gatsby). So I’ll just say that the book I’ve read the most is Goodnight Moon.

About M.D. Presley:

Never passing up the opportunity to speak about himself in the third person, M.D. Presley is not nearly as clever as he thinks he is. Born and raised in Texas, he spent several years on the East Coast and now waits for the West Coast to shake him loose. He has worked as a screenwriter and managed an amazing team of coverage readers. His favorite words include defenestrate, callipygian, and Algonquin. The fact that monosyllabic is such a long word keeps him up at night.

Self-published Fantasy Authors: an interview with Luke Tarzian

I’m fortunate to be able to hear from Luke Tarzian, author of dark fantasy. Thanks for taking the time to answer my questions!

First, why don’t you tell me a little bit about Vultures? 

VULTURES is…dark. Some people have said it’s the darkest fantasy they’ve ever read (I’m especially chuffed to have been told by one reviewer that it was more brutal than Joe Abercrombie). VULTURES is very much a story about love, loss, grief, and mental illness through the eyes of reluctant heroes. It takes place in a very phantasmagoric landscape full of demons, in a land where dreams are sometimes more than dreams and everyone—I mean everyone—is broken. Think some amalgamation of Edgar Allan Poe, The Licanius Trilogy, and a David Lynch film.”


What first inspired you to write? What drew you to writing fantasy? 

“Reading Harry Potter and wanting to create my own worlds. I’ve been in love with the fantastic since I was a child and Harry Potter was kind of the final push I need to say “Hey—I’m gonna write my own stuff.” I write fantasy for escapism and the ability to self-examine through a fictional lens. I deal with a lot of depression and anxiety, and being able to filter that into my characters and take them on a journey helps me figure out my own issues.”

When working on a book, what comes first for you–the characters or the plot? 

“Characters one-hundred percent.”

Did you base any of your characters on yourself in any way? 

“Oh god, only way too much. A lot of the grief and loss and depression and anxiety and anger issues yada yada yada that the characters in VULTURES are subjected to are very much manifestations of my own struggles. For me, writing those into my characters a) helps make my characters that much more relatable and b) is stupidly and completely cathartic.”

What was the hardest character or part to write? 

“There is a moment in a scene very late in the book, probably in the third to last chapter, that was, in a sense, very real to write as it was heavily, heavily influenced by my mother’s death and her state in the final days before she passed. It was extremely cathartic to write, but it also fucked me up for a few days.”

I see your book is described as featuring anxiety and depression. I am always appreciative of any author who includes mental health representation in their work. Was it difficult to write about those things? 

“Yes and no. Yes because it’s always scary examining yourself, especially to that degree. But no, for the exact same reason, if that makes sense. Once you take a hard look at yourself and realize you have some issues you need to deal with (at least in my case), it becomes that much easier to address your issues through a fictional lens. A lot of the stuff I write I do so because I have a story to tell, but the way it comes out is absolutely related to what’s going on in my head.”

Is it easier for you to write a villainous character or a hero? Which is more fun?

“Honestly, it really depends on the character. I consider myself an exceptionally strong character writer so, at the very least, any character I write is going to be fun. I think the bigger question is what character is the hardest to write, and, for me, it’s any character who is on the precipice of absolute good or absolute evil—because most people are somewhere in between (I think).”

Would you consider yourself more of a “pantser” or a plotter?

“I’d say I’m somewhere in between. I like to have a brief idea of where I’m going—the simplest of roadmaps. But, for the most part, my writing is very exploratory, very instinctive.”

How do you get “in the zone” when writing?

“Coffee and white noise, preferably rain. I don’t really write chronologically either, so I like to pick something I’m especially excited about to start with when I sit down to write as it helps build momentum.”


Luke Tarzian is…
Fantasy Author. Long Doggo Enthusiast. Snoot Booper. Shouter of Profanities. Drinker of Whiskey. These are all titles. I’m the Khaleesi nobody wanted and the one they certainly didn’t deserve, but here we are.

Self-Published Fantasy Authors: an interview with author Jesse Nolan Bailey

The Jealousy of Jalice (A Disaster of Dokojin Book 1) by [Jesse Nolan Bailey]

Today, I’m excited to hear from Jesse Nolan Bailey, author of The Jealousy of Jalice. Thank you so much for taking a bit of time to chat with me!

