A Class Above: D&D Classes in Books- Paladins, Clerics, and Druids (Repost)

I had the idea to discuss Dungeons and Dragons classes (which is very similar to the class system in most roleplaying games) and its similarity to characters in books. Basically, a “class” is a set group of skills that is generally used by a specific profession. For example, “fighter class” consists of excelling at some sort of combat.

I asked for contributions from book bloggers and authors and what they came up with is brilliant. What had started out as a single post has turned into a few, with each post discussing a different set of classes. You can find my post on Fighters and Barbarians here. Today, let’s talk about paladins, clerics, and druids. Here we go!

Paladin: Take a fighter and add a fair dose of religious fervor, a strong code of conduct, and an oath to fulfill, and you’ve got the general idea. Paladins get a power boost from either their god or their commitment to their cause. Boiled down: holy warrior. Or, if you’re feeling saucy, an unholy warrior.

I’m happy to have The Swordsmith joining in the conversation :

“Firstly, I am delighted to be contributing to the Witty and Sarcastic Book club for the first time!  It’s an amazing blog that I follow and when Jodie put out this interesting call, I just knew that I wanted to be a part of this post.

I have a feeling this is going to be a great post. Jodie’s request was to match a character from fiction to a Dungeons and Dragons class and I had so many ideas!  I settled on something though, it seemed so bizarre but then thinking about it I just had to write about Murderbot from the Murderbot Diaries by Martha Wells as a Paladin!

Go with me on this one as Paladins are a holy warrior class in D&D, while Murderbot isn’t the major comparison is that it always tries to do the right thing.  This is an important part of the books and the character, this part of the character drew comparisons to the Paladin class. It reminded me of one cool dude I am playing D&D with at the moment and guess what?  He’s playing as a Paladin.

Doing the right thing or what you perceive to be the right thing is tough, Paladin’s can have a very hard time in D&D and Murderbot..well the character is an interesting one because it fights for what it believes, for it believes to be doing the right thing when it does.  I can’t say too much without spoilers but I just knew that the character connotations were there.

Thank you to Jodie for allowing me to let loose my love of Murderbot and comparing it to a Paladin class, enjoy the rest of the post!”


Author Ricardo Victoria also has some thoughts on the paladin class: “This class gets a lot of flak due to its apparent rigidity, but I blame that more on the player (no offense) than on the class, as not many people know or like or can play a Lawful Good character without trying to make it a cardboard cutout. That’s why I think the best example of how a Paladin should be is Sgt. Carrot from Discworld. Strong as an ox? Check? Abides by the Law? Check. Charismatic? Check. Compassionate? Check. Innocent? Check. Can pound you to an inch of your life if you hurt an innocent? For sure. Carrot proves that a Paladin can abide by the spirit of the rule, rather than the letter, can be courteous yet dangerous, flexible when needed, and smart in an unexpected way, especially with clever interpretations of the law. But his most important trait is that he could have the power (it’s somewhat of a secret that he is the true heir to the crown of Ankh-Morpok, and he knows that). The thing is he doesn’t want it. He just wants to protect the innocent and then go home, even if he is pretty much married to his job. That, for me, is how a paladin should be played.”

Witty and Sarcastic Bookclub, on paladins: “For me, I picture Sir Gawain as the epitome of a holy warrior. In Sir Gawain and the Green Knight, he is very concerned with honor and adhering to the strict code he’s sworn to uphold. There are themes regarding service to the helpless, as well as to God. His sense of morality and his code of conduct guide him in every aspect of his life.



Cleric: More than a healer, but not quite a paladin, clerics are servants of their deities. Clerics have the ability to heal as well as possibly harm through magical means granted by their god. However, unlike a priest or acolyte (who usually stay in a town or temple), clerics take their skills to the frontlines, helping those such as paladins in their holy cause.

Geeky Galaxy has some great thoughts on clerics: “Trudi Canavan has a great many series that covers every angle of character archetypes, from rogues to magicians, and the one I’m going to talk about a little more, clerics. Age of the Five #1 is called Priestess of the White and features all manner of religious icons, from cults, to gods and of course, clerics. This series is perfect if you love a rich depth to your fantasy worlds with a particular focus on religion and politics. It’s perfect for the sort of person who wants to get lost in a book for hours at a time!


Beneath a Thousand Skies 
shares her thoughts on clerics: “Anyone who’s ever played D&D has likely has the cleric call them out on their nonsense at least once. The long-suffering cleric is part healer, part priestess/priest, part counsellor, and often (but not always0 the common sense of the party. They can also pack quite a punch when they want to.

For me, that is Gilda from the Godblind trilogy in a nutshell. In many ways, she’s central to the story and plays a pivotal role in the lives and stories of many of the characters. Yet she’s also an unsung hero, and she is a perfect example of someone straddling that line between priestess, counsellor, and

healer. She might not have magic, but she has powe, heart, and that all-important common sense and she has a mean right hook when needed (just ask Lanta).”

