I feel like doing a giveaway! I read an amazing bunch of books in 2022, so I’m going to give one lucky winner their choice of a book from my favorite reads from 2022. All you need to do is take a look at my 12 favorites below and comment with which book you’d like to win. I’ll announce a winner Sunday the 26th.
Well, another year has come and (mostly) gone. It was another amazing reading year, making coming up with a list of favorites a delightfully difficult task. I kept thinking that I would only write a top ten, but after agonizing over which books to leave off, I told myself, “Self, it’s your blog, dash it all! You can have a top twelve favorites list! No one can stop you!” It was around this point that it occurred to me that I should probably stop talking to myself (although I am a very witty conversationalist) and just write the darn list. Without further ado, and in no particular order, I present my top TWELVE books of 2022.
The Shadow Glass by Josh Winning
“This book was a love story to the wonderful, imaginative things I grew up with, and I enjoyed every moment of it.”
Coming up with this list was incredibly difficult! I love giving books as gifts, but I have a tendency to pick ones that I think will appeal specifically to the person I am shopping for. However, there are a few that I think will be great gifts for the majority of my friends. I’ve included some that I would love to receive myself (assuming I don’t already own them). You can find my previous lists here: 2021, 2020.
Empire of Exiles by Erin M. Evans
Good gravy, I loved this book! The writing is phenomenal and the magic system is breathtaking. This would make an excellent book for a reader who is experienced in fantasy and loves being sucked into a book. Just don’t expect to hear from them until they’ve finished: it’s too engrossing. Review
The Shadow Glass by Josh Winning
The Shadow Glass would be the perfect gift for people who grew up loving The Labyrinth or The Dark Crystal. It’s an urban fantasy with fantastic nostalgia lacing throughout. The character development is amazing and anyone lucky enough to receive this book will be cheering by the end. Review
Dragonlance Destinies: Dragons of Deceit by Margaret Weis and Tracy Hickman
If you know me at all you’re not even remotely surprised that I’d add Dragons of Deceit to the list. Margaret Weis and Tracy Hickman came back to the world they’ve created with a bang. While this can be a jumping-off point for anyone new to the world, I strongly recommend giving the Dragonlance Chronicles as a gift as well if the recipient hasn’t yet read them. This book will be even better if they know the original story. I guess that means I’m sneaking in multiple suggestions under the guise of one. I’m a slyboots. Review.
Small Places by Laura Owen
For this suggestion, I’m veering from fantasy into spooky territory. Small Angels never crosses into straight-out horror, but instead uses descriptive language to paint an eerie picture. This was very enjoyable and will suck in any reader. Review.
The Hero Interviews by Andi Ewington
This hilarious book would make an AWESOME gift! I’ve guffawed my way through it multiple times now and each time something different makes me snort-laugh. The Hero Interviews releases on kindle the first week of December, so give it to friends who like ebooks (I think that’s most people). Go ahead and snag it for yourself too. You’ll love it. Review.
The Withered King by Ricardo Victoria
This is the first book in the Tempest Blades series. I really love the tones of hope and second chances that run through both The Withered King and its sequel, The Cursed Titans. I don’t know why, but I get a bit of a My Hero Academia vibe. I think it’s that both that show and these books have great character development, complex storylines, and a lot of action. That’s a lot to finagle at once and author Ricardo Victoria manages it wonderfully. Review.
Slaying the Dragon: A Secret History of Dungeons and Dragons by Ben Riggs
Okay, this is a gift for a very select type of reader. Not everyone is going to give a fig about the history of D&D or what happened to TSR. This is for those of us who look forward to diving into imaginary worlds and using our imaginations. However, I argue that not only is it absolutely fascinating, Slaying the Dragon is ridiculously well-researched and written in a way that is engaging and flows well. Grab this one for your TTRPG friends. Trust me, they’ll love it. Review.
And Then There Were None by Agatha Christie
My oldest son has just dipped his toes into Agatha Christie’s writing. And Then There Were None is my favorite of hers. It would make a great gift for mystery lovers old and new.
