Cover Reveal: We Break Immortals by Thomas Howard Riley

Banner Credit: Fantasy Book Nerd

Wow, I am beyond excited about this cover reveal! I’ve been waiting (rather impatiently) for the chance to read We Break Immortals and after seeing the cover, I’m even more excited to get my hands on it.

Before I show off the cover, how about I share the synopsis?

A drug addict who hunts sorcerers down by tracking their magick, the most renowned swordsman no one has ever heard of, and a thieving magick-wielding woman hellbent on revenge collide during a last ditch effort to stop an insane superhuman serial killer from making himself a god.

The Render Tracers always say magick users deserve to burn. Aren couldn’t agree more, Keluwen would beg to differ, and Corrin couldn’t care less either way.

In a world where most people use swords for protection, Aren uses tools that let him see what no one else can see, and he takes advantage of loopholes that can undo magick in order to stop the deadliest people in the world. He is a Render Tracer, relentlessly pursuing rogue sorcerers who bend the laws of physics to steal, assault, and kill. But his next hunt will lead him to question his entire life, plunging him into a world where he can’t trust anyone, not even his own eyes. 

When Keluwen finally escaped her fourthparents’ home and set out on her own to become a thief, she never thought she would one day be killing her own kind. She honed her magick on the streets, haunted by her past, hunted by Render Tracers, and feared by a society that hates what she is. Now she joins a crew of outcast magicians on a path of vengeance as they race to stop an insane sorcerer who has unlocked the source of all magick and is trying to use it to make himself a god. 

Corrin is a sword fighter first, a drinker second, and a…well, there must be something else he is good at. He’ll think of it if you give him enough time. He is a rogue for hire, and he has no special powers of any kind. The most magick he has ever done is piss into the wind without getting any on himself. He is terrible at staying out of trouble, and someone always seems to be chasing him. When he gets caught up in a multi-kingdom manhunt, he finds himself having to care about other people for a change, and he’s not happy about it. 

They are about to collide on the trail of a man who is impossible to catch, who is on the verge of plunging the world into ruin, and who can turn loyal people into traitors in a single conversation. They must struggle against their own obsessions, their fears, ancient prophecies, and each other. They will each have to balance the people they love against their missions, and struggle to avoid becoming the very thing they are trying to stop.

Are you ready for the cover?

Here it is!

Doesn’t it look awesome? Fantasy Book Nerd is responsible for the graphics that showed this amazing cover off.
Oh, and did I mention the maps? Beautiful maps! Take a look!

About the author:

Thomas Howard Riley currently resides in a secluded grotto in the wasteland metropolis, where he reads ancient books, plays ancient games, watches ancient movies, jams on ancient guitars, and writes furiously day and night. He sometimes appears on clear nights when the moon is gibbous, and he has often been seen in the presence of cats. 

He always wanted to make up his own worlds, tell his own stories, invent his own people, honor the truths of life, and explore both the light and the darkness of human nature. With a few swords thrown in for good measure. 

And some magick. Awesome magick. 

He can be found digitally at THOMASHOWARDRILEY.COM 

On Twitter he is @ornithopteryx, where he is sometimes funny, always clever, and never mean.

https://amzn.to/3hVPA3J Amazon US link

https://amzn.to/2UYvhtT Amazon UK link

https://bit.ly/3zU8qyq    Goodreads link

http://thomashowardriley.com  Author Website

Judging a Book by its Cover: an interview with artist Natasha Overttun

Adobe_Post_20200503_1301090.9358514676214506
Lately I’ve been thinking about judging books by their covers. We all do it a little bit. A good cover catches the eye and makes us curious about the book. I thought it might be time to feature some great book artists, starting with the excellent Natasha Overttun. You can find her work on the covers of the Terra Nova books by D. Ellis Overttun. If you’d like to contact either of them for interviews, you can find them on Twitter @neoverttun. In a fun twist, author D. Ellis Overttun interviews Natasha Overttun (a husband-wife duo: how cool is that!). The author’s questions are in bold.

@WS_BOOKCLUB, a while back, you floated the idea of doing a Q&A with Natasha. What a great concept! We thought an interesting twist might be if I did the Q. This Q&A will focus on the evolution of Natasha’s work and skills. It was a lot of fun. Thank you for giving us this opportunity.

First of all, could you please give us some opening comments?

(singing) I’m so exited! And I just can’t hide it! I’m about to lose control…

Something that’s not a shower song…

I’m so exited. And I just can’t hide it. I’m about to lose control…

Something that’s not a Pointer Sisters’ song…

Apart from being thrilled, I’m so proud that a blogger like Witty and Sarcastic Bookclub would want to hear what I have to say. At first, I was a little surprised and scared…`

As I recall, I had to talk you into it.

Yes, I’m not used to being out there. But, as time passed, I got more comfortable with it. You know its just like Bob Wiley says: “Baby steps, baby steps.”

I think it was Dr. Leo Marvin.

No, I’m sure it was Bob.

We’ll Wiki after the Q&A. Anyway, how did you first get involved with visual arts?

When I was a little girl, I loved coloring books…

Let’s skip a head a bit…

Oh…well, more than a little while ago, I took an introductory art course at the local community college. One of the projects we did involved collages. Each of us brought in a magazine and were told to cut out pictures or shapes we found interesting. We put them all together on some of the desks in the front row. The exercise was to assemble a cut and paste collage.