“There’s little I understand about your religion, about why you would choose a life of fear and of pain over a world of life and light and beauty and an afterlife of joy and oneness. Because life is hard, aye, but it isn’t brutal. Brutal’s what we do to each other. Hard is what the seasons do to us.”-Anna Stephens, Darksoul

Witty and Sarcastic Bookclub says: Clerics are probably the class that I have the least experience with. However, Melisandre from George R.R. Martin’s A Song of Ice and Fire series comes to mind. Her deity is called the Lord of Light and, to be honest, she really weirded me out.

Druid: Druids are representative of nature. They get their power- healing, magical spells, etc.- from either the land itself or from a nature deity. They can even shift into an animal form.

I love Bees and Books’ take on druids: “Were the Animorphs a huge part of your childhood? Those tattered, much loved paperbacks certainly were a staple in all of the school libraries I visited.
Prepare yourselves for a Big Brain moment but the Animorphs were just like Druids in D&D. Take the primary power of an Animorph: the ability to morph into a creature they have seen and touched, thereby acquiring the DNA of the creature permanently. The Animorph in question then can use that shape for morphing at any time, though they are limited to the time period they can stay in shift otherwise they may become stuck as that creature. The Animorph power (given to them by the alien Andalites) is similar to a class feature of the D&D Druid, namely the Wildshape feature. Wildshape allows Druids to transform into a creature that they have seen–as opposed to touch/acquire DNA from. This mechanic limits Druids to only creatures from their region, or that they see while on their adventures at the DM’s discretion. Additionally, there are limitations that lift over time as the Druid levels up such as not being able to transform into flying or swimming creatures, and the difficulty rating that Druids can transform up to. It’s relatively easy to transform into a rat, but it takes a while before a Druid can be a giant eagle. These limitations for both Druids and Animorphs mean that they can really only transform into creatures they have access to, and have to be clever when thinking about what to transform into for fighting and other adventures.
More experienced Druids also gain additional features, depending on their Druid Circle, that can boost their abilities while in Wildshape, increase the time they can be shifted, or broaden the options for what they can shift into. Similarly, as the Animorphs grow and learn their abilities in the books they become more proficient in shifting, and even find ways around tricky situations such as getting stuck in shift.”

Witty and Sarcastic Bookclub weighs in: Allanon from the Shanara series by Terry Brooks is a pretty good example of a typical druid.

Meet the contributors:

The Swordsmith is a wonderful blog focusing on fantasy literature. The posts are full of detail and so well-written! I highly suggest checking out The Swordsmith anytime you’re looking for a great new book to check out. You won’t be sorry!

Ricardo Victoria is the author of The Tempest Blades fantasy series. Book one, The Withered King, (which I highly recommend reading), is available now. Book two, The Cursed Titans will be released this summer and is available for pre-order on Amazon.

Beneath a Thousand Skies talks about all things nerdy on her blog, including books and Dungeons and Dragons. A perfect haven for those with an eye toward imaginative books, Beneath a Thousand Skies is definitely a blog to follow.

Geeky Galaxy is a great blog that covers a bit of everything, from book reviews to thoughts on book-to-movie adaptations. Her content is always fun to read, and her writer’s voice is a fantastic!

Bees and Books is a delightful blog, and one of my go-to’s for fantasy opinions. Bees and Books’ posts are so unique and always give me something to mull over.


Fantasy Focus: Romantic Fantasy Featuring Fiona West

Banner Credit: Dan Fitzgerald

Last month, I did a weeklong feature that focused on comedic fantasy. This month’s focus is on romantic fantasy. Today, I am lucky to have Fiona West, author of the Rocky Royal Romance books, share a guest post, talking about romance in fantasy.

Drawing Lines: Reflections on Romance, Fantasy, and Where they Meet

Fantasy is in my blood; I cut my teeth on My Father’s Dragon when I was just learning to read, and spent many nights listening to my mother read books like A Wrinkle in Time before bed. I read Dealing with Dragons so often, I wore out my copy. Looking back, that series was a nice primer on romance…sword-loving princess who bucks tradition and makes cherries jubilee meets disorganized, magic-wielding king: clearly, a match made in fantasy. My love for steamy romance came much later. It should be no surprise: romance has always been a type of contemporary fantasy to my mind. Sure, there are fewer ogres (though I’ve written a few ex’s who’d count), but there’s a similar respect for magic and a fairy-tale ending. The magic just can’t be contained in a gold ring or an ancient sword; it’s the chemical, physical kind in the held gaze of someone you really, really like. And you’ll never convince me that’s not magic in its own right.