Dragons of a Different Tail Edited by Marx Pyle
I loved this highly entertaining collection of dragon stories! It’s so creative. Each story is so different from the one before it, from tone to genre. Any fantasy reader would be delighted to add these dragons to their collection. Review.
Legends and Lattes by Travis Baldtree
This book is absolutely delightful! It’s a hug in print. It would be such a great gift for anyone who could use a happy ending right about now, and I kind of think that’s everyone. I really wish this coffee shop existed in the real world but, since it doesn’t, the book would make an excellent gift along with a cute mug.
What books are you planning on gifting this year? And how many are you going to gift yourself?
Metal will steal your soul. Or save it. It’s kind of a toss-up for Kris, ex-lead guitarist of Dürt Würk (the name made me laugh). Years after the band broke up dramatically, Kris is working at a hotel and wondering what to do with her life. A billboard announcing the final tour of The Blind King, the man who ruined everything, galvanizes her and starts a mission to confront the evil at the heart of every broken dream. Or something.
This is my second Hendrix book, the first being My Best Friend’s Exorcism. As with My BestFriend’s Exorcism, there was a lot I enjoyed and a few things that just didn’t work for me. The good far outweighed the bad, making this a fun spooky read.
Kris was an awesome main character. She vacillated between feeling sorry for herself and just taking the crap hand life dealt her and doing what she could with it. She was extremely relatable and also made a good window into the bizarre goings-on of the book. And We Sold Our Souls was chock-full of bizarre.
The other characters dipped in and out of the book. As is the nature of horror, not many of them lasted long. There were a few that I wish had bigger roles, just because they were so much fun. My favorite was JD, drummer and conspiracy theorist. He cracked me up. He also helped get the book back on track after it seemed to veer off course a little bit.
The unexpected doses of humor made We Sold Our Souls as much fun as spooky. In fact, despite being a horror, it never really veered into scary territory. It reminded me more of movies like Scream and Halloween. It was over-the-top, nutty, gory fun, with a smattering of humor and social commentary mixed in for good measure.
There were lyrics “from” Dürt Würk scattered throughout the book, which helped illustrate whatever was happening at the time. This was a clever way to help set the tone. I also couldn’t help picturing the lyrics being screamed at a crowd of metal fans, so kudos to Hendrix for adding that extra layer to the picture he painted.
The story meandered a bit about 3/4 of the way through but right when I started to lose interest, it came roaring back to end things with a crescendo. The ending made sense in relation to the rest of the book, and the folktale status one of the characters achieved at the end was a fantastic end to their story arc.
The book wasn’t perfect. Some parts were stretched out for much longer than they needed to be, while other things felt rushed. The social commentary, while right on the money (in my opinion), got a little heavy-handed at times. There were a few things that were never really explained-but so what? We Sold Our Souls was devilishly entertaining, and at the end of the day, that’s what I was hoping for.
I had high expectations for this one. I’m a sucker for a good haunting, and The Death of Jane Lawrence promised to be something new. The novel follows Jane, a practical woman who decides to marry as a business arrangement: respectability in exchange for a fair amount of autonomy. She decides the reclusive Dr. Lawrence is the perfect candidate. He has zero expectations and his only request is that she stay away from his dilapidated family estate. Of course, that is the one thing she doesn’t do. When Jane finds herself stranded at the manor late one night, it sets in motion events both strange and haunting.
I have to admit that I didn’t end up loving the book the way I thought I would. I struggled to really become invested in the characters or to really care about what happened to them at all. I felt Dr. Lawrence had potential, but instead he became simply a cutout-version of a stereotypical martyr. He seemed determined to give in to his “fate” without a fight, despite there being no reason for him to do so. Long-suffering characters such as that tend to grate on me pretty quickly, so I wasn’t a huge fan. Meanwhile, Jane sort of confused me. She seemed to be constantly angry but forgiving, even if no apology was offered. She is lied to, but decided it’s okay because so-and-so is compassionate toward others. Someone tries to kill her, but it’s okay because they weren’t themselves. Information withheld leads to extreme danger, but it’s okay because the person felt ashamed about it. I wanted to shake her for a good chunk of the book. I suppose the author did get me invested enough that I was almost constantly irritated at Jane’s character, so that is something.