First, why don’t you tell me a little bit about The Jealousy of Jalice?

The book is an adult dark fantasy featuring female protagonists (anti-heroines), demons, and plenty of bleak moments. It begins with two women enacting a scheme to overthrow a tyrant chief by first kidnapping his wife. Annilasia whisks Jalice off into a forest infested with beasts and demonic entities, while Delilee remains behind to spy on the chief. Yet a dangerous event from Jalice’s past threatens to undo their schemes.

It’s a book that caters to readers who want that spooky, creepy vibe in their fantasy stories, almost horror at times, but still maintains a tale that explores what it means to be human and all the emotions that come with that.

What first inspired you to write? What drew you to writing fantasy?

I’ve always loved fantasy and science fiction. If there’s aliens, ghosts, or dragons involved, count me in. Some of my favorite childhood series were The Magic Treehouse series, any Star Wars EU books, and The Bailey School Kids series. My obsession with fantastical tales only grew from there, and from a young age I knew I wanted to be a fantasy author.

Fantasy uses other-worldly settings and characters to draw in the reader, and provides a form of escape for a lot of people. Yet, I also found that, with a lot of fantasy, it speaks on real-life issues and emotions. I was a shy kid, and books helped me digest the real world around me while still hooking me with those fantastical elements. Books also taught me the power that words held, and how stories could be incredibly influential.

When working on a book, what comes first for you–the characters or the plot?

Both. Honestly, it’s usually a scene. I listen to instrumental movie scores to get inspired, and often times inspiration strikes when I envision a character in a specific setting or involved in some pivotal act. Almost like a movie trailer. I get bits and pieces that seem intriguing to me, and they slowly come together as I get to outlining the story further.

Did you base any of your characters on yourself in any way?

Most certainly, yes. Well-written characters evolve from a writer being able to tap into the character’s mindset and emotions. Doing so requires the writer to dig deep, and in my personal experience, it’s meant I’ve had to sit and mull over my own emotions and memories. Even villains are written this way. I think we view villains as ‘other’ or ‘inhuman’, but its usually their actions that fit those terms—their emotions, on the other hand, probably are more relatable than people would initially admit. Jealousy, anger, selfishness: we all experience these. It’s just our story-villains take those emotions and take extraordinary action on them that the average person wouldn’t. Or, at the very least, they take exaggerated actions.

Basically, yes, I think each of my main characters reflects different parts of me. Jalice is naïve and perpetuates a false innocence when really she is in denial of her past sins. Annilasia starts with a righteous anger over the state of her world, but this righteous anger quickly devolves into self-righteous pride and an uncontrollable temper. The villain, Hydrim, is stuck in a mindset of control and power with an unwillingness to examine his motivations and vulnerabilities that fuel that mindset.

I’ve been there—each of those mindsets. I think we all have in different moments of our lives.

What was the hardest character or part to write?

This is going to sound kind of silly, but honestly, for me its how a character looks. Finding unique and interesting ways to flesh out how a character looks and what they wear is difficult. My mindset if usually ‘get to the story, get to the magic, who cares what they look like?’ That, of course, isn’t going to fly with my readers, so I had to spend time learning how and when to describe a character’s looks.

I’ve heard this book being described as darker in tone? Would you agree?

Absolutely. That was my intention. This is certainly fantasy: there’s magic, there’s monsters, there’s swords and arrows. But this isn’t The Chronicles of Narnia by any means. My characters are incredibly flawed (i.e. not exactly noble for the most part), and the world they live in is harsh. Deformed monsters lurk in the bleak forest, and demon-like entities stalk the astral realms. Blood and screams infest the pages of this book.

Yet this wasn’t for the sake of shock value. I felt the darker setting was appropriate given the underlying themes I sought to explore. The personal betrayals and delusional mindsets are reflected in the world my characters inhabit.

What were some obstacles and joys of writing a bleaker world?

I worried that readers seeking fantasy would be put off by the horror elements. It felt like a risk. Fantasy typically features a noble and hopeful vibe, and although that still exists within this story, the bleaker world definitely swallows that up at times. From initial reactions though, readers seem to be enjoying this surprising genre-blend.

I enjoyed writing the horror elements. Horror evokes deep-rooted emotions that every human experiences: fear and dread. I think embedding those in with the fantasy setting helps accentuate the themes I was exploring. My characters get to interact with magic and swords while confronting their worst fears and the horrific effects of some of their decisions.