I had absolutely no idea what to do. So, I hung back and watched the feeding frenzy. Everyone else seemed to know exactly what they were going to do. My first attempt was a fireplace surrounded by flames, lights and candles suspended in the air. I was so proud of myself! The teacher came by. She gave it a look that was more than just a glance. So, I thought, “Yesss! She likes it!” But it was really one of those howcanIputit looks. “It’s hanging,” she said. “That’s right,” I replied. Then, I realized she meant that something was missing. A few people had gathered around for her critique. “Where is a rock to crawl under when you need one?” I thought.

 

That was the best idea I had, and I now looked through the cutouts on the front desks that had been picked clean. This is what I came up with…

Lips

I was a little more than embarrassed when it came to present at the front of the class. What I put together didn’t look like anything. Oh, where’s that rock?

To my surprise, it drew rave reviews. Who knew?

That course gave me an appreciation for things like balance, composition and perspective. More than that though, my fellow classmates encouraged my small successes. That gave me confidence.

How did you become involved with the Terra Nova series?

You finished the first version of Universe: Awakening in May 2017. I remember you were on the kdp site rushing to publish. Then, it asked you for a cover. I’ll never forget the look on your face. It was: I need a cover? AHHH! Neither of us had any idea what to do. An anxious read of the help notes said we could use a jpeg. Great! But a jpeg of what?

Then, you came up with the idea that we would take a picture of something. So, I got my iPhone, and we frantically scoured our suite for something suitable. You finally decided on one of the patterns from a pot. A few clicks and a couple of emails later, and it was uploaded. It was too small. At the time, we had no idea how to resize an image. My niece is a graphic artist. So, she did it. Uploaded! Publish? No, we had to deal with text: Which font? What size? What color? I gained a real appreciation for your wordsmithing that day. Your string of invectives was colorful and creative. But not “Like wiping your ass with silk” to quote the Merovingian. That said, you finally slapped something together.

Lorna from On the Shelf Reviews (@ljwrites85) gave you some very constructive feedback. It went something like (and I paraphrase) “…perhaps, you could do something with the cover”. You have many faults but not being able to take a hint is not one of them.

Yes, I remember. So, I casually hinted…

Implored…

Asked if you had any suggestions.

Yes, and the result was the second cover.

Before (You) After (Me)

20170829 Universe eBook Cover (120 x 192) 20190330 Universe (2nd ed) - Cover (120 x 192 72 DPI)

How have you gone from collages to covers?

It’s been an evolution. To promote the book, you started a blogsite called “Author’s Cut” where you would write posts about Universe. I read somewhere that it’s good to break up text with visuals, to prevent reader fatigue. When I made the suggestion, I got the job.

I had no idea how to go about actually creating visuals. I was lucky to bump into a site called “Pixabay”. It’s a very popular site that has millions of images available without running into copywrite issues. I started out with find, cut, paste. It was primitive, but it was something. Then, I found some freeware called “Photoscape”, and I was able to do things like add text, crop, superimpose, stuff like that. When it came time for the Universe cover makeover, I was ready.

What’s happened since then?

You found that maintaining a social media presence, writing and publishing were too timeconsuming. So, you vacated SM, and I took over. I started on Twitter last year.

How has that gone?

Very well. I think it has increased SM awareness for your writing in a way you never could. If I say, “Hey! My hubby’s great. Read his stuff”, people say, “What a supportive wife.” If you echo the same sentiment, you’re a braggart.

True, very true. How did you start doing visuals on Twitter?

It started with the header, and it took me to another level. I found that, while Photoscape is great, you can’t edit after you’ve saved and exited the program. I found that Word gave that to me. People trained in graphic arts would probably snub their noses at it, but it was a quick fix that was easy to learn. My first headers were the covers of your first two books plus some Pixabay jpegs.

20190309 TWTR Header (750 x 250)

That looks like the first version of the Genesis cover.

That’s right. When I did it, I thought that it was ok, but something was missing. It kept bugging me, so, finally, I did a makeover. Tada!

20200108 Genesis - Cover (120 x 192)

Yes, it has a certain pop to it.

After that, I noticed that a lot of people have a pinned tweet. I suggested to approach bloggers to do guest posts that I could then pin. I had found that there is a heavy emphasis on visuals on Twitter, so I suggested that I do something to accompany the post that I could attach to the tweet to catch people’s attention. As each post came online, I swapped the pic for the one from Pixabay in my header. Here’s what it eventually looked like.

20191114 TWTR Header (700 x 250)

And the rest, as they say, is history.

Yes, but it’s mostly due to the blogging community who has been very receptive and supportive of our creative efforts.

Have there been any recent developments in your bag of tricks?

Yes, I recently came across a program called GIMP. It’s a real graphic arts program. I’ve only been using it selectively for certain effects because it’s quite involved. For example, in the visual below…

Exodus Final

The breaking apart of the sphere and the beam of light were done in GIMP.

I also started using the gif feature in Photoscape. Most notably, in the recent Prophecy cover reveal. Thank you from the both of us, once again, to Witty and Sarcastic Bookclub for giving it a spot on your blog.

Well, I think we have gone on long enough, any final comments?

More of a question really. I know that one of the characters in the series is named after me. However, she is a blonde with a bob cut. I am not a blonde and have never worn my hair that way. Where did she come from?

Uh…this is your interview, not mine. We should discuss this later.

Yes, we will.