But when it comes to categories, it can truly be confusing. Where’s the line between fantasy romance, romantic fantasy, and fantasy that just has a love story subplot? Here’s the quickest way to tell: If you can pull out the romance and not affect the plot? That’s romantic fantasy. It gives us the relationship as a side quest, so to speak. If, on the other hand, our whole emotional and plot arc is wrapped up in the happily ever after? That’s fantasy romance. If it doesn’t have an HEA, it’s not a romance. Plenty of love stories (cough Nicholas Sparks cough) do not qualify as romance, and those who have dared to suggest that they do have suffered the public flagellation they deserve. Likewise, romance tips into erotica when the sex is the plot. More on that in a moment. 

And of these options, I admit to loving fantasy romance the most, only because I want to know that whatever these two go through, they’re ending up together. It gives the mind a safe place to unpack some of the most troubling topics, trauma of all shapes and kinds. For all the flack the romance genre gets, it is uniquely suited to hold the most difficult circumstances because we know that this ship is sailing safely into the harbor at the end, and that allows the reader to ride out any storm the author can throw at them with hope. And truly, hope is the gift that the best romances aim to give more than any other.

For example, in my first fantasy romance, Chasing Down Her Highness, the female main character has a chronic illness that prompted her to give up her right to the throne and choose instead to live on the streets of a foreign country. As you might suspect from the title, her fiance does not accept this sudden abdication without question. In my own chronic illness circles, I heard people talk about how illness had broken their relationships, and I wanted to show a world where two very different people–one well and one ill–could still find happiness together. Not everyone can appreciate this strange mishmash of reality and fantasy, but I find a specific joy in pulling back the mundane and allowing love and relationships to flourish in a world that has different limits. It makes me more aware of my own, more grateful for my own set of problems. Yet at the same time, it activates my creativity: What would love look like if I had magic gifts to bestow? If I were a princess? If dragons stood between me and my beloved?

And of course, the most controversial part of any fantasy that contains romance or a love story is the sex scenes. I heard Elena Johnson, the undisputed queen of sweet (no-sex) romance, say recently that the most important part of her books is often a large gift given at just the right time, in the moment of the heroine’s greatest need, because it shows that he knows her. And I would argue that this is also why sex scenes can add to a book in a unique way: when two characters give their bodies to each other, it pulls back the curtain on an inner life that we often don’t see any other way. Their scars, their insecurities, and their questions all to the surface where there’s (literally) nowhere to hide. Are there other kinds of gifts to give? Sure. But this gift, this sharing of souls, often means more, because it is a way of knowing unlike any other.

When we cross boundaries, intentionally or unintentionally, it changes us. It changes our relationships. Ultimately, that’s what fantasy romance offers us: a chance to see characters grow together into who they’re meant to be and stand in their fullest selves together…preferably over the severed head of their enemies. 

Fantasy Focus: Romantic Fantasy

Banner Credit: Dan Fitzgerald

This year, I want to talk about some of the many types of fantasy you can find. In January, the focus was on comedic fantasy, but it seems only appropriate that February is the domain of romantic fantasy.

This is a subgenre that I don’t know all that much about (okay, I know pretty much nothing about it), so I took to Twitter and asked for the names of great authors of romantic fantasy. The list below has some great suggestions if you’re looking for some romance in your fantasy.

Here are the links to the guest posts in case you’ve missed any:

Fantasy Focus: Romantic Fantasy Featuring Fiona West

Fantasy Focus: Romantic Fantasy Featuring Emmaline Strange

Fantasy Focus: Romantic Fantasy Featuring Dan Fitzgerald

Fantasy Focus: Romantic Fantasy Featuring Rebecca Crunden

Fantasy Focus: Romantic Fantasy Featuring Carissa Broadbent

Fantasy Focus: Romantic Fantasy Featuring L. Kruach

Did I miss your favorite romantic fantasy author? Let me know in the comments!

*Shana Abe- The Smoke Thief

*Jennifer L. Armentrout- From Blood and Ash

*Angela Boord- Fortune’s Fool

*K.F. Breene-A Ruin of Roses

*Carissa Broadbent- Daughter of No Worlds

*Rebecca Crunden- These Violent Nights

*Jacqueline Carey- Kushiel’s Dart

*Dan Fitzgerald- The Isle of a Thousand Worlds

*Emma Hamm-Heart of the Fae

*Elizabeth Haydon- Rhapsody: Child of Blood

*Elise Kova- A Deal with the Elf King

*L. Krauch- The 13th Zodiac series

*Sarah J. Maas- A Court of Thorns and Roses

*Hollee Mands- The Mackinnon’s Bride

*Lisette Marshall- The Princess & The Spy series

*Krystle Matar- Legacy of the Brightwash

*Caroline Peckham-The Awakening

*Katee Robert- Desperate Measures

*Emmaline Strange-Crown of Aster

*Laura Thalassa- Pestilence

*Susanne Valenti- Afflicted

*Fiona West- Chasing Down Her Royal Highness

*C.L. Wilson- Lord of the Fading Lands