Is it easier for you to write a villainous character or a hero? Which is more fun?

Easier? Probably the hero, though I use the term ‘hero’ very loosely whenever TJOJ is involved in the discussion. My protagonists aren’t heroes in the traditional definition. They’re just not evil enough to be considered villains. Villainous characters can be tough to write because they can easily become a caricature or cliché.

More fun? I think they both offer fun elements. Heroes get to save the day, but I honestly get the most enjoyment forcing my heroes to confront their flaws. Heroes are only as strong as their greatest vulnerabilities and their courage to face those alongside the monsters. Villains, on the other hand, are fun to write because (at least for me) it’s a sort of cathartic examination of the darker experiences of humanity. Perhaps that sounds troubling, but we all must at some point examine the seeds of darkness within ourselves. Writing villains allows an almost therapeutic outlet for that.

How do you “get in the writing zone”?

Music is a quick way to jump-start inspiration. So I listen to an instrumental song that fits the scene I’m attempting to dive into. Usually, sugar and caffeine are involved as well. I’m an author—the job description demands I be addicted to either coffee or tea. I’ve chosen coffee (easier to excuse the copious amounts of sugar I combine with it. Can’t get away with that as much with tea).

Lastly, I’m always curious? What is your favorite book (and you can absolutely say your own!)

That’s a tough question. I think the book that has stuck with me the most is The Eye of the World by Robert Jordan. I haven’t even finished the series it belongs to (got half way through the series twice, but never have the momentum to get past that midway point). Yet, I really enjoy Jordan’s style of writing and the characters he created. Alongside Patrick Rothfuss, Jordan is who I hope to emulate someday with my writing style.

The First of Shadows (Riven Realm #1)- The Write Reads on Tour

How do you kill a shadow?

As a raging storm descends on the Blasted Coast, the crippled young rigger, Caleb Rusk, meets a wounded stranger on the open road. Little does he know that the encounter will pull him into a conflict that threatens everything he holds dear—and change the course of his life forever. With help from a hammer-wielding mercenary, a drifter girl with a heritage of magic, and an eccentric sky pirate, Caleb must find a way to escape the clutches of a shape-stealing demon that refuses to die.

Meanwhile, in the capital of Taralius, a string of inexplicable deaths have captured the attention of the Ember Throne. Second Corporal Avendor Tarcoth is tasked with uncovering the truth behind a danger that could threaten the very fabric of the Realm. To assist him, the Queen enlists the aid of the sage, Tiberius Alaran. But the blind old man has secrets of his own—and allegiances that extend beyond the Ember Throne. (taken from Amazon)

Thank you to The Write Reads on Tour for allowing me to be a part of this book blog tour. The First of Shadows is available now.

I love that the timing of this book tour just happens to coincide with a month-long celebration of self-published fantasy. The First of Shadows is sitting happily on my list of the best fantasy I’ve read in quite a while and I’ve been on a fantasy kick for the last…always.

Deck Matthews created an excellent fantasy adventure. His characters were all fantastic, each unique and interesting. Caleb was a perfect main character: he wasn’t incredibly fast or strong. He was just in the wrong place at the right time (or the right place at the wrong time).

I loved the magic in this world! There were multiple sorts, but I was particularly impressed by the totems, which are kind of like brands or tattoos that can form into an animal companion. I am probably explaining that horribly, so I’ll just say: it’s very, very cool.

There were so many things that were well done in this novella! There is an air of tension that runs throughout, making each scene a little more heightened. The characters are fully developed and each one contributes something to the story-line. Matthews does everything with purpose and confidence. I was immediately sucked in and happily engrossed.

Since this is a novella, it takes very little time to read. That means everyone should ignore life for a little bit and go read this book. Do it now! I guarantee you’ll enjoy it.

Self-Published Fantasy Authors: an interview with author Zack Argyle

Voice of War by Zack Argyle

Today I am fortunate to be talking with Zack Argyle, author of Voice of War. Thanks for chatting with me!

First, why don’t you tell me a little bit about Voice of War?

“Voice of War is an epic fantasy that was born from a single question: how far will a man go to protect those he loves? It is filled with fantastical creatures, a “bangin’ magic system”, and complex characters that will tear your heart out. Check out Amazon or Goodreads for a full description!”