The house itself was the perfect blend of intimidating and lonely. It felt like entering the house caused one to surrender their grip on reality. It was mysterious and dark, and wonderfully atmospheric. The descriptions of the apparitions gave me delighted shivers and the dark, rainy weather was used to great effect. Ultimately, the house sort of became a character in its own right.
The way the book unfolded didn’t quite work for me. I felt that some parts were needlessly drawn out, while other important moments were rushed. It was very odd. I could never quite get a hold on the pacing. However, that disjointed pacing could have been intended as a way to keep the reader off balance and to add to the feeling of “wrongness” that pervaded the story.
I could balance out what I liked and didn’t like about the book, but at the end of the day, The Death of Jane Lawrence just wasn’t for me. Have you read this one? What did you think?
Remnants is a collection of stories about a world ravaged and left for dead, with only a few leftovers- remnants, if you will. Instead of focusing on the horrific monsters that have violently changed life as humans know it, these tales focus mainly on how the few survive and who they become. The stories showcase tenacity, an unwillingness to lay down and die, and the best- and very worst- of humanity. Although, in some cases, humanity has long since left the building.
The concept behind Remnants is not a new one; post-apocalyptical stories like this have been created before. However, where this anthology is different is in its execution. Instead of full stories, there are short vignettes, brief glimpses in time. Some stories are touching, others incredibly brutal. Like humanity itself, the stories have a sliding scale of morality, with some unwilling to cross boundaries that other characters don’t even see as existing.
I found the examination of humanity to be fascinating. Like most anthologies, some stories worked better for me than others, but this was a collection that I consistently enjoyed. While some readers might wish for a little bit more focus on the monsters themselves, I really liked that following the survivors were the main event. Although in some cases, I could argue that not all the characters alive had actually really survived.
Each story added something to the overall atmosphere of the book. The first story, “Resistance” by Stephen Coghlan, set the tone for Remnants. It’s also a good lead-in, preparing the reader for stories that range from bizarre to emotional to disturbing or almost grotesque. The main storyline might be centered around one event, but the way each author tackled it was completely unique. I was never in danger of losing interest at all.
There were a couple of stories that were really unique in their telling. “Heatwave” by Aaron Lee takes a rather coldblooded look at the fallout, in which there is a blog that keeps tracks of death “statistics”, that the blogger utilizes to try to understand the nightmare that they’re living in. I thought this one was both fascinating and chilling.
“First Swarm” by J.D. Sanderson followed two photographers and their experiences, which left me mulling over whether viewing something through a camera lens helps expose truths otherwise denied, or if it allows the photographers to separate themselves from the reality of what they’re seeing. Short yet powerful, this was one of my favorite stories in the collection. The creativity behind both “First Swarm” and “Heatwave” are what elevated them above some of the other stories in this collection, although they were all well written.
Remnants is one of the stronger additions to post-apocalyptic fiction that I’ve read recently, with the grimdark and horror aspects working incredibly well. Thought provoking and just flat-out cool, this is not a collection to miss. I highly recommend it.
Review originally published in Grimdark Magazine, found here.
Brooding and dark, Nothing but Blackened Teeth drew me in and kept me off-balance. Always on the precipice of scary, it never quite tipped over. Instead, it stayed an eerie book, one that has crawled its way into my head. I’ll be thinking about it for a long while, reliving bits and pieces of the creepy story.
Nothing but Blackened Teeth follows a group of friends who decide to rent a Heian-age mansion for an odd sort of wedding celebration. The thing is, they’ve heard it’s haunted. That’s the draw for them: they’re hoping to experience the otherworldly and the disturbing. Well, wish granted.
The story goes that originally a woman’s fiancé died on his way to marry her at the mansion. She decided to be buried alive so that she could wait for her husband like one does, I suppose. Women continued to be sacrificed, one per year, so that the buried bride wouldn’t be lonely. In all honestly, the origin story for the haunting is the part that I found to be the weakest. It just didn’t inspire that anticipatory shiver that I was hoping for.
None of the characters are particularly likable and at first, I found myself viewing them through the slasher-film lens. You know: this one will die first because they sleep around, this one next because they don’t believe in the danger, etc. However, such was not the case. The tropes became jumping-off points for complex, multi-faceted characters, each with their own flaws and fears. Half of the fun of Nothing but Blackened Teeth was watching the complicated relationships fray and slowly dissolve as the characters’ pasts caught up to them.
The story begins with Cat, a woman who is still coming to grips with an unspecified mental illness. It has affected her past and she is still in the midst of learning to cope with it. There’s Phillip, the charismatic and super rich sponsor of the mansion rental. There’s Faiz and Talia, the engaged couple. Cat and Talia have beef, and their issues with each other add to an already tense situation. Last, there’s Lin, who is a master pot-stirrer. It’s these tangled relationships and hidden emotions that really elevate Nothing but BlackenedTeeth to the fascinating tale that it is.
Author Cassandra Khaw played with motifs of relationships and mental health in ways that felt a little reminiscent of Shirley Jackson (if Jackson had a penchant for gore). There were times when I wondered what was happening and what- if anything was being imagined by one character or another. Nothing but Blackened Teeth is a riveting book, perfect for fans of creepy tales with a little extra bite.
This review was originally published in Grimdark Magazine. You can find that here.
The funny thing about The Hazel Wood (and its sequel) by Melissa Albert is that, for me, the best parts weren’t the main storyline. Nope. The best parts were the undeniably eerie fairy tales come-to-life that bled through into the pages of the books. I told my husband that if a collection of Hinterland tales was every published, I’d be super excited to read it. So, of course I had to snag a copy of Tales from the Hinterland!
These completely original fairy tales were about characters that crossed over from the fictional world into the real one in The Hazel Wood books. And they were as creepy as it gets without descending into full-on horror. Let’s just say that the majority of them did not end well for the “hero”. In fact, most of them didn’t have a hero per se. What they did have was a ton of creativity and a darker tone that sent shivers down the spine.
One thing that stood out to me was that the main characters were all female. There were naïve females, clever ones, even evil ones. But males were always in a supporting role. It was an interesting choice. It didn’t change my enjoyment of the book, either positively or negatively; it was just something I noticed.
Another thing that I really liked was that not a single tale seemed even remotely like an existing fairy tale. There were no Beauty and the Beast retellings, and Little Red Riding Hood didn’t make an appearance. The stories were 100% original. It was refreshing to see entirely new ideas (not that I mind a good fairy tale reimagining).
There wasn’t a single story that felt lesser than or out of place. My main complaint, in fact, is that the tone was similar in several tales. I am not even sure if that should be a complaint: that the stories fit well together. Hmm…something to think about.
There were three stories that stood out to me. One was The Door that Wasn’t There, which was equal parts creepy and sad. It’s about two sisters who were locked in a room to starve and what one of them does to survive (no, there’s no cannibalism. Ew!). The feeling that Melissa Albert created in this story was a little bit gothic and a whole lot of unearthly.
The second story that kept me enthralled was The Mother and the Dagger. This felt like your usual tale told to scare kids into coming home before dark- but with a twist that was uncanny and creeptastic. The way this one was written, like someone is talking to you, stood out from the other stories and drew me in. I loved the ending, which had an abrupt finality to it.
Finally, was Twice-Killed Katherine. That character was one of the bits of fairy tales that showed up in The Hazel Wood, and the one that I found the most intriguing. While the story didn’t go the way I expected, it was nonetheless fascinating and really cool to see the backstory the author had for her. That one also felt different in that what was left unsaid could have been stretched and expanded on to create an entirely separate novel in its own right.
Tales from the Hinterland was by far my favorite book that takes place in the Hazel Wood universe (so to speak), even though it’s not a straight-through narrative. It was eerie and intelligent, and definitely not a book to read alone at night. I wouldn’t necessarily call it horror- maybe horror-adjacent. Either way, it was really stinking good.