What first inspired you to write? What drew you to writing fantasy?

“I know it’s a little silly, but being a Dungeon Master was the first real moment of clarity when I knew I had the talent for crafting stories. I still remember one night in Gauntlgrym when the party had just had a massive battle in the middle of a bazaar. In the middle of the wreckage, a member of the Zhentarim faction approached one of the players, dropped to a knee and whispered, “First Lord.” The entire table gasped, and we ended for the night. I’ll never forget their reaction to the story I’d crafted, and how invested they were. That’s why I write. I want you to love and hate and fear for the characters as I drag you alongside their chaotic lives.”

When working on a book, what comes first for you–the characters or the plot?

“A little of both. Sometimes it’s a character like Chrys. Sometimes it’s a scene like the opening ritual or the necrolyte races. But the more I write, the more I see the characters above all else.”

Did you base any of your characters on yourself in any way?

“Absolutely! As a father of two young children myself, Chrys’ determination to keep his wife and newborn safe comes from knowing just how far I would go to do the same.”

What was the hardest character or part to write?

“For me, it was Iriel Valerian, who is pregnant for the first part of the story and then the mother of a newborn. It took a lot of help from my patient wife to help me write Iriel properly, especially with how she would react in certain situations. In the end, she turned out awesome.”

Is it easier for you to write a villainous character or a hero? Which is more fun?

“Well, I should first say that, while there are heroic deeds, Voice of War doesn’t have a “hero”. People are complicated, and even villains can be heroes when seen from another perspective. That said, I really enjoy writing both. There is a villainous torture scene that was incredibly fun to write, and there is a tender moment between a husband and wife that was equally fun to write for completely different reasons.”

Do you have any writing quirks, or a routine that you stick to?

“Nope! I have two kids and a day job. I used to write on my commute, and now I squeeze it in whenever I can at night. The one constant is that my writing group meets together each Sunday night.”

Are you a “pantser” or a “plotter”?

“90% plotter, 10% pantser…which can get me into trouble. I plot out the main beats to happen in each chapter of the book, and then I let the characters take it from there. Occasionally, the characters go in a different direction than intended, which can lead to revising my plots. But it’s always for the better!”

Lastly, I’m always curious? What is your favorite book (and you can absolutely say your own!)

“My favorite fantasy novel is Words of Radiance by Brandon Sanderson. In the series, magic is only given to those who are “broken”, and power is gained by overcoming that which has broken you. The moments of internal reconciliation are beautiful and powerful and incredibly inspiring.”

The Singing Gold by T.K.P. Sternberg

A simple shepherd who can see all things invisible, a dwarf who risks his honour to strike the deal of his lifetime, and a clandestine necromancer who manages to do good despite his worst intentions. This unusual fantasy epic shows how petty shortcomings like jealousy, suspicion and greed can throw up challenges equally dangerous as revealed destiny or the unfolding of evil plans. Set in the deep forests of medieval Svitjod, at the shift between the worship of the Old Gods and the coming of Christianity, it stands firmly rooted in the mud and dirt of everyday life while revealing a fantastical world of trolls, alfs and magic.
(taken from Amazon)

What happens when you take very real characters who have very normal concerns and struggles and put them in a medieval-esque world? You get the creative and interesting book, The Singing Gold.

There are several unique things about this book. First, it follows a family that is struggling financially as it tries to make ends meet. There is a realism to this that made me immediately like these characters. I wanted them to succeed. The main character, Stig, is doing all he can to take care of his family. When he gets offered a well-paying opportunity, he takes it. Unfortunately, it ends up being far from the simple job Stig was hoping for.

Have you ever had one of those weeks where you felt that anything that could go wrong, would? That’s this family’s entire existence. I found myself holding my breath, hoping that at least one character would catch a break. Yeah…don’t do what I did. You will pass out from lack of breath.

Where this book really shines is in the world building. Author T.K.P. Sternberg obviously put a huge amount of time fashioning his setting into something three-dimensional and believable. While the characters are all enjoyable, it’s the world that really drew me in.

This is a slower moving book. If you are looking for a quick read, or an action-packed adventure, this is not the fantasy for you. However, if you’d like a character-driven book with an unconventional mix of the the day-to-day and the fantastical, give this book a go.