Thank you to the editor for providing me with the first issue of The Common Tongue magazine in exchange for my honest opinion. Issue number one will be available on March 31st. Please be aware, readers, that while my review is appropriate for everyone, this is a horror and dark fantasy magazine. As such, younger readers might not be suited to its content.
Wow, this is a strong first issue! The tone of the magazine was well established from the first story, and it continued in a consistently creepy vein throughout. Every story brought its own brand of chilling (up until I got to the nonfiction pieces). I was very impressed at the variety of entries. Not only was there fiction; poetry and nonfiction opinion pieces also made an appearance.
While I thought every piece was very well written, there were three that stood out to me. DeeperIntoDarkness by J. Porteous was incredible. It had an eerie vibe to it, and a tension that made me almost hold my breath. It followed a Beastman, a monster hunter, who was sent to a small town to catch and kill a vampyre. The story was told with enough detail to paint a vivid picture of a small place peopled with terrified folk demanding an answer, while equally scared of the one sent to provide it. I loved the way the ending cut off after giving just enough information for the reader to know what happened next. It was skillfully told.
“Everdeath” by Qril was brilliant! A poem that basically describes a total party kill from the perspective of the demon that did the deed, it was phenomenally told. I loved that it rhymed without feeling forced. Each member of the deceased fantasy party (cleric, minstrel, wizard, etc) had their own stanza. It was witty, dark, and altogether a great read. Absolutely genius.
Last, but most certainly not least, I was fascinated by the editorial piece “Differences in Dark Fantasy Subgenres”, written by Kade Draven. I was actually discussing dark fantasy, grimdark, and horror with a friend the other day and how the lines between them can get a little blurred. I really liked reading Kade Draven’s knowledgeable and well researched take on it. It was also a really smart addition to a magazine that will feature a little bit of each subgenre. I’ll be gnawing on this piece for quite a while.
The Common Tongue will be a great magazine for those who enjoy a macabre read, who appreciate that darker area and the things that often lurk in it.
In the lands of Bethel, where the Prophet’s word is law, Immanuelle Moore’s very existence is blasphemy. Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement.
But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still lurking there, and they bestow a gift on Immanuelle: the journal of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood.
Fascinated by the secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her. (taken from Amazon)
This is going to be a very odd, convoluted review. I have very mixed thoughts on this one, so of course I’ll be unable to do much but blather. You have been warned.
The Year of the Witching felt like a mash-up of The Crucible and M. Night’s The Village, with some Anne Rice thrown in for good measure. It was haunting and I won’t forget it in a hurry.
The first thing I noticed was the author’s incredible ability to make a small, simple setting seem ominous and fraught with peril. The book takes place in a small, puritanical village. Women are seen as secondary to men and the Prophet controls everything. He uses fear and years of tradition to keep his cult in line. It was uncomfortable to read, but also fascinating. It got me mulling over the differences between obedience through faith and obedience through fear.
The book follows Immanuel, an illegitimate child of a woman who cheated on her betrothed with an Outskirter, a man of a different race and religion. That union does not end well, and Immanuel is raised by the family her mother was supposed to marry into. Immanuel tries to be subservient, the way women are supposed to be in this society, but instead is drawn in the Darkwood, a place of witches and curses. Something is started that only she can stop, if anyone can.
The characters themselves were interesting. The Prophet gave me major ick vibes (he’s supposed to), and at times it became too much. He legitimately scared me because he was utterly believable. In fact, the entire book got under my skin. It borrowed in deep and ended up really unsettling me.
I’m not sure entirely what was so disturbing about this book. I definitely think the overcontrolling patriarchy was part of it, as were the witches themselves. Nothing was overdone; Hendersen kept a balance between the “everyday life” of the book, and the creepiness that slowly bled into that. The curses themselves were set in motion in a way that just really bothered me.
That being said, the book is absolutely engrossing. The slower buildup complimented the claustrophobic feel of the town, and Immanuel’s discontent with the religion and fear of her disobedience being discovered just added to that. Despite being incredibly unsettled, I wanted to know how it ended. I don’t know if I would necessarily recommend this book to every horror reader, but if you like subtle atmospheric horror, this will suit you.